Today in Madonna History: December 21, 2014

On December 21 2014, Madonna hit #1 on iTunes in 36 countries around the world with the release of six songs from her forthcoming album, Rebel Heart. In virtually every country the songs were released, they held six of the ten slots on the iTunes Top 10 chart. In seven of those countries, she had multiple #1’s across various iTunes charts. The lead single Living for Love topped the iTunes chart in twenty counties.

The other tracks made available for immediate download were: Ghosttown, Devil Pray, Unapologetic Bitch, Illuminati & Bitch I’m Madonna.

News of the surprise drop came when Madonna posted a link on Instagram late the previous night announcing the release as “an early Christmas gift” to those who pre-ordered the album. Fans immediately went to iTunes and drove the songs to the top of iTunes charts around the globe. Instantaneously Rebel Heart exploded on social media with the album topping the Billboard Trending 140 chart.

The early release of six songs from Rebel Heart came on the heels of a series of leaks which forced Madonna and her team to quickly devise a new marketing plan for the album.

Today in Madonna History: November 30, 2002

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On November 30 2002, Die Another Day (Remixes) spent the first of two weeks at number-one on the Hot Dance Music/Club Play chart in US. It was Madonna’s 28th single to top the dance charts.

Today in Madonna History: November 19, 1994

On November 19 1994, Bedtime Stories‘ lead single, Secret, peaked at #2 on the Hot Adult Contemporary chart in the U.S.

Secret would spend a total of 26 weeks on the Hot AC chart.

Today in Madonna History: November 17, 1984

On November 17 1984, the title-track and lead single from Madonna’s Like A Virgin album entered the Billboard Hot 100 at #48 – the week’s highest debut – hot on the heels of its commercial release as a 7-inch single in the preceding sales week. A commercial 12-inch single was also issued in North America during the chart week ending November 17th, with Like A Virgin pouncing onto the Hot Dance/Disco Sales chart at #26 in the November 24th issue of Billboard.

Created by the successful pop songwriting team of Tom Kelly & Billy Steinberg and produced by Nile Rodgers, the demo of Like A Virgin – sung by Kelly – was initially introduced to Madonna by Warner Bros. Records’ A&R rep Michael Ostin (son of then-CEO of Warner, Mo Ostin).

In a 2009 interview for Rolling Stone magazine, Madonna recalled her impressions upon first listening to the demos of Like A Virgin and its follow-up single, Material Girl:

“I liked them both because they were ironic and provocative at the same time but also unlike me. I am not a materialistic person, and I certainly wasn’t a virgin, and, by the way, how can you be like a virgin? I liked the play on words; I thought they were clever. They’re so geeky, they’re cool. I never realized they would become my signature songs, especially the second one.”

As audio engineer Jason Corsaro noted in a 2007 interview with Sound On Sound magazine, although she officially ceded production credit to Rodgers, Madonna was actively engaged in all aspects of the recording sessions for the album and title-track:

“Nile was there most of the time, but she was there all of the time. She never left.”

Like A Virgin made a high-profile debut via live performance during the first annual MTV Video Music Awards on September 14th, 1984.

With previous single Lucky Star still ascending the North American charts, however, the official release of Like A Virgin was held back by Warner Bros. Records in a bid to allow the former (along with its parent album) to reach its full chart potential. This strategy proved successful, with Madonna earning her first U.S. Top-5 single with Lucky Star in the October 20th issue of Billboard, while Like A Virgin would reach #1 in the December 22nd issue.

Today in Madonna History: November 14, 2004

On November 14 2004, Michael Colombier – the composer/arranger who produced the beautiful string arrangements for Madonna’s songs Die Another Day, Don’t Tell Me & Easy Ride, and composed the soundtrack for Swept Away (perhaps the film’s most memorable attribute) – passed away at age 65.

Colombier was one of the most prolific and versatile French musicians of his generation. Besides his career as a film composer scoring over 100 feature, cable and television films since the early 1960’s – Colombier was a prolific songwriter and arranger who worked with artists such as Joni Mitchell, Prince, Serge Gainsbourg, The Beach Boys, Herbie Hancock, Air, Barbra Streisand & Earth Wind And Fire.

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As a film composer, Michel Colombier scored many French and American films, including The Golden Child, Ruthless People, New Jack City, How Stella Got Her Groove Back and The Money Pit. His background in jazz was evident in the majority of his film scores, and his ability to compose original score music that merged seamlessly with pop songs made him the perfect composer for 1980’s films with song-heavy soundtracks, including White Nights, Against All Odds and Purple Rain (which won a Grammy Award as well as an Academy Award for Best Original Score).

Today in Madonna History: November 7, 1998

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On November 7 1998, Sky Fits Heaven peaked at #41 on Billboard’s Hot Dance/Club Play chart in the US.

Although the song was not released commercially or promotionally in North America, remixes by Sasha and Victor Calderone released abroad on the Drowned World/Substitute For Love single managed to garner enough club play in the U.S. to merit a six-week run on the chart (plus one week on the Hot Dance Music Breakouts chart).

A remix video of Sky Fits Heaven (Sasha Remix) featuring outtakes from the Ray Of Light music video was serviced to select clubs, and this non-traditional form of promotion may have contributed to its chart placement.

Today in Madonna History: October 31, 2006

On October 31 2006, Jump was released as the fourth and final single from the album Confessions On Dance Floor. It was written by Madonna, Stuart Price & Joe Henry and produced by Madonna & Stuart Price.

In Canada, the CD maxi-single for Jump is notable for being Madonna’s last physical single to be issued domestically. The Hard Candy-era singles were imported from the U.S. by Warner Music Canada, while her Interscope singles have only been released in digital form for the North American market.