On November 22 1995, Madonna was featured on VH1’s television series VH1 To One in a previously recorded interview with Jane Pratt. The appearance was part of Madonna’s promotional activities for the ballads compilation, Something To Remember.
The interview was conducted in London, where Madonna had recently begun recording the soundtrack to Evita.
On November 21 2000, the second single from Madonna’s Music album, Don’t Tell Me, was released by Maverick Records. The b-side for Don’t Tell Me was Cyber-Raga.
During an interview for Interview Magazine, in March 2001, Madonna discussed the lyrics for Don’t Tell Me:
“To me it is a romantic song. Just, you know, rip my skin off, do not tell me who I should love, or how I should love. Don’t tell me to give up. To me, in a way it’s like that Frank Sinatra song, ‘If I can make it there, I’ll make it anywhere’.”
The North American CD maxi-single included the following versions of Don’t Tell Me:
Don’t Tell Me – (Timo Maas Mix) – 6:55
Don’t Tell Me – (Tracy Young Club Mix) – 11:01
Don’t Tell Me – (Vission Remix) – 7:52
Don’t Tell Me – (Thunderpuss’ 2001 Hands in the Air Anthem) – 10:20
Don’t Tell Me – (Victor Calderone Sensory Mix) – 6:48
Don’t Tell Me – (Vission Radio Mix) – 3:38
Don’t Tell Me – (Thunderpuss’ 2001 Hands in the Air Radio) – 4:26
Don’t Tell Me – (Music Video)
On November 20 1993, Madonna – Live Down Under: The Girlie Show (taped November 19th at Sydney Cricket Ground) was broadcast on HBO-TV. In Australia, Madonna postponed a scheduled concert at the Sydney Cricket Ground due to severe rain.
Recording of the November 19th show had been intended to serve as both a practice run for the following night, and as a safety show in the event of technical difficulties or cancellation of the November 20th concert. With Madonna apparently satisfied with the safety footage captured on the 19th, neither the December 3rd show at the Cricket Ground nor the rescheduled date (December 4th) served to provide supplemental footage for the eventual VHS/laserdisc release. The only notable differences between the HBO broadcast and the released version were some alternate camera angles and additional audio mixing.
On November 19 1993, the movie Dangerous Game premiered in New York City. Madonna shared top-billing with co-stars Harvey Keitel & James Russo in director Abel Ferrara’s gritty and experimental film about film-making. It was one of the first productions by Maverick Pictures, the film arm of Madonna’s multimedia company that was born in partnership with Warner Bros. the previous year. In some countries, the film was released under its original title, Snake Eyes, which could not be used in the U.S. due to a previous trademark on the name.
Given Maverick’s production involvement, it is perhaps unsurprising that the film’s credits include some names that should be familiar to many Madonna fans:
- Madonna’s longtime manager and founding partner in Maverick, Freddy DeMann, as executive producer
- Madonna’s assistant at the time, Missy Coggiola
- her frequent costume designer, Marlene Stewart
- her stylist, Hiram Ortiz–who not only styled her for the film but also appears as her stylist onscreen
- Madonna’s then-future manager, now the late Caresse Henry–at the time an assistant to DeMann
- songs by Maverick-signed music groups Proper Grounds & UNV
- Madonna’s eldest brother, Anthony Ciccone, as locations production assistant
Unhappy with Ferrara’s final cut of the film–which was reported to have been drastically altered from the movie that had been pitched to the actors–Madonna did not attend the premiere and, in Ferrara’s view, killed the movie’s shot at achieving wider distribution after badmouthing it in the press. Ironically, Ferrara noted, the reviews of Madonna’s strong performance in the film (which was certainly more natural, raw & vulnerable than any of her previous big-screen appearances) are among the best she had received as an actress at the time.
(Note: the clips used in the short preview above are from a low-resolution, compressed rip from DVD and do not represent the superior quality of the new high definition Blu-ray edition of the film.)
On November 18 2009, a new remix of Madonna’s Celebration (featuring Akon) was made available for download from online retailers.
Were you a fan of Celebration (the single) or the remixes from it? What about the single cover? LOVE it or wasted opportunity?