On October 24 1989, Oh Father was released in North America as the fourth single from the Like A Prayer album. France, Japan, the Philippines and Australia also opted to issue the single in 1989, while other European markets waited for Madonna’s 1995 ballads compilation, Something To Remember, to promote the song. Oh Father was written and produced by Madonna & Patrick Leonard.
According to the song’s string arranger, Bill Meyers, Oh Father was recorded in a “dingy studio” in New York City’s Garment District while Madonna was appearing in the play, Speed-The-Plow. Since the bulk of the album would be completed in California after the completion of her Broadway run, this would suggest that Oh Father was likely the first song recorded for the project. Leonard recently provided further evidence of this when he shared an image of a demo tape sleeve containing working titles of songs from the latter sessions on his Instagram, noting that Oh Father was not among the tracks listed because it had been completed earlier.
Leonard recalled the recording of the track in a 2014 interview with Billboard Magazine:
My favorite thing that we ever recorded, ever – or wrote – is Oh Father. That to me is the best thing we ever did. So, it didn’t surprise me because we knew when we did it, that there was something about this that was in a way kind of the most real thing.
For that song, the ‘record’ button was only pressed three times. It was pressed to do the track, live, with her singing live. Then we did the orchestra. And then we did a double of her vocal when we were mixing. That’s it. So it’s real. It’s something that I really wanted to do and she was kind enough to say “let’s try this,” and it was not easy.
There’s two or three guitar players playing. I’m playing keyboards. Jai Winding was playing keyboards. There was a percussionist and a drummer – and she’s singing – all at the same time.
These days, people go “wow, that seems crazy.” Those days it wasn’t uncommon for everybody to be playing together even though you’re not a band. But it was one of those things where the arrangement was tricky enough, that it really took some working out to get it all right.
Even all those weird synth overdubs and things – all those things were being done live. We worked out all the parts, had all the sounds. I remember that we cut it live, and then put the orchestra on. You’re not doubling the orchestra, so it’s one pass for the orchestra.
When I say [the ‘record’ button was] pressed three times, it might have gotten pressed 10 times that day, but it was ultimately one that stayed there. If you see what I’m saying. When we were mixing it, [mixer] Bill Bottrell suggested that we double the choruses. I remember even being a little upset about it (laughs). Like, look, “we’ve got an amazing record that we only pressed the record button twice – can’t we leave it?” He said, “three isn’t exactly shameful.” We doubled the lead vocal on the choruses, and that was it.
Thank you for the post.
On Sun, Oct 24, 2021, 7:01 PM Today In Madonna History wrote:
> Jay posted: ” On October 24 1989, Oh Father was released in North America > as the fourth single from the Like A Prayer album. France, Japan, the > Philippines and Australia also opted to issue the single in 1989, while > other European markets waited for Madonna’s 1995 ba” >
Yes! What you hear in sad, angry and enraged ballad Oh Father is Madonna’s most visceral and raw performance that gave meaning to “A victim of a kind of rage!”-we all have our authority figures to deal with-it’s Madonna’s equivalent of John Mellencamp’s The Authority Song. Madonna Fights the Authority-the Authority Always Wins!
Madonna was always ahead of the curve and this absolute beauty showed it This track was a masterpiece with a beautiful accompanying video when I first heard the track on the like a prayer lp I took a step back I can totally understand why pat leonard feels the way he does about oh father it still evokes chills to this day
I don’t know. I never really felt the song worked without the video. I remember being puzzled when it was released as a single, and wasn’t surprised when it didn’t reach Top 10. The video really took it to another level though.
One of her most underrated songs ever. Like Bad Girl, the Fincher video is haunting and bring deeper meaning to the song. The top 20 isn’t such a bad position for a song this brilliant. Always reminds me of the winter months and snow.
Still my favorite Madonna video. Was just talking to my friend about it last night at the Ruston Kelly show. Hmmm