Tag Archives: Jean-Baptiste Mondino
Today in Madonna History: June 2, 2003

On June 2 2003, Madonna began filming the Hollywood music video in Los Angeles, California. The music video was directed by Jean-Baptiste Mondino, and portrays Madonna highlighting the highs and lows of Hollywood.
Jean-Baptiste Mondino said this about the concept of the video:
“Some kind of artifice that Hollywood can provide, that is so wide and has a graphic story-line about it as well as some humour about it, and to show the beauty, the scariness, the sexiness and the loneliness that one’s success can be, ’cause everybody’s dreaming about Hollywood, no matter what. The expectation can be very dangerous, and maybe for somebody like Madonna, who might be at a point, to realize that to be on the top is maybe not that important. That’s what I feel about the video.”
Today in Madonna History: May 6, 1995
On May 6 1995, the first of a two-day shoot for the music video for Human Nature took place at Raleigh Studios in Hollywood, California.
The video was directed by Jean-Baptiste Mondino, while the work of S&M comic artist Eric Stanton provided inspiration. Human Nature was Madonna’s third collaboration with Mondino following his music videos for Open Your Heart (1986) and Justify My Love (1990).
“Mondino found this book by this illustrator named Stanton who did kinda S&M drawings and stuff, but we didn’t want to go with the straight S&M; we wanted to have it be more about making fun of it.” – Madonna
“All I know is…my main problem is I don’t like videos when somebody’s dancing, that the camera is moving a lot. I’m more like an old-time, classic guy, because I remember most of the video you had shot with the crane, some Steadicam, plus some panning. So you have about five different cameras shooting a performance, and after they edit like crazy. It gives you a lot of freedom, but I feel very frustrated because I like to see somebody dancing. I hate when there’s too much editing. I like the steadiness of the performance because then you can really enjoy the movement of the body. You see the skill. I like to shrink — as much as I can — the stage because I can grab her. If not, everyone is running around and I’m not good with this. So I came up with the boxes [laughs] and I knew that with the boxes I had to do with something quite unexpectable because there’s not too much stage to dance in. So there’s something beautiful about it and they looked like bees or something. And the rest of it was how to create some kind of choreography and some graphic imagery with the S&M outfits, but with humor. So she has a little dog and she has some funny moments where she drops down, there’s some Charlie Chaplin-esque moments in it. Because S&M is a game, you know? It’s dark, it looks dark, but I think people have fun. When you wear rubber like this, you better have fun. If not, you stop using it for sex and you become a diver, you know?” – Jean-Baptiste Mondino
Today in Madonna History: May 3, 1991

On May 3 1991, Madonna appeared on the cover of The New York Post with the headline, “What A Tramp!” The article focused on Madonna’s Truth Or Dare documentary. In the article, Ray Kerrison called Madonna, “vulgar” and the “degenerate queen of sleaze.”
Jay’s Note: I bet Ray Kerrison had no idea that this particular cover of The New York Post would become one of the most sought after and iconic covers of all-time. You could write just about anything alongside this image from the Justify My Love single cover and it would still be beautiful.

Today in Madonna History: March 4, 1996

On March 4 1996, Madonna’s Love Don’t Live Here Anymore music video was shot at the Confitería El Molino in Buenos Aires, Argentina, during her day off from filming Evita.
The music video was directed by Jean-Baptiste Mondino, who worked with Madonna on her videos for Open Your Heart, Justify My Love and Human Nature.
Love Don’t Live Here Anymore was released as the fourth single from the Something to Remember ballads collection.
In her Evita diaries, published by Vanity Fair magazine in 1996, Madonna made reference to the video shoot:
“There are no words to describe the weariness I feel today. I have not slept well in days, and when I do, there is no comfort. My dreams are violent and full of betrayal. Like my life, there’s no escape. I feel the responsibility of this film. I cannot talk about Evita and her life without defending myself … Dear God, what have I gotten myself into? What is happening to me? Today we went to shoot a music video for my next song. But I kept forgetting the lyrics, and felt like crying each and every time I did it. It was so frustrating. It’s my own song!”

Today in Madonna History: December 17, 1990
On December 17 1990, Madonna’s Justify My Love video was the subject of a feature by Steve Dougherty, in People magazine: Madonna Exposes, MTV Opposes: Is her new, naughty video art or just a Boy Toy marketing ploy?
How does Justify My Love differ from other skin-with-a-beat videos? Let us count the ways. Here’s Madonna, in black bra, stockings and stiletto heels, putting the moves on her real-life boyfriend, model Tony Ward. Moments later she’s lip-synching with Parisian model Amanda Cazalet, 25, who is dressed like a Nazi hooker with suspenders that barely cover her nipples. Now Madonna, Cazalet and Ward are offering free instruction in a certain Kama Sutra technique while two very androgynous gents pat each other more affectionately than football players after a big play. All of which has left fans hot, censors bothered and fearless news programmers lined up to air the forbidden footage. The video single will be on sale before holiday shopping malls close; could it have been teed up better?
Today in Madonna History: November 15, 1986
On November 15 1986, Billboard reported that a 6-track Madonna remix EP titled You Can Dance, initially scheduled for a 1986 pre-Christmas release, would be delayed until the following year to avoid affecting holiday sales of her still red-hot True Blue LP.
The article also mentions Madonna’s upcoming film, Slammer (later retitled Who’s That Girl), her track for Nick Kamen, the video for her next single, Open Your Heart, touring plans and more.
Stay tuned for a third and final installment on the You Can Dance delay…









