On July 24 1989, Express Yourself spent the first of two weeks at #1 on the Canadian Top 100 Singles chart published by RPM.
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Today in Madonna History: July 15, 1989
On July 15 1989, Express Yourself peaked at #2 on the Billboard Hot 100 singles chart in the U.S.
Express Yourself spent two weeks in the runner-up position, with Simply Red’s If You Don’t Know Me By Now blocking it from the top spot in the first week, and Martika’s lone chart-topper, Toy Soldiers, leapfrogging over it in its second week.
Today in Madonna History: July 1, 1989
On July 1 1989, Express Yourself became Madonna’s sixth number one single on the Eurochart Hot 100 Singles chart in Europe. It remained in the chart’s top position for three weeks.
Today in Madonna History: June 10, 1989
On June 10 1989, Madonna’s Express Yourself single debuted at #40 on the Hot Dance Music/Club Play Chart in the USA.
Express Yourself eventually peaked at #1 for 3 weeks (starting July 8 1989).
Today in Madonna History: May 25, 2004
On May 25 2004, Rolling Stone magazine published a review of Madonna’s Re-Invention World Tour with the headline, “Madonna Reinvents herself. Amid images of war and peace, pop star shows she can sing.”
Here’s the review by Barry Walters:
After twenty years in the limelight, Madonna is expected to cause controversy and reinvent herself for every new tour. So for the May 24th Los Angeles opening of her Re-Invention world trek, Madonna did the most unexpected thing she could: She came back as a great concert singer.
Even the most diehard Madonna fan will concede that her live performances have almost without exception been plagued by a multitude of missed notes, breathy passages, and, as of late, fake British accents. But while Mariah and Whitney have of been losing the acrobatic vocal dexterity and lung power on which their reputations rest, forty-five-year-old Madonna, whom few have ever taken seriously as a musician, has never sounded better than she did during the first of several gigs in her adopted West Coast home. Whether rocking out with classic black Les Paul in hand during a metallic rendition of her early club hit “Burning Up,” or performing “Like a Prayer” behind a screen-projected gospel choir, Madonna belted, and did not once seemed strained. In the midst of a $1 million production festooned with a walkway that jutted out from the stage and over the audience, massive moving video screens, a dozen dancers, a bagpipe player, a stunt skateboarder and a whole lot of emotionally charged anti-war imagery, the focus was nevertheless on Madonna, and how she’s matured into a truly great pop singer.
Opening with a yoga-trained twist on her famous Louis XIV-inspired MTV Video Music Awards rendition of “Vogue” and ending on a kilt-wearing finale of “Holiday” against a video backdrop of national flags that eventually morphed into one, the show was thematically simpler and more focused than her last several productions.
The barbarism of war and the necessity of love were at the heart of the entire show, and both played off each other, sometimes for ironic and decidedly uneasy effect. The original military-themed video footage of “American Life” that the singer withheld at the start of the Iraq war was finally unveiled, and then expanded upon during “Express Yourself,” where Madonna sang her anthem of unbridled, intimate communication in front of dancers dressed as soldiers and goose-stepping with twirling rifles.
By contrast, Madonna closed an extended acoustic section of the show with a straightforward and thoroughly committed rendition of John Lennon’s “Imagine” as images of war and poverty-ravaged children eventually gave way to footage of a Muslim boy and his Israeli counterpart smiling as they walked with their arms wrapped around each other.
The heaviness of much of the imagery was balanced by Madonna’s own presence, which seemed remarkably fun-loving and self-assured for the opening night of her most technically complex production. Only when she strapped on an acoustic or electric guitar during several songs and repeatedly glanced at her left hand to make sure it was playing the proper chords did she seem at all nervous. “How many people out there really think that I am the Material Girl?” she asked during a break in her most iconic early smash as she strummed with much deliberation.
For the last several songs, Madonna and her dancers donned black and white kilts, an apparent nod to husband Guy Ritchie’s Scottish heritage, and black T-shirts that read “Kabbalists Do It Better,” a cheeky reference to both her religious studies and the “Italians Do It Better” T-shirt she wore during her video for “Papa Don’t Preach,” a song that was performed without the “near-naked pregnant women” described in pre-tour reports of the show. In a number dedicated for the “fans that’ve stood by me for the last twenty years,” she sang her earliest hit ballad, “Crazy For You,” earnestly and without contrivance.
Madonna’s continued relevance was impressive, but it was even more striking that she’s putting more love and genuine passion into her spectacle than ever.
Today in Madonna History: May 9, 1989
On May 9 1989, Madonna released Express Yourself, the second single from her Like A Prayer album.
Lyrics:
Come on girls
Do you believe in love?
‘Cause I got something to say about it
And it goes something like this
Don’t go for second best baby
Put your love to the test
You know, you know, you’ve got to
Make him express how he feels
And maybe then you’ll know your love is real
You don’t need diamond rings
Or eighteen karat gold
Fancy cars that go very fast
You know they never last, no, no
What you need is a big strong hand
To lift you to your higher ground
Make you feel like a queen on a throne
Make him love you till you can’t come down
(You’ll never come down)
Don’t go for second best baby
Put your love to the test
You know, you know, you’ve got to
Make him express how he feels
And maybe then you’ll know your love is real
Long stem roses are the way to your heart
But he needs to start with your head
Satin sheets are very romantic
What happens when you’re not in bed
You deserve the best in life
So if the time isn’t right then move on
Second best is never enough
You’ll do much better baby on your own
(Baby on your own)
Don’t go for second best baby
Put your love to the test
You know, you know, you’ve got to
Make him express how he feels
And maybe then you’ll know your love is real
Express yourself
(You’ve got to make him)
Express himself
Hey, hey, hey, hey
So if you want it right now, make him show you how
Express what he’s got, oh baby ready or not
And when you’re gone he might regret it
Think about the love he once had
Try to carry on, but he just won’t get it
He’ll be back on his knees
To express himself
(You’ve got to make him)
Express himself
Hey hey
What you need is a big strong hand
To lift you to your higher ground
Make you feel like a queen on a throne
Make him love you till you can’t come down
(You’ll never come down)
And when you’re gone he might regret it
Think about the love he once had
Try to carry on, but he just won’t get it
He’ll be back on his knees
So please
Don’t go for second best baby
Put your love to the test
You know, you know, you’ve got to
Make him express how he feels
And maybe then you’ll know your love is real
Express yourself
(You’ve got to make him)
Express himself
Hey, hey, hey, hey
So if you want it right now, make him show you how
Express what he’s got, oh baby ready or not
Express yourself
(You’ve got to make him)
So you can respect yourself
Hey, hey
So if you want it right now, then make him show you how
Express what he’s got, oh baby ready or not
Today in Madonna History: May 5, 2024
On May 5, 2024, social media and news outlets buzzed with reports of Madonna’s historic concert the previous night. Madonna’s Celebration Tour culminated in a spectacular finale on Saturday night, electrifying Brazil’s Copacabana beach with an unprecedented show destined to carve its place in pop music history. As the sun dipped below Rio de Janeiro’s iconic skyline, an astonishing 1.6 million passionate fans gathered to experience the tour’s grand conclusion, turning the sandy beach into a vibrant wave of enthusiasm and adoration.
From die-hard enthusiasts who had staked their claim for prime viewing spots hours, even days in advance, to affluent aficionados who anchored their boats near the shore, every corner of Copacabana was abuzz with anticipation. Firefighters sprayed cooling mists to alleviate the sweltering heat, ensuring the comfort of the thronging masses as temperatures soared.
At precisely 10:40 p.m., the Queen of Pop herself, Madonna, took to the stage, casting her spell over the ecstatic multitude with an electrifying performance that spanned over two hours. Amidst a cacophony of cheers, she belted out timeless classics like “Like a Prayer,” “Vogue,” and “Express Yourself,” enrapturing the audience with her timeless charisma and boundless energy.
Madonna’s poignant words resonated deeply as she basked in the ethereal beauty of Rio, declaring, “Here we are, in the most beautiful place in the world, with the ocean, the mountains, Jesus. Magic.” Joined by Brazilian luminaries Anitta and Pabllo Vittar, as well as rising talents from local samba schools, Madonna orchestrated a mesmerizing symphony of music and spectacle, transcending boundaries of culture and geography.
As the final notes of “Live to Tell” reverberated into the night sky, accompanied by poignant imagery honoring those lost to AIDS, Madonna’s indelible legacy as the reigning Queen of Pop illuminated the hearts of her audience, serving as a beacon of inspiration for generations past, present, and future.
This historic event not only marked the culmination of Madonna’s monumental Celebration Tour but also etched a new pinnacle in her storied career. With an estimated 1.6 million attendees, surpassing all previous records, the magnitude of her influence and enduring appeal was unequivocally reaffirmed.
In terms of sales, the tour amassed an impressive $225,580,345 in revenue, with an average of $2,819,754 per show. A total of 1,127,658 tickets were sold, averaging 14,096 tickets per show. The average ticket price stood at $200.04, reflecting the demand and excitement surrounding Madonna’s performances. Additionally, all 80 shows reported sold-out crowds, further cementing Madonna’s status as a global icon.
Rio’s preparations for this monumental occasion underscored the economic and cultural significance of the event, with forecasts predicting a substantial boost to the local economy and a surge in tourism. Amidst the logistical challenges akin to New Year’s Eve festivities, stringent security measures ensured the safety of attendees, with a formidable contingent of military and police personnel deployed to maintain order.
Sponsored by Itaú Apresenta, Madonna’s free concert was a heartfelt gesture of gratitude to her legions of fans, a testament to her unwavering commitment to the artistry that has defined her illustrious career spanning four decades.
Full Set List:
Act I
- It’s a Celebration (with Bob the Drag Queen)
- Nothing Really Matters
- Everybody
- Into the Groove
- Burning Up
- Open Your Heart
- Holiday
Act II
- The Storm
- Live to Tell
- The Ritual (Dancers interlude)
- Like a Prayer
Act III
- Living for Love
- Erotica
- Justify My Love
- Hung Up
- Bad Girl
Act IV
- Ballroom (Dancers interlude)
- Vogue (with Anitta)
- Human Nature (Shortened)
- Crazy for You (Shortened)
Act V
- The Beast Within
- Die Another Day
- Don’t Tell Me
- This Little Light of Mine (Acapella snippet)
- Express Yourself (Acoustic; extended outro)
- La Isla Bonita
- Music (with Pabllo Vittar)
Act VI
- Madonna (video interlude)
- Bedtime Story
- Ray of Light
- Rain
Act VII
- Billie Jean / Like a Virgin
- Bitch I’m Madonna
- Celebration (shortened instrumental outro)
Today In Madonna History 