Today in Madonna History: August 11, 1987

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On August 11 1987, Madonna’s True Blue album was certified 5x platinum (for shipment of 5 million units) in the USA.

Stephen Thomas Erlewine noted that “True Blue is the album where Madonna truly became ‘Madonna the Superstar’—the endlessly ambitious, fearlessly provocative entertainer that knew how to outrage, spark debates, get good reviews—and make good music while she’s at it.”

Today in Madonna History: July 3, 1987


On July 3, 1987, Madonna accepted a rare Canadian Diamond Album certification award at a press conference at Toronto’s Four Seasons Hotel on the eve of her sold-out concert at CNE Stadium. The certification award was presented by WEA Music Canada president Stan Kulin to commemorate over one million units sold of the True Blue album in Canada.

Madonna would receive a second Canadian Diamond Album certification for Like A Virgin in 1992.

Today in Madonna History: April 7, 2017

On April 7 2017, Madonna’s hit single, Don’t Tell Me, was certified Silver by the British Phonographic Industry (BPI) for sales of over 200,000 units in the UK.

If anyone has any idea why DTM was certified in 2017 — with nothing to promote, we’d love to find out.

Today in Madonna History: March 23, 1988

On March 23 1988, Madonna (aka The First Album) was certified 4x platinum by the Record Industry Association of America in the USA for shipment of 4-million units.

Today in Madonna History: February 27, 1995

On February 27 1995, Madonna’s Bedtime Stories album was certified double platinum for shipment of over two million units in the U.S.

Today in Madonna History: February 5, 1985

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On February 5 1985, Madonna’s Like A Virgin was certified 3x platinum (for sales of 3 million units) in the USA.

Today in Madonna History: January 20, 1988

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On January 20 1988, Madonna’s You Can Dance remix album was certified platinum in the USA for sales of 1,000,000 copies.

Patrick Leonard had this to say about working on the album:

“Remixing is a form of secondary creativity. Dance music elevates the DJ and the mixer to being almost on a level with the musician. In my opinion this is false. Manipulation of pre-recorded sound sources may be creative in a secondary sense, and may be valid in its own field, but it is pseudo musicianship. That’s why we tried to have a fresh approach to the songs for You Can Dance, as if we were developing and composing them for the first time.