Today in Madonna History: April 17, 2001

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On April 17 2001, Madonna’s What It Feels Like for a Girl – the third single from Music was released by Maverick Records. The song was written by Madonna, Guy Sigsworth and David Torn, who was credited later, while production was handled by Madonna, Guy Sigsworth and Mark Stent. The spoken intro, recited by Charlotte Gainsbourg, is an excerpt from the 1993 film The Cement Garden.

Lyrics:

Girls can wear jeans
And cut their hair short
Wear shirts and boots
Cause it’s okay to be a boy
But for a boy to look like a girl is degrading
Cause you think being a girl is degrading
But secretly
You’d love to know what it’s like
Wouldn’t you?
What it feels like for a girl

Silky smooth
Lips as sweet as candy, baby
Tight blue jeans
Skin that shows in patches

Strong inside but you don’t know it
Good little girls they never show it
When you open up your mouth to speak
Could you be a little weak

Do you know what it feels like for a girl
Do you know what it feels like in this world for a girl

Hair that twirls on finger tips so gently, baby
Hands that rest on jutting hips repenting
Hurt that’s not supposed to show and
Tears that fall when no one knows
When you’re trying hard to be your best
Could you be a little less

Do you know what it feels like for a girl
Do you know what it feels like in this world for a girl
Do you know what it feels like for a girl
Do you know what it feels like in this world
What it feels like for a girl

Strong inside but you don’t know it
Good little girls they never show it
When you open up your mouth to speak
Could you be a little weak

Do you know what it feels like for a girl
Do you know what it feels like in this world for a girl
Do you know what it feels like for a girl
Do you know what it feels like in this world for a girl

In this world
Do you know
Do you know
Do you know what it feels like for a girl
What it feels like in this world

Today in Madonna History: April 16, 2003

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On April 16 2003, Madonna released an edited version of the American Life video on VH-1.

The edited version (also called the “flag” version) featured Madonna singing in front of a backdrop of ever-changing flags of different countries.

Today in Madonna History: April 15, 1991

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On April 15 1991, Madonna and Michael Jackson were featured on the cover of People magazine as The Oddest Couple.

Here’s an excerpt from the article:

It may have been just a one-night stand, but when Pop’s Billion Dollar Boy and the Queen of Steam strutted their stuff at the Oscars, they were, for one brief moment, the brightest star couple of all.

As anyone burdened with stardom knows, finding a date for the Oscars can be an enormo pain. After all, really famous folk simply can’t be seen with some sweet nobody who waves “Hi Mom” at the camera and spends the evening worrying about credit-card approval at Spago.

And so it was, when Madonna and Michael Jackson, Earth’s top pop stars, faced the who-is-famous-enough-to-be-seen-with-me quandary, they hit on the perfect solution. Since they were already planning a duet for Michael’s upcoming album, Dangerous, and since they both happened to be on all Hollywood’s collagen-enhanced lips anyway—he for his ballyhooed “billion-dollar” contract with Sony, she for her upcoming, already controversial self-ploitation film, Truth or Dare-why not date…each other?

Big dates can also become big disasters, however. So a week before the Oscars, the couple met at L.A.’s Ivy restaurant to plan and, perhaps, trade makeup tips. By Oscar night, all was ready. Michael looked positively legendary in gold-tipped cowboy boots, a blinding diamond brooch and—in a dramatic sartorial departure—two gloves. Madonna, awash in peroxide and pluck, diverted at least some of the attention from her low-cut, pearl-encrusted Bob Mackie gown with $20 million in diamonds, on loan from jeweler Harry Winston. They entered L.A.’s Shrine Auditorium and promptly collected their well-deserved Best Seat honors—front row, two on the aisle.

Today in Madonna History: April 14, 2012

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On April 14, 2012, Madonna’s MDNA ranked as the number-one electronic album on the Billboard Dance/Electronic Albums chart in the USA.

MDNA remained number-one for the issues dated April 21, 28, and May 5.

Today in Madonna History: April 13, 1995

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On April 13 1995, Bedtime Story was released as a single in North America by Maverick/Sire as the third single from the album Bedtime Stories. The song was written by Björk, Nellee Hooper & Marius DeVries and was produced by Madonna & Nellee Hooper.

Bedtime Story was released in Europe in February but the release was delayed for several months in North America due to the prolonged chart reign of her previous single, Take A Bow.

The commercial maxi-single featured remixes by Junior Vasquez and Orbital. Additional promo-only remixes by Mark Picchiotti & Teri Bristol were also later serviced to clubs.

An official remix video was released to promote the Bedtime Story maxi-single. It was edited by Ed Steinberg – the director of Madonna’s very first music video for Everybody in 1982 – and was set to Junior’s Single Mix.

Today in Madonna History: April 12, 1994

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On April 12 1994, Madonna sent a handwritten note to David Letterman wishing him a “Happy Fucking Birthday”.

Sent less than two weeks after her infamous profanity-laced appearance on the Late Show, the cheeky letter takes Letterman to task for having used the controversy to his advantage.

Today in Madonna History: April 11, 1990

On April 11 1990, the Keep It Together single was certified gold for sales of 500,000 units in the USA.

Written and produced by Madonna and Stephen Bray, the main inspiration behind Keep It Together was Madonna’s relationship with her family—whom she dearly missed after her divorce from actor Sean Penn.

Keep It Together became the last Madonna single release to feature a collaboration with Bray—a partnership that had begun romantically when Madonna & Stephen were college students at the University of Michigan. Madonna later persuaded Bray to join her in New York where he became the drummer for her band, Emmy. After briefly falling out over Madonna’s decision to work with more established producers after signing to Sire Records in 1982, the pair quickly made amends and went on to write and produce some of Madonna’s most memorable 80’s hits.

A final collaboration between Madonna & Bray, Get Over, was reworked by Madonna and Shep Pettibone for possible inclusion as one of the new tracks on The Immaculate Collection, but was instead given to Warner Bros artist Nick Scotti to record in 1991. Although Madonna’s background vocals are featured prominently in Scotti’s versions of the song, a full Madonna vocal version has yet to surface.