On May 9 1998, Ray of Light debuted and peaked at #2 on the UK Singles Chart. It was held back from the top spot by another debut entry, All Saints’s double A-side charity single, Under the Bridge/Lady Marmalade.
Ray Of Light was the 68th best-selling song of 1998 in the UK, with the British Phonographic Industry (BPI) certifying it Silver for shipment of 200,000 copies.
On April 30 1983, Madonna’s second single – the double A-side Burning Up/Physical Attraction – moved into the Top 10 on Billboard’s Dance/Disco Top 80 chart (now known as Hot Dance/Club Play), leaping from #18 to #9.
Interestingly, the release charted as Physical Attraction/Burning Up throughout its run on the Dance chart. When two songs are promoted together to dance clubs, Billboard will generally position the track that earns the higher number of spins first in its Dance chart entry.
The same Billboard issue also saw some early radio support for Madonna, as New York City’s WKTU-FM featured Physical Attraction among their top playlist adds for the week.
On April 27 1985, Madonna’s Angel single was briefly reviewed in Billboard magazine as it entered the Hot 100 at #48.
The Angel 12-inch single would be issued commercially in North America in late May. It included an extended dance mix of the titular track, but let’s be real, people bought it for Into The Groove on the flip – it being the only North American home for the classic dance floor gem until a remixed version appeared on You Can Dance in 87. In Canada, young cassette-loving buyers’ interest in the b-side prompted Warner Canada to issue the first Madonna cassette maxi-single, as the format would eventually be known.
On April 26 2003, Madonna’s American Life single spent the first of two weeks at #1 on the Soundscan Canadian Singles chart.
American Life was the last physical Madonna two-track single issued by Warner Music Canada, while production of CD maxi-singles would continue domestically until the 2006 release of Jump.
On April 13 1995, Bedtime Story was released by Maverick/Sire as the third single from the album Bedtime Stories in North America. The song was written by Björk, Nellee Hooper & Marius DeVries and produced by Madonna & Nellee Hooper. In both the U.S. and Canada the single and CD maxi-single were backed by the album opener, Survival.
The commercial maxi-single featured remixes by Junior Vasquez and Orbital. Additional promo-only remixes by Mark Picchiotti & Teri Bristol were also later serviced promotionally to clubs.
Bedtime Story was released in the UK in February following a poor reception to the album’s second single, Take A Bow.
It was the opposite situation in North America, where the third single was delayed for several months due to the prolonged chart-topping reign of Bow. Bedtime Story‘s more experimental, minimalist sound failed to gain traction on U.S. radio but did earn Madonna another #1 hit on the Hot Dance/Club chart.
On April 3 1993, Fever entered the UK Singles Chart at its peak position of number-six. Without the support of a proper music video at the time of its release (Warner UK instead issued a rarely seen compilation video of previous clips), the single spent only six weeks on the UK charts, dropping to number-seven the following week.
Strangely, Madonna did eventually decide to film a video for the song in late April – nearly a month after its release in Europe. By the time the video premiered during the second week of May, Fever was spending its final week on the UK Singles Chart.
In North America the remixes for Fever had been issued commercially on Madonna’s previous international single, Bad Girl. Fever was also serviced to clubs as a promotional single in its own right, but it was not promoted to radio despite the video being added to into rotation on MTV and MuchMusic. While the release of the music video managed to coincide with Fever’s single week atop the Hot Dance/Club Play chart, its number-one status had already been confirmed several days prior to the clip’s debut, making the video’s intended purpose and the timing of its release all the more puzzling.