
On May 4 2016, Madonna tweeted about her long-time friend and Like A Prayer collaborator, Prince:
“It’s been 7 hours and 13 days since you took your love away……….all the flowers you planted died when you went away……….Nothing Compares 2 U.”

On May 4 2016, Madonna tweeted about her long-time friend and Like A Prayer collaborator, Prince:
“It’s been 7 hours and 13 days since you took your love away……….all the flowers you planted died when you went away……….Nothing Compares 2 U.”
On March 20 1990, the lead single from Madonna’s I’m Breathless album, Vogue, was released.
Vogue was written and produced by Madonna and Shep Pettibone in December 1989. The song was recorded with the intention of being the b-side to the upcoming (and last single for the Like A Prayer album), Keep It Together (released on January 30 1990).
The finished product was too good to be a single b-side, so it was decided that Vogue would be a stand-alone single on Madonna’s forthcoming album, I’m Breathless (even though the song had nothing to do with Dick Tracy).
On November 11 1989, the music video for Oh Father premiered on MTV in the US. Filmed at Culver Studios, California in late October, 1989 by director David Fincher, the black & white clip drew cinematic influence from the 1941 Orson Welles film, Citizen Kane. Its narrative expanded on darker elements from Madonna’s life – focusing on the death of her mother, her relationship with her father and the recurring effects of childhood trauma in her adult life. The clip’s icily detached symbolism and heavy subject matter are counter-balanced by overarching themes of forgiveness and inner-strength.
In a 2009 interview with The Guardian, Fincher recalled:
“I had kinda talked Madonna into releasing Oh Father as a single and we did this video and were very happy with the video – but nobody ever saw it because the song wasn’t a hit.”
Although the video was put into rotation on MTV, the channel had requested that Madonna remove a scene that displayed a close-up of the deceased mother’s lips sewn shut – a request that she refused to consider. Compounded by a tepid response to the song from radio, where its bleak overtones clashed with playlists of the day, the single stalled at number twenty in the US – her lowest peak on the Hot 100 at the time (excluding her first two singles, neither of which broke into the Hot 100). In Canada the video was put into heavy rotation and the release fared slightly better on the charts, peaking at number fourteen.
Despite its relative lack of commercial appeal, the song and video are frequently cited as a creative triumph for Madonna by fans and critics alike.
On August 26 1989, Madonna’s third single from the Like A Prayer album, Cherish, debuted at #32 on Billboard’s Adult Contemporary chart.
Song review by Stewart Mason (AllMusic.com):
True Blue had the gimmicky quality of an early Cyndi Lauper single, like a new waver’s vague approximation of what a 1960’s girl group song might have sounded like. Cherish is a much more successful dip into the musical past, not least because the ’60s flavor is very slight, more of a mood than any kind of particular stylistic pastiche. Perfect pop touches like the flirty “ooh, ooh” backing vocals on the bridge and the dead-on introduction of a short, sharp horn section accent on the final chorus are part of what puts the song over, but the bulk of the credit belongs to Madonna’s bubbly and endearing lead vocal, which uses the helium-pitched high register of her early singles, but minus the occasional harshness of those songs. Cherish is a delight, one of many highlights on Madonna’s best album.
On August 21 1989, the music video for Cherish premiered on MTV in the U.S. The video was the directed by Madonna’s frequent collaborator and friend, photographer Herb Ritts.
While the single from the Like A Prayer album went on to become another hit single, it’s interesting to note that Madonna had previously written an entirely different song using the title Cherish. Her handwritten lyrics for the unreleased track – along with several others that have yet to surface in musical form – turned up at an auction in 2011.