On May 15 2015, Madonna introduced her pink hair tips from the set of the Bitch I’m Madonna music video.
Madonna’s message to her fans on Instagram:
“Rise and shine New York!”
Today in Madonna History: May 14, 1993
On May 14 1993, the 1000th episode of The Arsenio Hall Show aired, featuring Madonna as the headline act.
The 1000th episode was an AIDS benefit concert and it was filmed at the Hollywood Bowl.
Madonna performed Fever as well as The Lady Is A Tramp with Anthony Keidis from the Red Hot Chilli Peppers.
Today in Madonna History: May 13, 1989
On May 13 1989, Madonna’s Like A Prayer single peaked at #4 on Billboard’s Hot Adult Contemporary chart in the USA. The hit single also peaked on the Hot R&B Single Sales at #18 and the Hot R&B Singles & Tracks chart at #20 during the same week.
Today in Madonna History: May 12, 1998
On May 12 1998, Madonna’s Ray of Light music video premiered on MTV Live.
The video was directed by Jonas Åkerlund. Madonna’s scenes were shot in early April 1998 at MTV’s Times Square studios in New York and Los Angeles. The background images were shot in various cities, such as Los Angeles, New York, London, Las Vegas, and Stockholm.
Today in Madonna History: May 11, 1993
On May 11 1993, the music video for Fever premiered on MTV. The video was directed by Stéphane Sednaoui.
Today in Madonna History: May 10, 1989
On May 10 1989, Madonna’s Express Yourself video premiered on MTV. The video was filmed on a $5 million budget – the highest in music video history (at the time). The video was directed by David Fincher.
Today in Madonna History: May 9, 1985
On May 9 1985, Madonna and Rosanna Arquette appeared on the cover of Rolling Stone magazine, promoting their film, Desperately Seeking Susan, with photos by Herb Ritts.
Here’s a snippet from the interview featured in the magazine:
Rosanna has expressed resentment over the insertion into the movie of a Madonna song backing a quickly rewritten scene in which the Susan character gyrates around a New York club. A video clip using the unreleased tune, “Into the Groove,” spotlights Madonna. “It does take things out of context a bit,” says Madonna, “kinda calls attention to another facet, but…” What that “but” means is, it sells tickets, chumps. Still, it’s become an issue…
“Yeah, really?” says Madonna. “Who’s it become an issue with – besides Rosanna?” Her laugh is quick and not unkind. Insiders say the song found its way into the film on its own virtues. “Susan Seidelman was not out to make a pandering rock & roll movie,” says executive producer Michael Peyser, 31, who worked on Susan after serving as associate producer on Woody Allen’s film The Purple Rose of Cairo. One of the music coordinators, Danny Goldberg, had no time to compile a soundtrack LP when the film’s release date was pushed up, but in talks with MTV execs, he paved the way for “Into the Groove” to air, even though the song might never show up on vinyl.
Madonna is not naive about the studio’s gambit: “I have a big audience of kids for my music, and you know how they use soundtracks to push movies – I think they’re using me in the same way, and it’s really a drag, because I’m trying to establish myself as an actress, not as a singer making movies. But I’ll be happy if it becomes a commercial success, simply because it’s a different kind of movie than most of what’s out now. There are a few formulas people have been using the past five years, with Flashdance and Breakin’ and all that stuff; this movie is like a return to those simple, straightforward caper comedies Claudette Colbert and Carole Lombard made in the Thirties. They give you a taste of real life, some poignance, and leave you feeling up at the end – none of that adolescent-fantasy bullshit.”
Today In Madonna History 