Today in Madonna History: December 16, 1989

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On December 16 1989, Dear Jessie debuted at #9 on the UK Singles Chart.

The single would climb to its peak position of #5 on December 30th, where it remained for three weeks before beginning its descent.

Today in Madonna History: December 8, 2003

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On December 8 2003, Love Profusion was released as the final U.K. single from the American Life album.

 

Today in Madonna History: November 24, 1992

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On November 24 1992, the music video for Deeper And Deeper premiered on MTV.

The clip was directed by Bobby Woods, who was an Executive Producer at Madonna’s companies Boy Toy Inc. and the film division of Maverick. The Warhol-inspired trip down memory lane featured many familiar faces from Madonna’s life, including Seymour Stein, Debi Mazar & Guy Oseary.

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Woods recalled the video and shared Madonna’s handwritten concept notes for the shoot in an interview with fansite Madonna New Era:

Madonna wanted to do an Andy Warhol/Edie Sedgwick styled video. She believed, and I think this is accurate, that there was a similar feel to the times of America in the Roaring ’20’s and the Disco ’70’s. A wildness. The video was made very quickly. Deeper and Deeper is a great song, one of her best dance records for sure, thanks to Shep Pettibone. The dance sequences in the video are 100% spontaneous. We loaded a dance floor with people, put her record on, and the dancing began. I have danced with Madonna many times. So I can understand why those people wanted to dance with her as well. It’s a thrill. She also brought along Udo Kier and Holly Woodlawn who were part of the original Warhol crowd. Her pal Sofia Coppola (who I adore) came along, too, as well as Debi Mazar and Ingrid Casares… For me, working with her was a lot of fun. First off, she’s extremely smart. Secondly, it’s all her doing. Thirdly, nobody is more professional. And most importantly, she has the great ability to bring together very talented people, and make them want to do their very best for her. This is true of all the stylists, musicians, dancers, filmmakers, photographers, everybody. Many of them do the best work of their careers during their time with her. It’s a great and rare talent. It is my belief that this spirit carries over to the fans, who are also lifted up by this talent.”

Today in Madonna History: November 14, 2004

On November 14 2004, Michael Colombier – the composer/arranger who produced the beautiful string arrangements for Madonna’s songs Die Another Day, Don’t Tell Me & Easy Ride, and composed the soundtrack for Swept Away (perhaps the film’s most memorable attribute) – passed away at age 65.

Colombier was one of the most prolific and versatile French musicians of his generation. Besides his career as a film composer scoring over 100 feature, cable and television films since the early 1960’s – Colombier was a prolific songwriter and arranger who worked with artists such as Joni Mitchell, Prince, Serge Gainsbourg, The Beach Boys, Herbie Hancock, Air, Barbra Streisand & Earth Wind And Fire.

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As a film composer, Michel Colombier scored many French and American films, including The Golden Child, Ruthless People, New Jack City, How Stella Got Her Groove Back and The Money Pit. His background in jazz was evident in the majority of his film scores, and his ability to compose original score music that merged seamlessly with pop songs made him the perfect composer for 1980’s films with song-heavy soundtracks, including White Nights, Against All Odds and Purple Rain (which won a Grammy Award as well as an Academy Award for Best Original Score).

Today in Madonna History: November 12, 1994

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On November 12 1994, Madonna’s Bedtime Stories was the week’s highest debut on the Billboard 200 album chart, peaking at #3 with sales of 145,000 units.

While the figure represented a 15% drop in first-week sales from her previous long player, Erotica, the album proved to be a commercial grower in America – where the runaway success of its second single, Take A Bow, would push its overall U.S. sales tally well beyond that of its predecessor.

Illustrating urban/r&b’s U.S. chart domination at the time, Bedtime Stories was held back from the top spot by the Murder Was The Case soundtrack (performed by Snoop Doggy Dogg) and Boyz II Men’s II.

Today in Madonna History: November 7, 1998

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On November 7 1998, Sky Fits Heaven peaked at #41 on Billboard’s Hot Dance/Club Play chart in the US.

Although the song was not released commercially or promotionally in North America, remixes by Sasha and Victor Calderone released abroad on the Drowned World/Substitute For Love single managed to garner enough club play in the U.S. to merit a six-week run on the chart (plus one week on the Hot Dance Music Breakouts chart).

A remix video of Sky Fits Heaven (Sasha Remix) featuring outtakes from the Ray Of Light music video was serviced to select clubs, and this non-traditional form of promotion may have contributed to its chart placement.

Today in Madonna History: October 25, 2004

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On October 25 2004, it was announced that Madonna would lend her voice to the cast of the animated film Arthur and the Invisibles (then titled simply Arthur), written & directed by French filmmaker Luc Besson.

The film tells the story of ten-year-old Arthur, who, while trying to save his grandfather’s house from developers, goes on a treasure hunt in the land of the Minimoys, a tiny people living in coexistence with nature, informed The Malaysia Star. According to ABC News, Arthur was adapted from a series of children’s books written by Besson, who also wrote the screenplay for the movie. Madonna was said to be voicing the part of Princess Selenia, a character who travels with Arthur to a mysterious forbidden city where an evil being dwells. “The recording is being done at the moment,” a source was quoted by ratethemusic as saying.

Madonna had previously collaborated with Besson earlier in 2004 when he directed her music video for Love Profusion. She was also in the midst of writing songs for a proposed musical film to be directed by Besson, but she later withdrew from the project after being dissatisfied by the finished screenplay.