On January 18 1991, Madonna’s The Immaculate Collection was certified double platinum for sales of 2 million units in the USA.
Monthly Archives: January 2016
Today in Madonna History: January 17, 1985
On January 17 1985, Debbie Miller reviewed Madonna’s Like A Virgin album for Rolling Stone magazine. Here’s what she had to say (3 1/2 stars out of 5):
In the early Sixties, when girls were first carving their niche in rock & roll, the Crystals were singing about how it didn’t matter that the boy they loved didn’t drive a Cadillac car, wasn’t some big movie star: he wasn’t the boy they’d been dreaming of, but so what? Madonna is a more, well, practical girl. In her new song, Material Girl, she claims, “the boy with the cold hard cash is always Mr. Right/’Cause we’re living in a material world/And I am a material girl.” When she finds a boy she likes, it’s for his “satin sheets/And luxuries so fine” (Dress You Up). Despite her little-girl voice, there’s an undercurrent of ambition that makes her more than the latest Betty Boop. When she chirps, “You made me feel/Shiny and new/Like a virgin,” in her terrific new single, you know she’s after something. Nile Rodgers produced Like A Virgin, Madonna’s second LP; he also played guitar on much of it and brought in ex-Chic partners Bernard Edwards on bass and Tony Thompson on drums. Rodgers wisely supplies the kind of muscle Madonna’s sassy lyrics demand. Her light voice bobs over the heavy rhythm and synth tracks like a kid on a carnival ride. On the hit title song, Madonna is all squeals, bubbling over the bass line from the Four Tops’ “I Can’t Help Myself.” She doesn’t have the power or range of, say, Cyndi Lauper, but she knows what works on the dance floor. Still, some of the new tracks don’t add up. Her torchy ballad Love Don’t Live Here Anymore is awful. The role of the rejected lover just doesn’t suit her. Madonna’s a lot more interesting as a conniving cookie, flirting her way to the top, than as a bummed-out adult.
Today in Madonna History: January 16, 2001
On January 16 2001, Don’t Tell Me was released commercially in North America as the second single from Music.
Written by Madonna, Mirwais & Joe Henry, the song was Madonna’s first collaboration with her brother-in-law, whom she had known since high school. Henry sent a demo (then titled Stop) to Madonna after his wife, Melanie, insisted that her sister would love the song. Madonna & Mirwais drastically altered the music and melody and renamed the song Don’t Tell Me. Henry released his version on his eighth studio album, Scar, in May 2001.
The maxi-single featured remixes by Thunderpuss, Timo Mass, Victor Calderone, Richard “Humpty” Vission and Tracy Young. Don’t Tell Me was the last Madonna release to be issued on cassette single in the U.S. and was also available on 2-track CD single, CD Maxi-Single (enhanced with the music video) and as a double 12″ vinyl set. In Canada, it was released only on CD maxi-single.
Today in Madonna History: January 15, 2012
On January 15 2012, Madonna and co-writers Julie Frost and Jimmy Harry won a Golden Globe for Best Original Song for Masterpiece (from the film W.E.) at the Golden Globe Awards.
Today in Madonna History: January 14, 1993
On January 14 1993, Madonna was featured in a 2-part interview with Bryant Gumbel on NBC-TV’s Today to promote the film Body of Evidence.
Madonna seemed quite fond of Gumbel. If they were to get any closer she’d be sitting on his knee. And note the conspicuously missing gap between her teeth. Hmmm. On second thought, it may have had something to do with the filming of her next movie, Dangerous Game…what do you think?
Today in Madonna History: January 13, 2015
On January 13 2015, Billboard revealed that Michael Keaton’ son, Sean Douglas, worked on Ghosttown, one of the songs to be featured on Madonna’s Rebel Heart album. The songwriter said that the track was written in three days, after Madonna had personally requested some studio time.
“Madonna liked ‘Talk Dirty,’ actually, and so they put me and [co-writers] Jason Evigan and Evan Bogart in with her and we had this great session. I was incredibly nervous for obvious reasons, but she showed up, was super personable and was ready to work. I basically checked it off my life bucket list.”
Douglas is a successful pop songwriter whose credits include Top 40 hits for Jason Derulo, Demi Lovato and Fifth Harmony, among many others.
Today in Madonna History: January 12, 1988
On January 12 1988, Possessive Love, a song written by Madonna, Patrick Leonard & Jai Winding and performed by Marilyn Martin was released as the lead single from Martin’s second album for Atlantic Records, This Is Serious. Martin is perhaps best known for her chart-topping duet with Phil Collins, Separate Lives. Though Possessive Love failed to make any chart impact, Madonna’s involvement in the song has kept it from being completely forgotten.
In an interview by Breathe Cast writer Timothy Yap, Martin was asked about the circumstances surrounding the song:
I met Pat Leonard when I began the search for a producer for my second album. He’s the one who approached Madonna with the idea of writing a song for me and she graciously agreed. Pat called me one day while he was working on her Like a Prayer album and asked if I would like to come and sing backgrounds [on Cherish]. Talk about an ‘Are you kidding?’ moment! That was the only time I met her. She was impressive to say the least. Very in charge. She absolutely knows her mind and insists on her music being true to her vision. She was very focused and a tad intimidating, but that’s not surprising given her amazing success over the years. I thought it was pretty cool that before agreeing to write Possessive Love for me to sing on my album she asked Pat Leonard if I was a nice person.”
Martin’s claim that the song was written specifically for her rather than being a leftover from one of Madonna’s album sessions is likely accurate, given the fact that Winding was never involved in songwriting sessions for any of Madonna’s albums. Winding’s involvement as a musician in the Who’s That Girl Tour suggests that the song may have been written at some point during the 1987 tour.
The sentiments expressed in Possessive Love appear to align with the issues Madonna was reportedly facing in her marriage to Sean Penn at the time, with reports of their initial separation dominating the tabloids in late 1987. Madonna would revisit and further elaborate on her marital woes on the Like A Prayer album track, Til Death Do Us Part, which was written later in 1988.
Today In Madonna History 