Today in Madonna History: October 7, 2000

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On October 7 2000, Madonna’s MUSIC album debuted at #1 in the USA with sales of 420,000 copies.

Dimitri Ehrlich from Vibe described the album as “a masterpiece of brilliantly arranged keyboards, futuristic drums, and electronica dressings. With folky acoustic guitars and a vaguely spiritual bend to her lyrics (like those on Ray of Light), it’s a weird and fresh-sounding album.”

Today in Madonna History: September 23, 2000

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On September 23 2000, Madonna’s Music DVD single debuted at #3 on the Billboard Top Music Videos sales chart in the USA.

Today in Madonna History: September 19, 2000

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On September 19 2000, Madonna’s eighth studio album Music was released by Maverick Records.  Music was released in some markets on September 18.

In anticipation of the release Madonna made this statement:

“Hey Mr. DJ, put a record on… Hi, it’s Madonna. You’ve probably been hearing about my new record, Music, for a while. Well, I just wanted to make sure you knew that the single is gonna drop very soon. I worked on it with a French guy named Mirwais, and he is the shit. The album will be released worldwide on September 19, and I hope you like my music.”

Today in Madonna History: September 18, 2000

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On September 18 2000, Madonna’s eighth studio album, Music, was released in the UK by Maverick and Warner Bros. Records.

The album was recorded at The Hit Factory in New York, the Guerilla Beach Studios in Los Angeles and the Sarm East and West Studios in London. The bulk of the album was produced by Madonna and Mirwais Ahmadzaï, with additional production by William Orbit, Guy Sigsworth and Mark “Spike” Stent.

Madonna had begun the project in the late summer of 1999 by resuming her collaboration with Ray Of Light co-producer, William Orbit. While the pair completed nearly an album’s worth of songs during these sessions, only three made the album’s final cut. Two others appeared on the soundtrack of The Next Best Thing, another became the theme of a short-lived TV series, while the rest stayed in the vault (though most, if not all, eventually found its way to the internet). It is clear listening to many of the leaked demos from the sessions that Madonna was ready to receive the shot of inspiration Mirwais would inject into the project.

Her new collaborator retained, and in some ways, expanded on the experimental spirit of Ray Of Light, but in contrast to Orbit’s layered, reverb-drenched warmth, Mirwais offered a cool, stark, less-is-more approach that took the album in a very different sonic direction, certainly matching if not building upon the creative success she had achieved with Orbit. If the previous album was successfully touted as a rebirth of sorts, she managed to avoid the sophomore album curse yet again with Music, offering a sound that was distinct and fresh. So fresh that it cast some shadow over the songs Mirwais didn’t have a hand in creating, although the haunting Orbit-produced album closer, Gone, remains one of her best exits.

While Madonna regrets little, she would rightfully retroactively pooh-pooh her decision to permit record execs to tack on previous UK #1 hit, American Pie, as a bonus track outside North America. The cash-in rang a hollow note, coming in on the heels of soulful lyrics about a refusal to sell out.

Madonna adopted a cowgirl/country theme for the album, with the album artwork photographed by one of her longtime collaborators, Jean Baptiste Mondino. The photo session took place in the spring of 2000, before the album had been fully completed and mixed, in order to conceal her pregnancy. Madonna has stated in interviews that her goal with album art has remained relatively consistent through the years: it should resonate with the album’s musical/lyrical themes while also capturing an element of timelessness.

North American tracklist for Music:

  • Music (written & produced by Madonna & Mirwais Ahmadzaï)
  • Impressive Instant (written & produced by Madonna & Mirwais Ahmadzaï)
  • Runaway Lover (written & produced by Madonna & William Orbit)
  • I Deserve It (written & produced by Madonna & Mirwais Ahmadzaï)
  • Amazing (written & produced by Madonna & William Orbit)
  • Nobody’s Perfect (written & produced by Madonna & Mirwais Ahmadzaï)
  • Don’t Tell Me (written by Madonna, Mirwais & Joe Henry; produced by Madonna & Mirwais)
  • What It Feels Like For A Girl (written by Madonna & Guy Sigsworth; produced by Madonna, Sigsworth & Mark “Spike” Stent)
  • Paradise (Not For Me) (written & produced by Madonna & Mirwais Ahmadzaï)
  • Gone (written by Madonna, Damian Le Gassick & Nik Young; produced by Madonna, Orbit & Stent)

Today in Madonna History: September 9, 2000

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On September 9 2000, Madonna’s Music single debuted at #3 on the Billboard Hot 100 Single Sales Chart in the USA.

Billboard’s review of Music:

Music is a stunning enterprise, a ballsy testament to Madonna’s insistence on being a style-setter and one of the industry’s most savvy-and now critically accountable-tunesmiths. Call this one dance, pop, even alternative…listeners will be shocked then mesmerized by this composition, showcasing yet another side of an artist, who after 20 years, continues to be a true industry artisan and the by-the-book definition of evolutionary.”

Today in Madonna History: August 21, 2000

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 “Hey Mr. DJ, put a record on, I want to dance with my baby.”

On August 21 2000, Madonna’s Music single was released.  Music was the lead single from her eighth studio album of the same name.  It was written and produced by Madonna and Mirwais Ahmadzaï.

Music peaked number one in 22 other countries, including Australia, Canada, Italy, New Zealand, Norway and the United Kingdom.  The song reached number one on the Billboard Hot 100. Music was the longest running number-one single on the Billboard Hot Dance Club Play chart for the decade (five weeks).  The song was the second most successful dance single of the decade in the United States, behind Madonna’s own Hung Up (2005). Music was the last number one hit on the Canadian RPM singles chart.

Today in Madonna History: March 3, 2000

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On March 3 2000, American Pie was released as a single in the UK. The cover of the Don McLean classic would hit number-one on the UK singles chart the following week.

A huge international hit, American Pie also topped the charts in Canada, Australia, Switzerland, Italy, Germany, Austria and Finland. In the U.S. the track was not released commercially in a strategic move designed to maximize sales of The Next Best Thing soundtrack, however it managed to reach number twenty-nine on the Hot 100 based on the strength of airplay alone.