Today in Madonna History: December 10, 1991

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On December 10 1991, Madonna was honoured with the Award Of Courage by the American Foundation For AIDS Research (AMFAR) at a Regent Beverly Wilshire Hotel dinner, in Beverly Hills, California.

At the event, Madonna discussed the rumours that she had tested positive for AIDS:

“When the rumors surfaced that I was HIV-positive, I thought, well, someone’s really bored today . . . let’s make up a real juicy story. I tried to ignore it but it wouldn’t go away. . . .

Instead of pointing the finger at people and having witch hunts and ostracizing each other for lifestyles and sexual preferences, we should all be uniting to fight this disease . . . but we’re not. Because we’re afraid. We’re scared out of our skins to face the truth that AIDS is not a gay disease, it’s a human disease.

Now I’m not HIV-positive, but what if I were? I would be more afraid of how society would treat me for having the disease than the actual disease itself. If this is what I have to deal with for my involvement in fighting this epidemic, then so be it.

I’m not afraid to be associated with people who are HIV-positive, and I am not afraid to love people who are HIV-positive. Because their ordeal is more important than mine, because their courage is larger than mine, because what they’re facing is real. And if we can learn to deal with real, and our fears, then I’m hopeful that we can conquer this disease.”

The event drew 850 guests, and raised $750,000 for AmFAR. Performers included Patti Austin, k.d. lang, Barry Manilow, Michael McDonald, David Pack and Rosie O’Donnell, who did a hilarious send-up of the Madonna’s Vogue.

Today in Madonna History: December 6, 2004

On December 6 2004, Madonna’s Re-Invention Tour corset made by French designer Christian Lacroix was put on display as part of the inauguration celebration of the Villa du Marais hotel. Seventeen rooms of the hotel were filled with Christian’s most impressive creations.

Madonna had two variations of the corset: gold and lilac. She wore the corset during Vogue, Nobody Knows Me and Frozen.

Today In Madonna History: May 22, 1990

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On May 22 1990, Madonna’s I’m Breathless: Music From And Inspired By The Film Dick Tracy album was released.

In the December 1994 issue of Q magazine, Madonna declared:

“I would have to say the favourite record that I’ve made is the soundtrack to Dick Tracy (“I’m Breathless”). I love every one of those songs… My judgement is never based on the world’s reaction.”

Today in Madonna History: May 5, 1990

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On May 5 1990, Madonna’s Vogue/Keep It Together became the number-one single in Australia on the ARIA Singles Chart.

The double A-sided single remained number-one for 5-weeks (from May 5 to June 9, 1990).

Lyrics:

Strike a pose
Strike a pose
Vogue, vogue, vogue
Vogue, vogue, vogue

Look around, everywhere you turn is heartache
It’s everywhere that you go (look around)
You try everything you can to escape
The pain of life that you know (life that you know)

When all else fails and you long to be
Something better than you are today
I know a place where you can get away
It’s called a dance floor, and here’s what it’s for, so

Come on, vogue
Let your body move to the music (move to the music)
Hey, hey, hey
Come on, vogue
Let your body go with the flow (go with the flow)
You know you can do it

All you need is your own imagination
So use it, that’s what it’s for (that’s what it’s for)
Go inside, for your finest inspiration
Your dreams will open the door (open up the door)

It makes no difference if you’re black or white
If you’re a boy or a girl
If the music’s pumping it will give you new life
You’re a superstar, yes, that’s what you are, you know it

Come on, vogue
Let your body groove to the music (groove to the music)
Hey, hey, hey
Come on, vogue
Let your body go with the flow (go with the flow)
You know you can do it

Beauty’s where you find it
Not just where you bump and grind it
Soul is in the musical
That’s where I feel so beautiful
Magical, life’s a ball
So get up on the dance floor

Vogue (vogue)
Let your body move to the music (move to the music)
Hey, hey, hey
Come on, vogue (vogue)
Let your body go with the flow (go with the flow)
You know you can do it

Vogue (vogue)
Beauty’s where you find it (move to the music)
Vogue (vogue)
Beauty’s where you find it (go with the flow)

Greta Garbo, and Monroe
Dietrich and DiMaggio
Marlon Brando, Jimmy Dean
On the cover of a magazine

Grace Kelly, Harlow, Jean
Picture of a beauty queen
Gene Kelly, Fred Astaire
Ginger Rogers, dance on air

They had style, they had grace
Rita Hayworth gave good face
Lauren, Katharine, Lana too
Bette Davis, we love you

Ladies with an attitude
Fellows that were in the mood
Don’t just stand there, let’s get to it
Strike a pose, there’s nothing to it

Vogue, vogue, vogue
Vogue, vogue, vogue

Oooh, you’ve got to
Let your body move to the music
Oooh, you’ve got to just
Let your body go with the flow
Oooh, you’ve got to
Vogue, vogue, vogue

Today in Madonna History: March 11, 2015

On March 11 2015, Madonna was interviewed by Howard Stern on SiriusXM.

Here are some tidbits we learned about Madonna during the interview, according to Rolling Stone magazine:

  • Her shocking VMA debut of “Like a Virgin” was an accident. “I had come down the wedding cake and my shoe fell off,” she said. “I was like ‘Oh shit, I can’t dance in one shoe!” The mishap prompted quick decision-making on Madonna’s end as to how to proceed with the performance and led to the controversial stage-humping that took place at the first Video Music Awards. “I didn’t know my skirt was up. I proceeded to sing the song laying down on the ground. I was just making the best of the situation.” She noted that her manager Freddy DeMann told her that her career would be over following the performance.
  • She craves normalcy every once in a while. “Every 3 days I crave it,” she said. “Every three days I go, ‘That’s it. I’m moving to a cabin and living in the forest and no one’s gonna fuck with me anymore.'” Stern probed as to why she thinks she could never give up her career and life in the spotlight. “Because I’m an artist and I’m tortured. I’m a masochist and I like to create. I don’t know. Maybe one day I will.”
  • Madonna’s first year in New York included multiple robberies, an assault and an unreported rape. “I needed money for the payphone and [a stranger] gave it to me,” she said. “He was a very friendly guy, and the phone was ringing. He was like, ‘Oh, I live right across the street if you’d like to make the phone call from my house.” The then 19-year-old Madonna agreed, blaming her “stupid friendliness” from her Midwestern roots. “I trusted everybody. The rest is not worth talking about.”
  • She doesn’t hate David Letterman. Stern acknowledged some early interviews between the pop star and talk show host, noting he could never tell if she liked him or was annoyed. “Oh, that’s how I flirt with people,” she revealed. “One time I was mad at him, when I said the ‘f-word’ a lot, but the rest of the time was good.”
  • She dated Tupac Shakur. The late rapper had actually been the reason Madonna was mad at Letterman. “I was dating Tupac Shakur at the time, and he had gotten me all riled up about life in general,” she said. “When I went on this show, I was feeling very gangster.” Stern revealed his surprise about the little-known past relationship. “I think people know, if you’re in the know,” said Madonna coyly.
  • The misunderstood meaning of “Material Girl” gets on her nerves. “The song that irritated me the most about being associated with me is ‘Material Girl,'” she said. “It was an ironic song because I’m certainly not a materialistic person.” The topic came up as Stern had her clear up a rumor that she detested the success of “Like a Virgin” because other people had written it. The singer declared the rumor false, asserting that she loves the song and appreciates its writers.
  • Upon making her first $1 million, she indulged in buying a Frida Kahlo painting. “That was always my goal,” she said on her art collection. “When I was married to Sean [Penn], I said ‘When I make my first million, I’m going to buy art.'” Madonna had been a huge fan of Frida Kahlo since she was young. “I bought a self-portrait of hers. At the time it was rather inexpensive because people didn’t know who she was.”
  • Jean-Michel Basquiat destroyed all the paintings he had given to her. Madonna and Basquiat had dated when the singer was very young, but his heroin addiction ended up pulling them apart. “He was an amazing man and deeply talented. I loved him,” she said. “When I broke up with him, he made me give all [his paintings] back to him. And then he painted over them black.” She regrets giving the art back, but felt pressured to do so since it was something he had created.
  • She wrote “Vogue” in a few hours. Madonna stands by the idea that her best songs are the ones she wrote in only a couple of hours, “Vogue” included. “I thought it was a very cool dance, very presentational and elegant and all about vanity,” she said about the dance of the same name. The song had been written for Dick Tracy, the film she made with ex-boyfriend Warren Beatty, and was inspired by all the classic movie stars. “[Warren] dated all of Hollywood, basically.” She would ask him questions about what the stars she admired — and he dated — were like, including Natalie Wood and Julie Christie. “I looked up to [these women] and admired them.”

Today in Madonna History: March 3, 1991

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On March 3 1991, Madonna’s Vogue won International Single Of The Year at the 20th annual Juno Awards held at the Queen Elizabeth Theatre, in Vancouver, British Columbia.

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Today in Madonna History: January 30, 2020

On January 30 2020, glowing reviews of Madonna’s first Madame X show in London were published:

Music critic Neil McCormick (The Telegraph) had this to say: Anarchic and experimental – her best show ever? 5 STARS (out of 5)

I’m not sure who was having more fun at the opening of Madonna’s London residency, the audience or the star. She sang, she danced, she joked and she beamed with almost childlike glee at the crowd’s adoring response.

“How happy I am to have made it this far,” she declared, calling London “my second home”.

Madonna first played the city in 1983 to 1,500 early adopters at the Camden Palace. Her next London gig was Wembley Stadium. She was clearly delighted to be back in a venue where she could not just reach out and touch the audience, she could descend from the stage and sit in their laps. “It’s so intimate. It’s gorgeous and a thrill for me to be able to see all your faces.”

David Smyth of the Evening Standard gave the show 4 STARS (out of 5): Madame X is tireless, imaginative and powerfully intimate.

Such drama before Madonna could even take to the stage for her first theatre tour since 1985! Would she arrive drastically late? Would she cancel at the last minute? Tenterhooks all round.

Monday was supposed to be the first of a planned 15 nights at the Palladium, cancelled on doctor’s orders. It was the 10th dropped concert of the Madame X Tour, which began in New York in September and gathered complaints for its late start times.

But tonight at 8.45pm, there she was, dressed as a bloodstained, eyepatch-wearing revolutionary soldier. She was also a spy, a protest marcher and a Portuguese fado singer in the course of a tireless, imaginative show that was far from shrunken arena pop. Thanks especially to an extraordinary troupe of dancers, it was a spectacle that felt more powerful up close.

Like Bruce Springsteen, who showed a different side of himself in his recent Broadway run, and Kate Bush, whose live comeback was more theatre than concert, the 61-year-old has unearthed something new late in her career. The Madame X album may have plummeted out of the charts in an instant, but here its songs dominated and found their purpose.

Batuka, tuneless on record, was euphoric when performed with a mass of smiling, rump-shaking Batuque drummers from Cape Verde. I Rise was far more powerful when backed by footage of anti-gun protests and gay pride marches.

Alexis Petridis of The Guardian, also gave the show 4 STARS (out of 5) and noted: London residency short on hits but big on British banter.

She sings the bare minimum of big hits – Vogue, Like a Prayer, Human Nature – with Express Yourself and La Isla Bonita reduced to interstitial roles (the former performed as a sweet, but brief a cappella duet with her daughter Mercy), and American Life performed in full.

Still, it occasionally serves to remind you that some of Madame X is better than its relatively muted commercial response might suggest – Medellín sounds like the hit single it wasn’t, as does the gorgeous album track Crazy. This is presumably part of the point – the other part being a certain screw-you intransigence designed to underline that we are in the presence of an artiste, not a pop star.

And the BBC had a few fun notes to add in their review:

The audience were required to store mobile phones in sealed pouches as “an intervention for us all”. However, Madonna admitted that even she was getting anxious without a phone nearby.

“I’m having little panic attacks,” she joked. “I’m like, ‘Why is no-one taking my picture?'”

But the gambit worked: Freed from distractions, the audience gave the concert their undiluted attention; while Madonna seemed to relax and have fun without a phalanx of tiny cameras recording her every move.

At one point, she slipped into a British accent and recalled how she’d been ridiculed for developing similarly plummy vowels during her marriage to Guy Ritchie.

“I didn’t know what anyone was talking about until I heard old interviews of myself,” she said. “And then I was horrified and flabbergasted. Why did you let me do that to myself? I’m from Michigan!”

“It’s all Guy Ritchie’s fault,” she decided. “He made me to it.”