On February 2 1998, the April issue of Spin magazine with Madonna featured on the cover hit stands across North America.
From the issue:
Thirty-nine-year-old Madonna Louise Ciccone could easily have hacked out an album of Babs-and-Celine-style schmaltz and laughed all the way to the ashram. Instead, says Barry Walters, she delivered Ray Of Light, the riskiest, most revealing record of her career. Photographs by Inez van Lamsweerde & Vinoodh Matadin.
On January 24 1998, Madonna performed Frozen for the very first time. It was at the Sanremo Music Festival, in Sanremo, Italy, that she first promoted the song, and the forthcoming album, Ray of Light.
The following month, on February 21, she performed the song on the BBC 1’s The National Lottery Show. Additionally, that same month, she appeared and performed the song on the German TV show Wetten dass..?
You only see what your eyes want to see
How can life be what you want it to be
You’re frozen
When your heart’s not open
On January 7 1998, filming began for Madonna’s Frozen music video in the California desert with director Chris Cunningham.
Cunningham recalled the initial concept for the video in his book, Directors Label:
“The original treatment was, like, massive piles of bodies in the desert. All these figurative sculptures made up of bodies that were all multiple Madonnas. They were all going to split and break up and change into ravens and then change into dogs. Just a performance video, but a really elaborate one using her, her clothes, and any shapes that would come out of her clothes.”
On November 28 1998, Madonna’s The Power Of Good-Bye hit #11 on the Billboard Hot 100 Singles Chart in the USA. The hit single from Ray Of Light was written by Madonna and Rick Nowels; produced by Madonna, William Orbit and Patrick Leonard.
Rick Nowels had this to say about his experience writing the song with Madonna:
It was a career-changing experience for me. Before that I had always done my co-writing with friends. But working with Madonna. It was the first time I had ever written one-on-one with a great artist/writer. After that I changed gears a little, and now I mostly collaborate directly with artists.
On October 13 2017, Sainsbury’s (UK grocery store chain) released two limited edition Madonna albums on vinyl:
In 2016, Sainsbury’s released two other limited edition Madonna albums on vinyl:
Jay’s Note: Now the hunt begins .. how to secure a copy without paying an arm and a leg?
On June 30 1997, Madonna began recording sessions for what would become her Ray Of Light album at Larrabee North Recording Studios, Universal City, Los Angeles.
Madonna had already spent several months writing songs and producing demos with Patrick Leonard, Rick Nowels and Babyface (although none of the Babyface material would make the final cut) by the time she entered the studio with co-producers William Orbit and Marius De Vries. Leonard would return to the project to assist with arrangements, earning him a co-producer’s credit on four of the album’s tracks. Madonna would add lyrics and melody to at least a half-dozen previously composed Orbit demos during these sessions as well, with six of their songs making the final track list.
On June 11 2015, a Rick Nowels interview was featured at songwriteruniverse.com in which he spoke about how he came to collaborate with Madonna for the Ray Of Light sessions:
“I always wanted to work with Madonna. I loved her voice, her songwriting, and the great records she made with Pat Leonard, Stephen Bray and Nile Rodgers. In 1997 I was in New York for the Grammys. I was up for Album of the Year (as one of the producers) for Celine Dion’s Falling Into You. I was in Barney’s (store) getting a tie for the Grammys and I saw Madonna there. I introduced myself, and I told her that she didn’t get the credit she deserved as a songwriter. Which is true, but it’s also an awkward thing to tell a huge superstar! She was very cool and gracious. I ended up getting a meeting with her in L.A. a few weeks later. We wrote nine songs together — three made the Ray of Light album: The Power of Good-bye, Little Star and To Have and Not To Hold. The Power of Good-bye was a number one song in U.K. and Europe. It was a career-changing experience for me. Before that I had always done my co-writing with friends. But working with Madonna…it was the first time I had ever written one-on-one with a great artist/writer. After that I changed gears a little, and now I mostly collaborate directly with artists.”
Today In Madonna History 