On March 5 1992, Madonna won the title of Best-Dressed Female Artist in Rolling Stone magazine’s 16th annual Readers Poll.
Today In Madonna History: March 4, 1987
On March 4 1987, Shanghai Surprise was released on home video.
The Philadelphia Inquirer gave the film a 1 star rating:
“Shanghai Surprise is so dismally scripted and directed that no one could redeem it… an atmospheric, handsomely shot and, sadly, utterly empty piece of work.”
Today in Madonna History: March 3, 1991
On March 3 1991, Madonna’s Vogue won International Single Of The Year at the 20th annual Juno Awards held at the Queen Elizabeth Theatre, in Vancouver, British Columbia.
Today in Madonna History: March 2, 2017
On March 2 2017, Madonna announced that starting March 7 she would appear on three different covers of Vogue Germany, with new photos taken by Luigi and Iango.
Today in Madonna History: March 1, 1998
On March 1 1998, the lead single from Madonna’s Ray of Light album, Frozen, debuted on the ARIA (Australian Recording Industry Association) Singles Chart at its peak of number five. The next week Frozen fell to number nine, but it returned to its peak of number five on March 15 1998 where it held steady for another three weeks.
Australia released Frozen with a unique picture CD (5-track).
Today in Madonna History: February 28, 2006
On February 28 2006, the maxi-single for Sorry, the second single from Confessions on a Dance Floor, was released.
Sorry was one of the first tracks developed for Confessions on a Dance Floor. The songs were developed with a remixed perspective in mind. Madonna commented:
“Whenever I make records, I often like the remixes better than the original ones. So I thought, screw that. I’m going to start from that perspective”.
Today in Madonna History: February 27, 1995
On February 27 1995, Madonna’s chart topping single, Take A Bow, was certified Gold by the RIAA for shipments of 500,000 copies.
Matthew Jacobs (The Huffington Post) had this to say about Take A Bow:
Take A Bow is Madonna’s most poetic ballad. Much in the way that such hits as Borderline and Into The Groove act as the fuselage of ’80s pop … a lost-love elegy that squares nicely with the burgeoning female singer-songwriter movement of the ’90s. Don’t mistake its sleepy quality for stuffiness. This song is Madonna at her loveliest.
Today In Madonna History 