Today in Madonna History: April 17, 2001

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On April 17 2001, Madonna’s What It Feels Like for a Girl – the third single from Music was released by Maverick Records. The song was written by Madonna, Guy Sigsworth and David Torn, who was credited later, while production was handled by Madonna, Guy Sigsworth and Mark Stent. The spoken intro, recited by Charlotte Gainsbourg, is an excerpt from the 1993 film The Cement Garden.

Lyrics:

Girls can wear jeans
And cut their hair short
Wear shirts and boots
Cause it’s okay to be a boy
But for a boy to look like a girl is degrading
Cause you think being a girl is degrading
But secretly
You’d love to know what it’s like
Wouldn’t you?
What it feels like for a girl

Silky smooth
Lips as sweet as candy, baby
Tight blue jeans
Skin that shows in patches

Strong inside but you don’t know it
Good little girls they never show it
When you open up your mouth to speak
Could you be a little weak

Do you know what it feels like for a girl
Do you know what it feels like in this world for a girl

Hair that twirls on finger tips so gently, baby
Hands that rest on jutting hips repenting
Hurt that’s not supposed to show and
Tears that fall when no one knows
When you’re trying hard to be your best
Could you be a little less

Do you know what it feels like for a girl
Do you know what it feels like in this world for a girl
Do you know what it feels like for a girl
Do you know what it feels like in this world
What it feels like for a girl

Strong inside but you don’t know it
Good little girls they never show it
When you open up your mouth to speak
Could you be a little weak

Do you know what it feels like for a girl
Do you know what it feels like in this world for a girl
Do you know what it feels like for a girl
Do you know what it feels like in this world for a girl

In this world
Do you know
Do you know
Do you know what it feels like for a girl
What it feels like in this world

Today in Madonna History: April 16, 2003

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On April 16 2003, Madonna released an edited version of the American Life video on VH-1.

The edited version (also called the “flag” version) featured Madonna singing in front of a backdrop of ever-changing flags of different countries.

Today in Madonna History: April 15, 1989

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On April 15 1989, Madonna’s Like A Prayer became the number one dance single on the Billboard Hot Dance Club Play chart.

Like A Prayer remained number one for the week of April 22.

Today in Madonna History: April 14, 2012

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On April 14, 2012, Madonna’s MDNA ranked as the number-one electronic album on the Billboard Dance/Electronic Albums chart in the USA.

MDNA remained number-one for the issues dated April 21, 28, and May 5.

Today in Madonna History: April 13, 1990

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On April 13 1990, Madonna’s Blond Ambition World Tour 1990 opened with 3 sold-out concerts at the Marine Stadium, in Makuhari, Japan.

The Setlist:

  1. Express Yourself
  2. Open Your Heart
  3. Causing a Commotion
  4. Where’s The Party
  5. Like a Virgin
  6. Like a Prayer
  7. Live to Tell / Oh Father
  8. Papa Don’t Preach
  9. Sooner or Later
  10. Hanky Panky
  11. Now I’m Following You
  12. Material Girl
  13. Cherish
  14. Into the Groove
  15. Vogue
  16. Holiday
  17. A Family Affair / Keep It Together

Today in Madonna History: April 12, 2012

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On April 12 2012, Madonna launched her first signature fragrance, Truth or Dare by Madonna at Macy’s Herald Square in New York City.

Today in Madonna History: April 11, 1990

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On April 11 1990, the Keep It Together single was certified gold for sales of 500,000 units in the USA.

Written and produced by Madonna and Stephen Bray, the main inspiration behind Keep It Together was Madonna’s relationship with her family—whom she dearly missed after her divorce from actor Sean Penn. It became the final Madonna single release to feature a collaboration with Bray—a partnership that had begun romantically when Madonna & Stephen were college students at the University of Michigan, Madonna later persuaded Bray to join her in New York where he became the drummer for her band, Emmy. The two went on to write and produce some of Madonna’s most memorable 80’s hits. A final collaboration between the pair, Get Over, was reworked by Madonna and Shep Pettibone for possible inclusion as one of the new tracks on The Immaculate Collection, but was instead given to Warner Bros artist Nick Scotti to record in 1991.