Tag Archives: Charts
Today in Madonna History: December 26, 1987
On December 26 1987, RPM magazine – Canada’s definitive music industry publication at the time – issued its year-end singles tally. All four of Madonna’s eligible Canadian singles charting in 1987 made the list:
- Who’s That Girl – #12
- La Isla Bonita – #22
- Causing A Commotion – #42
- Open Your Heart – #68
Today in Madonna History: December 16, 1989
Today in Madonna History: December 7, 1996
Today in Madonna History: November 12, 1994
On November 12 1994, Madonna’s Bedtime Stories was the week’s highest debut on the Billboard 200 album chart, peaking at #3 with sales of 145,000 units.
While the figure represented a 15% drop in first-week sales from her previous long player, Erotica, the album proved to be a commercial grower in America – where the runaway success of its second single, Take A Bow, would push its overall U.S. sales tally well beyond that of its predecessor.
Illustrating urban/r&b’s U.S. chart domination at the time, Bedtime Stories was held back from the top spot by the Murder Was The Case soundtrack (performed by Snoop Doggy Dogg) and Boyz II Men’s II.
Today in Madonna History: October 21, 1995
On October 21 1995, the music video for I Want You by Madonna with Massive Attack hit #11 on VH1’s weekly chart in the U.S.
The video for I Want You is somewhat of an anomaly in Madonna’s career. The song was initially intended to be a joint release to promote both Inner City Blues (a Marvin Gaye tribute album on Motown Records) and Madonna’s own Something To Remember ballads collection on Sire/Maverick. Naturally, a music video was commissioned to accompany the planned single.
Unfortunately, legal wranglings between the two record companies ensued when Motown insisted on releasing the tribute album ahead of Madonna’s album. Concerned that the move could negatively impact sales of Something To Remember, Madonna’s label apparently backed away from plans to fully promote I Want You.

Fortunately for fans, the song’s excellent music video, which had already been completed by director Earle Sebastian, was not shelved. It was serviced to video channels ahead of the release of both albums and received moderate support despite the song’s absence from radio.
The video quickly faded into obscurity, however, once Madonna’s You’ll See single and its accompanying video were given a full promotional push from her label less than a month later.













