Today in Madonna History: March 22, 2001

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On March 22 2001, Madonna’s What It Feels Like For A Girl music video premiered.

The video was directed by Madonna’s then-husband, Guy Ritchie, and was deemed to be “Too Hot for TV” by MTV and VH1 because the video depicted gunplay, assault and suicide.

MTV released this statement about the video and their decision to ban it:

It’s been some time since Madonna ruffled the feathers of MTV or VH1 execs with a controversial video — perhaps not since 1992’s Erotica clip — so just under a decade later, the first lady of shock pop is out to prove she can still make ’em sweat.

Unlike the steamy segments of Erotica, 1990’s Justify My Love, and the one that started it all, Like a Prayer, it’s not the sexual content of What It Feels Like for a Girl that raises the red flag, it’s the violence — a concerted no-no in the post-Columbine, and more recently post-Santana, decision-making process.

The music in the video, it should be noted, is a dance remix of the version found on Madonna’s latest album, Music. The album cut will serve as the LP’s third single.

 Directed by her husband, British filmmaker Guy Ritchie (Snatch, Lock, Stock and Two Smoking Barrels), the clip depicts gunplay, violent assault and suicide — elements MTV and VH1 prohibit in any videos they air. In it, the pop diva portrays a self-described “nihilistic pissed-off chick” who cruises around town inflicting damage on any man that crosses her path.
After picking up Grandma at the “Ol Kuntz Guest Home,” Madonna crashes into a car full of men who wink at her, threatens male police officers with a squirt gun before sideswiping their vehicle, and mugs a man at an ATM with a stun gun before wrapping her stolen car around a lamppost in what appears to be an intentional act.

The video “shows my character acting out a fantasy and doing things girls are not allowed to do,” Madonna said in a written statement distributed by her record label, Warner Bros. “This is an angry song and I wanted a matching visual with an edgy dance mix.”
Although What It Feels Like for a Girl won’t be added to the music channel’s regular rotation, MTV and VH1 will air the clip just once.

Today in Madonna History: January 16, 2001

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On January 16 2001, Don’t Tell Me was released commercially in North America as the second single from Music.

Written by Madonna, Mirwais & Joe Henry, the song was Madonna’s first collaboration with her brother-in-law, whom she had known since high school. Henry sent a demo (then titled Stop) to Madonna after his wife, Melanie, insisted that her sister would love the song. Madonna & Mirwais drastically altered the music and melody and renamed the song Don’t Tell Me. Henry released his version on his eighth studio album, Scar, in May 2001.

The maxi-single featured remixes by Thunderpuss, Timo Mass, Victor Calderone, Richard “Humpty” Vission and Tracy Young. Don’t Tell Me was the last Madonna release to be issued on cassette single in the U.S. and was also available on 2-track CD single, CD Maxi-Single (enhanced with the music video) and as a double 12″ vinyl set. In Canada, it was released only on CD maxi-single.

Today in Madonna History: January 8, 2001

 

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On January 8 2001, Madonna and Guy Ritchie’s wedding was featured on the cover of People magazine with the headline: Kilt by Association Amid Tears, Tiaras and Scottish Tartan, Madonna and Guy Ritchie Baptize Baby Rocco and Tie the Knot.

Here’s a snippet of the article inside:

Shortly  after 6:30 on the evening of December 22, the guests were invited, without fanfare, to take their seats. Guided by the glow of hundreds of candles, Gwyneth Paltrow, Rupert Everett, Donatella Versace, a kilt-clad Sting and some 55 others gathered near the foot of the grand staircase in the Great Hall of Scotland’s 19th-century Skibo Castle. As the skirls of a lone bagpiper gave way to the music of French pianist Katia Labèque and a local organist, the wedding ceremony of Madonna Louise Ciccone, 42, and film director Guy Ritchie, 32, began.   Madonna’s 4-year-old daughter, Lourdes, shoeless and draped in a long ivory dress with short sleeves and a high neck, led the processional. Descending the staircase—its balustrade laced with ivy and white orchids—she tossed handfuls of red rose petals from a basket, almost exhausting her supply by the time she reached the front row, where she sat in her nanny’s lap. “As soon as they saw Madonna’s daughter throwing rose petals,” says a guest, “people were crying.”

Today in Madonna History: December 29, 2001

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On December 29 2001, megamixes issued to promote Madonna’s second greatest hits collection, GHV2, made their debut on Billboard’s Hot Dance Music/Club Play chart in the U.S. at #29.

Several promo-only singles were issued by Maverick/Warner featuring megamixes by Thunderpuss, Tracy Young and Johnny Rocks with Mac Quayle and charted collectively under the title Madonna Megamix.

An additional marketing push to club DJ’s came in the form of GHV2 Remixed: The Best of 1991-2001 – a promo-only companion collection issued on CD and vinyl that compiled full-length remixed versions of songs featured on GHV2.

Today in Madonna History: December 23, 2001

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On December 23 2001, a report by Amusement Business reported that Madonna’s Drowned World Tour generated $74 million worldwide from only 47 shows, landing her at #4 for top grossing tour in 2001. U2’s Elevation Tour took the top spot, selling $143 million in tickets from 113 arena shows worldwide.

Today in Madonna History: December 18, 2001

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On December 18 2001, the first of a two-part interview with Matt Lauer to promote GHV2 aired on the Today show in North America. The second part aired the following day.

Coming off a busy year for Madonna, her involvement in promoting the retrospective was limited, with this being her only television interview that tied in with its release.

Today in Madonna History: December 9, 2001

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On December 9 2001, Madonna presented the Turner Prize to artist Martin Creed at London’s Tate Britain gallery.

Madonna half-seriously plugged her greatest hits album, GHV2, before explaining her feelings of ambivalence towards the merit of awards in relation to the artistic process.

“Art is always at its best when there is no money, because art has nothing to do with money and everything to do with love. Like love, it can be inspiring, inexplicable, provocative and sometimes infuriating. Nevertheless, we can not live without it, so that is why I’m here – not because I think one artist is better than another, but because I want to support any artist who not only has something to say, but has the balls to say it. In a time when political correctness is valued over honesty, I would also like to say – right on motherfuckers! – everyone is a winner.”

Channel 4 unsuccessfully attempted to censor the speech during the live broadcast, and later issued an apology for Madonna’s choice of words, which aired prior to the 9pm watershed. Madonna later explained that she had not intended to use profanity until the producers asked to review the content of her speech prior to the broadcast, sparking her defiance.