Today in Madonna History: March 20, 1990

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On March 20 1990, the lead single from Madonna’s I’m Breathless album, Vogue, was released.

Vogue was written and produced by Madonna and Shep Pettibone in December 1989.  The song was recorded with the intention of being the b-side to the upcoming (and last single for the Like A Prayer album), Keep It Together (released on January 30 1990).

The finished product was too good to be a single b-side, so it was decided that Vogue would be a stand-alone single on Madonna’s forthcoming album, I’m Breathless (even though the song had nothing to do with Dick Tracy).

Today in Madonna History: March 19, 1989

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On March 19 1989, Madonna’s Like A Prayer stormed on to Australia’s ARIA Singles Chart, entering at #3. It would hit ARIA’s top spot the following week, nudging out The Fine Young Cannibal’s She Drives Me Crazy.

The two songs entered into an extended dance for the pole position, with Crazy reclaiming its spot for two weeks before handing it back again to Prayer. Then back to Crazy. Then Prayer.

Dizzy yet?

Our Aussie mates may be a tad indecisive with their hits–but they sure know how to pick ’em!

Today in Madonna History: March 18, 2005

On March 18 2005, a resolution was reached in a UK copyright lawsuit (Coffey v Warner/Chappell Music Ltd. & Others) which alleged that elements of the Madonna & Patrick Leonard composition, Nothing Really Matters, had infringed on the copyright of claimant Elizabeth Coffey and her song, Forever After, performed by Peter Twomey.

The case took almost four years to reach the court and went under a considerable number of amendments by the plaintiff during that time. Coffey eventually alleged that the recording of Forever After included an original musical work, which consisted of the combination of vocal expression, pitch contour, and syncopation of or around the words “does it really matter,” but did not extend to the melody or lyrics surrounding those words.  She pleaded that the words “does it really matter” comprised the song’s lyrical hook and alleged that the copyright in Forever After was infringed by the defendants’ activities in relation to Nothing Really Matters.

In turn, the defendants moved to have the claim struck out as the method the plaintiff had identified the alleged copied elements was contrary to copyright law in general. Another defense offered was that, in any event, no copying had occurred.

The case was dismissed on the legal grounds that, in copyright, one cannot cherry pick the elements of the song that are the most similar in an attempt to build a stronger case. In his findings, the presiding Judge Blackburn, noted:
“The three somewhat elusive features identified by the claimant as her musical work cannot by any stretch of the imagination be said to be sufficiently separable from the remainder of the song as themselves to constitute a musical work. […] What the copyright work is in any given case is not governed by what the claimant alleging copyright infringement chooses to say that it is. Rather, it is a matter for objective determination by the court.”
A summary analysis and MIDI clip of the claimant’s song (which, incidentally, bears no perceivable resemblance to Nothing Really Matters) can be found here. The complete judgement in the lawsuit can be viewed here.

 

Today in Madonna History: March 17, 1998

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On March 17 1998, the maxi-single for Madonna’s Frozen single was released in North America.

The maxi-single included:

  • Album Version
  • Stereo MC’s Remix
  • Extended Club Mix
  • Meltdown Mix

Today in Madonna History: March 16, 2004

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On March 16 2004, Love Profusion was commercially released in North America on CD maxi-single. In the U.S., a double 12″ vinyl edition of the maxi-single was also released one week later, on March 23rd. Written & produced by Madonna & Mirwais Ahmadzaï, Love Profusion was the fourth and final North American single release from the American Life album. In the UK, Warner chose to issue the song instead of Nothing Fails as the album’s third and final single in December, 2003.

Though lack of radio support kept Love Profusion from charting on the Hot 100 in the U.S., it nevertheless managed to top the Hot Dance/Club Play chart. North of the border, the track peaked at #3 on the Canadian singles chart.

North American pressings of the CD maxi-single included a fold-out tester square of the Estée Lauder fragrance Beyond Paradise. The television commercial for the fragrance featured the song Love Profusion – and although Madonna was replaced by supermodel Carolyn Murphy, it used the same computer-generated imagery as the music video’s “daylight” scenes. Both the video and the commercial were created simultaneously by director Luc Besson.

Today in Madonna History: March 15, 1994

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On March 15 1994, Madonna attended the 8th annual Soul Train Awards with Rosie Perez at the Shrine Auditorium, in Los Angeles, California.

Today in Madonna History: March 14, 2008

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On March 14 2008, Madonna’s official website revealed the artwork and release date for Hard Candy:

“We are happy to share the album artwork for Madonna’s upcoming album.  Hard Candy is scheduled to have a global release on April 28th and a US release on April 29th on Warner Bros. Records.”

Hard Candy was eventually released on these dates in these regions:

  • Germany, Ireland, Austria and Netherlands – April 25, 2008
  • United Kingdom, Brazil and the rest of Europe – April 28, 2008
  • United States, Mexico and Canada – April 29, 2008

Liz Rosenberg told Entertainment Weekly:

She loves candy.  Hard Candy is about the juxtaposition of tough and sweetness, or as Madonna so eloquently expressed: ‘I’m gonna kick your ass, but it’s going to make you feel good.’

Notice that Madonna’s belt includes the inscription Give It to Me, the original title of the album.