
On December 28 1987, Madonna appeared on the cover of the special year-end double issue of US Weekly magazine: The Sexiest, The Sassiest, The Boldest, The Best.

On December 28 1987, Madonna appeared on the cover of the special year-end double issue of US Weekly magazine: The Sexiest, The Sassiest, The Boldest, The Best.

On December 27 1986, Billboard’s year-end issue hit newsstands with Madonna appearing on the following 1986 chart rankings:

On December 26 1998, the fourth single from Madonna’s Ray of Light album, The Power of Good-Bye, peaked at #2 on the United World Chart.
Billboard’s Larry Flick had this to say about the single release of The Power of Good-Bye in the September 12, 1998 issue of the magazine:
Next to the title track to Madonna’s glorious Ray of Light opus, this is the tune that radio programmers and diehard fans have long been clamoring to be released as a single. With a little help from co-producers William Orbit and Patrick Leonard, the diva brilliantly nestles a dewy love ballad within a cutting-edge electronic pop framework. You can listen to this track a dozen times and still pluck something new from the richly layered arrangement, which is anchored by a crisp shuffle beat and sweetened by occasional orchestral string flourishes and contrasting acoustic guitar strumming. All the while, Madonna performs with a confidence that allows her to flawlessly merge a widened vocal range with a considerable dose of raw emotion and soul. Although this gem would find instant success on its own, look for The Power of Good-Bye to be bolstered by its prominent play during the hotly anticipated new WB TV series Felicity.
On December 24 1995, Oh Father was released as the second UK single from Madonna’s ballads retrospective, Something To Remember.
Warner had initially declined the option to release Oh Father in most European markets when it became the fourth North American single from Like A Prayer in late 1989, instead opting for a more by-the-numbers portrait of childhood innocence with the release of Dear Jessie. Why it was determined to be a better idea in 1995, following its poor showing on the U.S. charts, is anyone’s guess. One possibility is that Oh Father‘s brilliant preexisting music video provided an easy, cost-free means of promoting the song while Madonna remained unavailable due to her recording commitments for the Evita soundtrack.
While I would personally rank Oh Father among Madonna’s very best musical and lyrical efforts, and its music video an underrated classic – it never had the makings of a commercial hit. And history repeated itself when the song’s dark subject matter once again stunted its ability to gain momentum on radio for its British release. It became only her third UK single at the time to peak outside the top-ten when it stalled at #16 in its first charting week. It fared better in Finland and Italy, however, reaching #6 in both countries.


On December 23 1989, RPM Magazine published Canada’s Top Singles of 1989. The listing included the following Madonna singles:
