Tag Archives: Charts
Today in Madonna History: November 12, 1994
On November 12 1994, Madonna’s Bedtime Stories was the week’s highest debut on the Billboard 200 album chart, peaking at #3 with sales of 145,000 units.
While the figure represented a 15% drop in first-week sales from her previous long player, Erotica, the album proved to be a commercial grower in America – where the runaway success of its second single, Take A Bow, would push its overall U.S. sales tally well beyond that of its predecessor.
Underscoring urban/r&b music’s U.S. chart domination at the time, Bedtime Stories was held back from the top spot by the Murder Was The Case soundtrack (performed by Snoop Doggy Dogg) and Boyz II Men’s II.
Today In Madonna History: August 30, 2012
On August 30 2012, Turn Up The Radio jumped to the top position on the Billboard Hot Dance/Club Play Chart, earning Madonna a record-extending 43rd number-one single on the chart.
Marking a sign of the times, the single and remixes were sold exclusively to digital retailers and were sadly not given a physical release on any format (aside from scarce promotional copies), in any country. This was the first time in Madonna’s career that an international commercial single was unavailable to record shops and collectors either through domestic distribution or as an import.
We hope that Interscope realizes that there are many old-school Madonna fans who still enjoy collecting physical releases – and we’re willing to pay for them. So what will it be Interscope? Would you like to earn some extra bucks with the singles from Madonna’s next album, or are you going to leave collectors with padded pockets?
Today in Madonna History: August 27, 1983
On August 27 1983, Holiday/Lucky Star made its debut on Billboard’s Hot Dance Music/Club Play chart in the U.S., entering at #31.
The promo-only double A-side single was serviced to clubs by Sire/Warner in order to gauge public interest before deciding which track should be promoted to radio. Although technically serving as the B-side, Holiday was given top billing for its chart entry when it proved to be the more popular selection with club DJ’s. It was subsequently issued as Madonna’s third commercial single in North America, while Lucky Star was released as her fifth single a year later.
Today in Madonna History: August 19, 1989
Today in Madonna History: August 5, 1989
On August 5 1989, Madonna’s Express Yourself spent its third week at #1 on Billboard’s Maxi-Single Sales chart (then known as the 12-Inch Single Sales chart) in the US.
With various Shep Pettibone remixes being used to promote the single on radio and in its accompanying video, the wide exposure and popularity of the Express Yourself remixes would allow the 12″ single to hang on to the top spot for a fourth and final consecutive week in the August 12th issue of Billboard. By the time it bowed out a month later it had spent a total of twelve weeks on the Maxi-Single Sales chart.
Today In Madonna History: July 26, 1986
On July 26 1986, Papa Don’t Preach spent its third and final week at number-one on the UK singles chart. It was certified Gold by BPI on August 1st, 1986 for shipment of over 500,000 copies, based on certification thresholds at that time. With a chart run extending for 15 weeks, the single ranked #8 overall in the UK’s year-end charts tally.
The song was a massive hit across Europe, topping the Eurochart for an incredible eleven week stretch from August 2nd through October 11th, 1986 when it was finally overtaken by none other than Madonna herself with the follow-up single, True Blue.
Although Justify My Love is often cited as being the first-ever video single, it is interesting to note that it was actually not the first Madonna music video to be marketed commercially as a single. Possibly an attempt to cash-in on the success and controversy surrounding Papa Don’t Preach or more likely as a means of testing out new marketing possibilities for a hybrid laserdisc/cd format, Warner issued limited quantities of Papa Don’t Preach as a CD Video in the US, UK and Japan containing three audio tracks along with the music video. Perhaps anticipating the limited appeal of the format, Warner did not bother modifying the track-listing to include the appropriate b-sides in either the UK (Ain’t No Big Deal) or Japan (Think Of Me), instead opting to issue the US b-side (Pretender) on all three pressings. Stranger still was the release date – 1988 – two years after the standard single hit stores. Needless to say, this early attempt to market a music video single did not stir public interest the way it would in 1990, and the concept went into hibernation mode until Madonna gave audiences a video single they were willing to pay for.
















