Today in Madonna History: February 15, 1984

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On February 15 1984, Madonna’s Borderline single was released in North America. Borderline was the fourth North American single to be released from her self-titled debut album, while in most other markets Lucky Star was released ahead of Borderline. It was written and composed by producer Reggie Lucas, and remixed by Madonna’s then-boyfriend John “Jellybean” Benitez.

In an interview recalling the launch of Madonna’s recording career, Sire Records head Seymour Stein stated, “I dared to believe this was going to be huge beyond belief, the biggest thing I’d ever had, after I heard Borderline. The passion that she put into that song, I thought, there’s no stopping this girl.”

In the United States, Borderline became Madonna’s first top-ten hit when it reached #10 on the Billboard Hot 100 on June 16, 1984. In Canada, it peaked at #25 on September 15, 1984.

Today in Madonna History: October 27, 1996

On October 27 1996, Madonna’s You Must Love Me (the lead single from Evita) was released.

Kathleen Guerdo’s review for Billboard:

“Madonna delivers what is by far one of the strongest vocal performances of her career, comfortably scaling to the song’s demanding soprano heights while infusing it with delicate, heart-rending emotion. This bodes well for the creative potency of the rest of the soundtrack, which is due Nov. 14. Prepare for wall-to-wall airplay of this flawless ballad on pop and AC radio.”

Today in Madonna History: October 17, 2005

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On October 17 2005, Hung Up was released by Warner Brothers Records as the lead single from the album Confessions On A Dance Floor.

Written & produced by Madonna & Stuart Price (with additional sampling credits to ABBA’s Benny Andersson & Björn Ulvaeus), Hung Up had initially been previewed instrumentally in a September 2005 commercial for Motorola’s ROKR mobile phone. Price had also teased a dub remix of the track to unknowing audiences during his DJ sets throughout the previous year.

The single was Madonna’s first to be released digitally through iTunes.

In an interview with The Daily Telegraph from October 2005, Benny Andersson spoke about their decision to allow Madonna to sample ABBA’s 1979 hit, Gimme Gimme Gimme (A Man After Midnight):

We get so many requests from people wanting to use our tracks but we normally say ‘no’. This is only the second time we have given permission. We said ‘yes’ this time because we admire Madonna so much and always have done. She has got guts and has been around for 21 years. That is not bad going.”

Today in Madonna History: October 6, 1982

On October 6 1982, Madonna’s debut single, Everybody, was released on Sire Records.

Happy 35th anniversary, Everybody! Dance and sing, get up and do your thing!

 

Today in Madonna History: July 14, 2003

On July 14 2003, Madonna’s Hollywood was released as the second single from the American Life album (excluding Die Another Day, since its release as a single was intended to promote the Bond film and soundtrack album of the same name).

Hollywood was written and produced by Madonna & Mirwais Ahmadzaï. The music video was directed by Jean-Baptiste Mondino.

Today in Madonna History: March 16, 2004

On March 16 2004, Love Profusion was commercially released in North America on CD maxi-single. In the U.S., a double 12″ vinyl edition of the maxi-single was also released one week later, on March 23rd. Written & produced by Madonna & Mirwais Ahmadzaï, Love Profusion was the fourth and final North American single release from the American Life album. In the UK, Warner chose to issue the song instead of Nothing Fails as the album’s third and final single in December, 2003.

Though lack of radio support kept Love Profusion from charting on the Hot 100 in the U.S., it nevertheless managed to top the Hot Dance/Club Play chart. North of the border, the track peaked at #3 on the Canadian singles chart.

North American pressings of the CD maxi-single included a fold-out tester square of the Estée Lauder fragrance Beyond Paradise. The television commercial for the fragrance featured the song Love Profusion – and although Madonna was replaced by supermodel Carolyn Murphy, it used the same computer-generated imagery as the music video’s “daylight” scenes. Both the video and the commercial were created simultaneously by director Luc Besson.

Today in Madonna History: February 13, 1995

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On February 13 1995, Bedtime Story was released in Europe by Maverick Records as the third single from the album Bedtime Stories. In North America, the single was delayed until April due to the sleeper success of Take A Bow, which continued its slow-but-steady climb to the top of the Hot 100.

Bedtime Story was written by Björk, Marius De Vries & Nellee Hooper and was produced by Hooper & Madonna. Björk’s original demo, titled Let’s Get Unconscious, was reworked by Hooper & DeVries and renamed Bedtime Story for its submission to Madonna. Björk later revisited elements of the song’s lyrics in Sweet Intuition–a b-side from her 1995 single, Army Of Me.

In a 2001 interview for NYLON magazine, writer James Servin asked Björk whether it was true that she had written the lyrics to Bedtime Story for Madonna because she liked the idea of her expressing a viewpoint that was paradoxical to her controlled public image:

“I think at the time, yes. But that’s like six years ago, when everything about [Madonna] seemed very controlled. I think she’s a very intuitive person, and definitely her survival instincts are incredible. They’re like, outrageous. At the time, the words I thought she should say were, ‘I’m not using words anymore, let’s get unconscious honey. Fuck logic. Just be intuitive. Be more free. Go with the flow.’ Right now, she seems pretty much to be going with the flow.”

This prompts me to ask Björk if she thinks she might have put those mellowing-out thoughts into Madonna’s head. “Well, I wouldn’t credit myself for that,” she says. “Not at all. That’s a question for you to ask her.”

I sent a fax to Madonna via her publicist Liz Rosenberg, with the question: “Did singing the lyrics Björk wrote for Bedtime Story lead you in the direction of going more with the flow?” A day or two later, I receive this e-mail from Liz Rosenberg: “I wish I could get an answer from Madonna for you. She’s deep into rehearsals for her tour, and I can’t get any info from her for a while. I can tell you that Madonna certainly thinks Björk is inspiring and a brilliant artist. Madonna is a huge fan of her music. I’ve never thought Madonna was a ‘go with the flow’ person before or after recording Bedtime Story. She goes with a flow – but it’s a flow of her own creation, if you know what I mean.”