On November 1 1992, Madonna’s Sex book hit #1 on the Washington Post non-fiction bestseller list.

Here’s a snippet of Zoe Heller’s article on the Sex book in The Independent:

It starts out black and white, S & M, down and dirty. In various urban crypts and dungeons, we see Madonna bound up by multi-pierced lesbians (they point knives at her throat and crotch); Madonna biting at a male arsehole; Madonna whipping a large PVC-clad woman. There is Madonna as Weimar-style decadent, cavorting with gay strippers, and as cutie schoolgirl, being raped by skinheads in a school gym. You get the picture.

As Sex proceeds, colour photography is introduced – a washed-out, Fifties sort of pastel – and Madonna emerges from subterranea to expose herself on roadsides and in pizza parlours. Interspersed throughout are scraps of Madonna-think: a tribute to her vagina (‘It smells like a baby to me, fresh and full of life’), a horrifyingly cutesy account of masturbating for the first time (‘honey poured from my 14-year-old gash and I wept’). You get the prose.