Today in Madonna History: April 2, 2012

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On April 2 2012, the third single from Madonna’s MDNA album, Masterpiece, was released in the United Kingdom.

Masterpiece was composed by Madonna, Julie Frost and Jimmy Harry and produced by Madonna and William Orbit.

When Madonna was directing her film W.E., her manager Guy Oseary persuaded her to compose a song for the soundtrack. Frost was living in Los Angeles at that time and was assessing her priorities in the music world, and wanted to collaborate with a number of artists, Madonna being the first. “She is an icon”, Frost said, “But most importantly she has some of the best Pop songs in the history of music… so yeah it’s always a dream to work with people like her.” Orbit, who was working with Frost and Harry on an assignment, contacted them for collaborating with Madonna on Masterpiece. He had heard Frost’s initial composition of the song and knew that Madonna would love it. According to Frost the theme explained to them was about bittersweet love and the hardships felt being in a relationship. Madonna, Frost and Harry sat together with this idea and brainstormed and came up with the lyrics and the melody. Over time, Madonna changed the structure of the song and the final version was ready for recording.

Madonna recalled:

“Guy harangued me for the entire time I was filming and editing my movie to write a song. And I said, ‘Please, Guy, I’m trying to focus on being a director and I want people to pay attention to the film and I don’t have time.’ So then I finished the film and I started making my record and somehow magically and miraculously the song emerged, ‘Masterpiece,’ so thank you, Guy Oseary, for being so irritating.”

Today In Madonna History: April 1, 2000

On April 1 2000, Madonna’s cover of American Pie hit #1 on Billboard’s Hot Dance/Club Play chart in the USA.

Today In Madonna History: March 31, 2010

On March 31 2010, Madonna’s former manager, Caresse Henry, passed away at the age of 44. Her death was later ruled a suicide.

Caresse had initially worked as an assistant to Madonna’s former manager, Freddy DeMann, before becoming Madonna’s personal assistant. When Madonna parted ways with DeMann in 1997, Caresse took the reigns as Madonna’s manager and remained in the role until late 2004. Caresse had also managed the careers of Ricky Martin, Jessica Simpson, Paula Abdul and Joss Stone, among others.

Caresse was credited as an artistic manager and executive producer for the HBO special: Madonna: Drowned World Tour 2001.

Liz Rosenberg (Madonna’s publicist at the time) released a statement to the press explaining that Caresse died of a self-inflicted gunshot at her home in Irvine, California. She was survived by her two children, a sister, a brother and her parents.

Today in Madonna History: March 30, 2010

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On March 30 2010, Live Nation and Warner Bros. released Madonna’s Sticky & Sweet Tour on DVD, Blu-Ray and CD. From the Live Nation press release:

“Sticky & Sweet”, which was produced by Live Nation, was the most successful tour by a solo artist in history and was seen by over 3.5 million fans in 32 countries around the world. The show, which will be distributed by Warner Bros Records, will be available on DVD, Blu-Ray and CD and will include many of the Material Girl’s hits from the course of her unprecedented career including, “4 Minutes,” “Like a Prayer,” “Hung Up” and “Ray of Light”. Filmed in Buenos Aires, over four days to a crowd exceeding 256,000 fans, the concert also includes a show stopping moment when Madonna performs a historic “Don’t Cry For Me Argentina” to a thunderous audience response from her Argentine fans. Also included are several hits from the multi-Grammy winner’s most recent CD “Hard Candy” which debuted at No. 1 in 37 countries. The DVD also includes 30 minutes of exclusive footage filmed behind the scenes during the course of the tour.

“Part concert, part block party and all fun, there is still only one Madonna,” raved the Oakland Press in their review of the “Sticky & Sweet” Tour. “A night of triumph and defiance… A two hour multi-media juggernaut,” glowed the LA Times. “Our lady of perpetual motion…This may be the best tour she’s ever stitched together,” claimed the NY Post.

Today in Madonna History: March 29, 1988

On March 29 1988, Madonna Live: The Virgin Tour home video was certified multi-platinum for sales of over 100,000 units in the U.S.

Today in Madonna History: March 28, 1987

On March 28 1987, the final single from Madonna’s True Blue album, La Isla Bonita, was briefly reviewed in Billboard magazine.

The now-classic song was Madonna’s first sonic exploration into her love of Latin music and culture which would become a recurring inspiration in her body of work. Written by Madonna, Patrick Leonard, and frequent Leonard collaborator, guitarist Bruce Gaitsch, it has been reported that the instrumental demo of the song was initially offered to Michael Jackson, who passed on the track.

While Madonna has said that La Isla Bonita took inspiration from “the beauty and mystery of Latin American people,” she has remained more elusive about the song’s geographical references. Years later, she teasingly commented in an interview with Rolling Stone magazine:

“I don’t know where San Pedro is. At that point, I wasn’t a person who went on holidays to beautiful islands. I may have been on the way to the studio and seen an exit ramp for San Pedro.”

Today in Madonna History: March 27, 1993

On March 27 1993, Bad Girl peaked at #20 on the Canadian Top 100 Singles chart (RPM).

Although the single fared better in Canada than it did south of the border (it peaked at #36 on the Hot 100), Bad Girl nevertheless earned the undesirable distinction of being Madonna’s lowest charting Canadian single since Borderline at the time, which had peaked at #25 in September, 1984.

The Bad Girl single was backed with the album version of Fever in North America (both songs were released separately in Europe), while the Bad Girl maxi-single focused primarily on remixes of Fever along with an extended version of Bad Girl. Strangely, a music video for Fever was produced only after the single had run its course on the European charts, set to a remix that was not issued was not included on the North American maxi-single of Bad Girl or the Fever 12-inch promo set that was serviced to DJ’s in the U.S.

Despite the unusual promotion, Fever managed to top the U.S. Club chart and the video was put into regular rotation on MTV and MuchMusic in Canada.