On December 3 2005, Confessions On A Dance Floor entered the Billboard 200 album chart at number-one with sales of of over 350,000. It was her third consecutive studio album to reach the top and her sixth chart-topping album overall in the US.
Internationally the album hit number-one in 40 countries, including Canada, the UK, Germany, France, Italy, Spain, Poland, Brazil and Australia.
On October 9 1989, Madonna’s Cherish spent the first of two weeks at #1 on Canada’s Top 100 Singles chart.
On August 30 2012, Turn Up The Radio jumped to the top position on the Billboard Hot Dance/Club Play Chart, earning Madonna a record-extending 43rd number-one single on the chart.
Marking a sign of the times, the single and remixes were sold exclusively to digital retailers and were sadly not given a physical release on any format (aside from scarce promotional copies), in any country. This was the first time in Madonna’s career that an international commercial single was unavailable to record shops and collectors either through domestic distribution or as an import.
We hope that Interscope realizes that there are many old-school Madonna fans who still enjoy collecting physical releases – and we’re willing to pay for them. So what will it be Interscope? Would you like to earn some extra bucks with the singles from Madonna’s next album, or are you going to leave collectors with padded pockets?
On July 26 1986, Papa Don’t Preach spent its third and final week at number-one on the UK singles chart. It was certified Gold by BPI on August 1st, 1986 for shipment of over 500,000 copies, based on certification thresholds at that time. With a chart run extending for 15 weeks, the single ranked #8 overall in the UK’s year-end charts tally.
The song was a massive hit across Europe, topping the Eurochart for an incredible eleven week stretch from August 2nd through October 11th, 1986 when it was finally overtaken by none other than Madonna herself with the follow-up single, True Blue.
Although Justify My Love is often cited as being the first-ever video single, it is interesting to note that it was actually not the first Madonna music video to be marketed commercially as a single. Possibly an attempt to cash-in on the success and controversy surrounding Papa Don’t Preach or more likely as a means of testing out new marketing possibilities for a hybrid laserdisc/cd format, Warner issued limited quantities of Papa Don’t Preach as a CD Video in the US, UK and Japan containing three audio tracks along with the music video. Perhaps anticipating the limited appeal of the format, Warner did not bother modifying the track-listing to include the appropriate b-sides in either the UK (Ain’t No Big Deal) or Japan (Think Of Me), instead opting to issue the US b-side (Pretender) on all three pressings. Stranger still was the release date – 1988 – two years after the standard single hit stores. Needless to say, this early attempt to market a music video single did not stir public interest the way it would in 1990, and the concept went into hibernation mode until Madonna gave audiences a video single they were willing to pay for.
On June 7 1986, Madonna’s Live To Tell hit #1 in the USA. Live To Tell was written and produced together by Madonna and Patrick Leonard.
Speaking of Patrick Leonard, one of our all-time favourite Madonna collaborators — he currently has a Kickstarter campaign going for a new album called Bring The Circus Home, a collection of re-visited and re-imagined songs (piano-only, no vocals) that he and Madonna worked on and released together. Please check out Patrick’s Kickstarter campaign and donate/pledge if you can — this is an all-or-nothing campaign. He will not be able to proceed with the album if the goal is not met by Wednesday July 4.
Jay’s Note: I’m going to pledge $100 so I can get one of the limited edition vinyl releases! Woo-hoo vinyl!
This beautiful video shows Madonna collaborator Patrick Leonard playing a solo piano version of Live To Tell:
On April 29 1989, Madonna’s Like A Prayer enjoyed a second (of three) weeks at #1 in the USA.
On February 1 1997, Evita – The Complete Motion Picture Soundtrack peaked at #2 on the Billboard 200 album chart in the U.S. Meanwhile across the pond, the soundtrack simultaneously shot to the #1 position on the UK album chart. It had initially peaked at #6 in the U.S. and at #7 in the U.K. upon release in November, 1996.
The surge in sales was largely attributed to the film’s wide release in January and the heavy promotional push that accompanied it, along with the interest generated by the soundtrack’s second single, Don’t Cry For Me Argentina.
Today In Madonna History 