On February 5 1983, Madonna’s Everybody charted at #37 on Billboard’s Dance Club Songs (later renamed the Hot Dance Music/Club Play) chart in the USA.
Madonna’s reaction to the first time she heard Everybody on the radio:
“I was living on the Upper West Side, 99th and Riverside, and about 7:00 at night I had the radio on in my bedroom, on WKTU, and I heard ‘Everybody‘. I said ‘Oh, my God, that’s me coming out of that box.’ It was an amazing feeling.”
On January 26 1983, Madonna performed a track date at the Red Parrot at 617 West 57th St in New York City. Also featured on the bill were Planet Rock and Man Parrish.
While unconfirmed, the setlist likely would have previewed the soon-to-be-released Physical Attraction & Burning Up (which were recorded in November, 1982) along with her then-current club hit, Everybody.
A review of the night’s performances was featured in the February 12 1983 issue of Billboard Magazine (pictured with the show’s flyer above).
It may have been the first but it would be far from the last review in which Madonna’s musical talent would be minimized in retribution for her strong visual presence, among other things. Unlike Elvis or Michael Jackson, female artists are often criticized for flaunting the same qualities that make heros out of their male counterparts; for daring to be more than one-dimensional artists. While Madonna is not the first or the last female artist to break through these barriers – and her mission is indeed still a work in progress – one only needs to flip through the pages of Billboard magazine on both sides of the 1983 cultural divide to witness the scope of her impact on music and popular culture.
On October 6 1982, Madonna’s debut single, Everybody, was released on Sire Records.
Happy 35th anniversary, Everybody! Dance and sing, get up and do your thing!
On January 22 1983, Everybody peaked on Billboard’s Bubbling Under singles chart in the U.S., spending the first of three consecutive weeks at #107. Although the song managed to bubble under for a total of eight weeks, it didn’t gain enough support from mainstream radio to break into the Hot 100.
On November 15 2005, Madonna performed an intimate club show for roughly 1,500 contest winners and guests at KOKO in London’s Camden Town district. The event was held to celebrate the release of her album, Confessions On A Dance Floor.
While roughly 200 fans queued overnight to secure a spot near the stage for the gig, fans around the world were able to enjoy a live stream of the performance online.
VIP guests in attendance included Sir Bob Geldof and his late daughter Peaches, Stella McCartney, Guy Ritchie and Pet Shop Boys’ Neil Tennant.
Madonna’s very first promotional concert in London was held at the same venue – then named Camden Palace – in October of 1983.
Setlist
On November 6 1982, Madonna lost her chart virginity with her very first appearance in Billboard magazine, as Everybody made its debut on the Hot Dance/Club chart (then titled Dance/Disco Top 80). Fittingly foreshadowing her long-term, record-shattering success on the Dance chart, it was the week’s highest new entry.
Dance music commentator Brian Chin also gave a favorable nod to the song in the same chart’s editorial sidebar. Considering Sire Records’ initially stunted marketing strategy had its limited bets set on a faceless, imageless Madonna shrouded in mystery, Chin’s miscasting of her as “a young New York duo produced by DJ Mark Kamins” is humourously forgivable, if not ironic in retrospect.
We would venture to predict that Madonna was likely less amused by the gaffe. Enter Liz Rosenberg? 😉
On October 13 1983, Madonna performed Burning Up, Everybody and Holiday at Camden Palace’s Thursday Party Night in London, England.
The following article about Madonna’s performance was originally published on October 15 1983 by The Guardian:
This could be the way pop promotion is going – new artists launched not with a full concert, but with the live equivalent of a video clip.
The scene at the Camden Palace in the early hours was like something from a British version of Flashdance. The place was packed with the usual exotically dressed clientele – there to see and be seen rather than just listen to the music – when the dancing was interrupted by what’s known on the American disco scene as a “track date.”
Pioneered by the likes of Grace Jones, this is a cut-price promotion device in which a disco artist suddenly appears for half an hour, singing live to backing tapes.
This demonstration was by a white girl in her early twenties, known simply as Madonna, a dancer who moved to New York from the Mid-West as an ambitious teenager and is currently the most important new figure in the American dance scene.
She succeeded partly because she makes great records and partly because she has turned the boring idea of a track date into an exotic event.
Dressed in holocaust chic – black top, black skirt and leggings, lots of bare midriff, and hair in ringlets – she sang well, with a husky, black-sounding voice, and danced even better. She hurtled around the stage, mostly swivelling her hips like a belly-dancer while performing her songs like Lucky Star and the stirring Holiday.
Given a full set and a live band behind her, Madonna would seem to have the makings of a major star, so it’s no wonder she is now being managed by the man who guided Michael Jackson’s recent career.
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