On June 23 1990, Madonna’s I’m Breathless: Music from and Inspired by the Film Dick Tracy hit #2 on the Billboard Top 200 Albums Chart in the USA.
After the filming of Dick Tracy was complete, Madonna began work on the film’s soundtrack, with songwriter Stephen Sondheim, producer Patrick Leonard and engineer Bill Bottrell. She also worked with producer Shep Pettibone on the album’s first single, Vogue. The album was recorded within three weeks in California.
On June 17 1990, it was announced that Dick Tracy grossed $23 million at the US box-office during its opening weekend.
When was the last time that you watched Dick Tracy? Has the film aged well? Are you a fan of Madonna’s performance in Dick Tracy?
On May 1, 1990, Madonna was a guest on the Arsenio Hall Show. During her appearance, Madonna promoted Dick Tracy and made Arsenio sweat about Paula Abdul, etc.
On March 20 1990, the lead single from Madonna’s I’m Breathless album, Vogue, was released.
Vogue was written and produced by Madonna and Shep Pettibone in December 1989. The song was recorded with the intention of being the b-side to the upcoming (and last single for the Like A Prayer album), Keep It Together (released on January 30 1990).
The finished product was too good to be a single b-side, so it was decided that Vogue would be a stand-alone single on Madonna’s forthcoming album, I’m Breathless (even though the song had nothing to do with Dick Tracy).
On December 4 2011, shoe designer John Fluevog told the Calgary Herald’s Theresa Tayler that he never expected that Madonna would pay her respects by whipping out a pair of shoes he had gifted to her, putting them on during a scene in her infamous, documentary Truth Or Dare.
“Yah like ‘em?!” she said, as she flirted with the camera, showing off the “Munster” platforms. At the time, it was a massive publicity break for the respected, but still little-known, Canadian designer.
Fluevog told Tayler that he rarely tells the story of how Madge ended up with a pair of his kicks:
“I don’t really like giving away shoes. It’s not what I do. This is a business. One night I was watching Madonna on one of those American talk shows. She was being very naughty, talking about spankings and saying all of these silly things. I thought, this is a game player. Her whole thing is a game. She needs a pair of my shoes.”
Fluevog then sent one of Madonna’s stylists a pair of his shoes and he never heard back.
“Not a thank you, not anything. Then, someone told me she wore them in the movie . . . I didn’t like Madonna’s game. I found it annoying, but I respected what she was doing. The movie moment was a game-changer for Fluevog. Things exploded for us. It was all a bit of shock to me.”
On July 15 1990, Madonna’s Hanky Panky single was released in the UK.
On June 1 1990, Madonna was controversially featured grabbing her crotch and breast on the cover of Interview magazine.
Madonna was interviewed by Glenn O’Brien at the Disney Studios, where she was rehearsing the Blond Ambition Tour. Here’s a snippet from the interview:
Glenn: Let’s talk about your show.
Madonna: Let’s not. Today was a horrible day. That was the worst rehearsal.
Glenn: Well, I liked it, but I haven’t seen it when you thought it was good. I loved the number where you’re lying on the piano singing a torch song.
Madonna: You saw only one segment of the show. I’ve created five different worlds, and the set is all based on hydraulics. One is going down and another is coming up. The world changes completely. I think of it more as a musical than as a rock concert. There is a straightforward Metropolis section, like my Express Yourself video – that set with all the gears and machinery; it’s very hard and metallic. That’s the heavy-duty dance music. Then the set changes and it’s like a church. We call it the temple ruins. It’s all these columns, trays of votive candles, a cross. I do Like a Virgin on a bed, but we changed the arrangement, so it sounds Indian. Then I’m being punished for masturbation on this bed, which is, as you know, what happens. Then we do the more serious, religious-type material – Like a Prayer, Papa Don’t Preach… Then it changes to what you saw, this Art Deco ’50s-musical set. That’s when we do three songs from Dick Tracy, and then after that we do what I call the camp section. Then it gets really serious again and we go into our Clockwork Orange cabaret set.
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