Today in Madonna History: December 8, 1997

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On December 8 1997, Madonna attended the Met Gala at New York’s Metropolitan Museum of Art. Madonna attended the Met Gala with Ingrid Casares, Donatella Versace and Cher.

The Met Gala (formerly called the Costume Institute Gala) is a fundraising benefit that serves as an opening celebration for the Institute’s annual fashion exhibit. Following the event, the exhibition runs for several months.

Each year the event has a theme, and includes a cocktail hour and a formal dinner. During the cocktail hour, guests arrive to walk on the red carpet, tour the years themed exhibition, and be seated before the dinner party that includes entertainment. The theme of the December 1997-March 1998 exhibition was Gianni Versace.

Today in Madonna History: August 19, 1997

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On August 19 1997, Buenos Aires (from Evita) was released as a promo-only single to club DJs and radio stations in the USA to promote Evita on video.

Here is a full listing of the different mixes of Buenos Aires:

World Mix Edit
World Mix Edit – Shorter
Te Amo 12″ Extended Vocal Version
Te Amo 12″ Extended Instrumental Version
Te Amo 12″ TV Dub
Te Amo 12″ Acapella Version
Te Amo Single Edit
Te Amo Radio Version

Today in Madonna History: July 28, 1997

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On July 28 1997, Madonna offered a personal glimpse of the glamour, the luxury and the loss of her great friend Gianni Versace in an essay published in Time magazine.

I slept in Gianni Versace’s bed. Of course, he wasn’t in it at the time, but I couldn’t help feeling that I was soaking up some of his aura. I believe that when we sleep, our soul leaves our body to be rejuvenated. Powerful and profound things happen to us in our bed at night, and energy accumulates and hovers above it. There was a lot of nervous energy around Gianni’s bed, and I must say I never slept very well in it. I kept wanting to leap out of the bed and do things: write poetry, smell the gardenias and jasmine that surrounded the house, gaze out my window at the magnificent lake and press my face onto the cool marble of any number of naked-men statues that filled his bedrooms. I didn’t know who they were. They could have been important Greek gods or just your standard Roman hunks, but they were lovely to look at and very distracting. There were ancient books to comb through. Old-master paintings to study and local architecture to marvel at. I was in heaven, but more important, I was envious of a person who had the courage to live life so luxuriously. I’m too practical for that.

I had been invited to stay in Gianni’s villa in Lake Como after shooting my second Versace campaign in Milan. I was thrilled to spend the Fourth of July in such a beautiful setting. I arrived with boyfriend and entourage in tow. As a special favor, I had asked Gianni if I could bring my friend Marjorie Gross, who was dying of cancer. She came along, and we all had to keep pinching ourselves to make sure we weren’t dreaming. Every evening at sunset we were served fresh Bellinis, which we sipped under the giant magnolia tree at the edge of the lake. The cook prepared delicious meals, the Sri Lankan servants waited on us with white gloves, and my dog Chiquita was taken for long walks by gorgeous Italian bodyguards with walkie-talkies. The captain of a large speedboat was always on standby to take us for our daily swim in the crystal-clear waters of the lake. Dirty clothes never stayed on the floor for more than a few seconds, and beautiful Versace gowns kept arriving. A new batch every day. I even wore one to dinner. I had this fantasy that I was in an Antonioni film and the shoot was going to go on indefinitely. I felt like a spoiled princess. “The Versaces really know how to live!” We kept repeating this over and over like a mantra.

Gianni phoned regularly to make sure that everything was O.K. and that we were all taken care of. I thought about asking if my dog could have a manicure, but I decided against it. Even Gianni must draw the line somewhere. In retrospect I think he would have said yes, and a pet groomer would have been delivered in a matter of minutes. The only person as generous as Gianni is his little sister Donatella, who embraces the beautiful things in life with the same fervor.

But let me be very clear. The Versaces work as hard as they play. Obviously we were enjoying the fruits of Gianni’s labor. Evidence of his work ethic was all over the house. There were sketches lying around everywhere. Art books were marked or open to pages that were obviously going to show up somewhere in his new designs, and millions of magazines were piled on tables, full of articles or advertisements showing his glamorous and sexy clothes. Page after page bursting with color and eroticism. This was a man with a mission. A force to be reckoned with. I was on vacation in his house. He was working.

Eventually my fantasy came to an end, and we all headed back to our lives that seemed dull in comparison. Gianni was probably designing his next collection, editing one of his books or building a new villa. Probably all three.

The last time I saw him was in the spring in Miami. Donatella had invited me over for a pre-Easter dinner. I went to Casa Casuarina with a few friends and found Gianni in great spirits. He was mesmerized by the blue nail polish on my daughter’s toenails. After dinner his niece Allegra sat at our feet and played with Lourdes while he talked about la dolce vita. He had kicked cancer, he was proud of his latest collection, and life was good. That’s when I launched into my speech about yoga and how good it would be for his mind, body and soul. He seemed open, and I gave him my yoga teacher’s number. I could totally imagine this extravagant Calabrian with a twinkle in his eye in the lotus position. The great yogis believe there is no end to life. I’m inclined to agree. Even though Gianni’s life on this earth has ended, his spirit is everywhere, and his soul lives forever.

I’m going to miss you, Gianni. We’re all going to miss you. But I’ve got a pocketful of memories in my Versace jeans, and they’re not going anywhere.

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Today in Madonna History: March 24, 1997

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On March 24 1997, Madonna’s version of Another Suitcase In Another Hall  was released as the third and final single from the Evita soundtrack.

The single was only available in the UK, New Zealand, Australia and a small number of European countries.

The lyrics for Another Suitcase In Another Hall were written by Tim Rice, with the music by Andrew Lloyd Webber.

A music video was released to promote the single.  The video was the actual performance sequence from the film Evita, directed by Alan Parker.

Today in Madonna History: February 1, 1997

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On February 1 1997, Evita – The Complete Motion Picture Soundtrack peaked at #2 on the Billboard 200 album chart in the U.S. Meanwhile across the pond, the soundtrack simultaneously shot to the #1 position on the UK album chart. It had initially peaked at #6 in the U.S. and at #7 in the U.K. upon release in November, 1996.

The surge in sales was largely attributed to the film’s wide release in January and the heavy promotional push that accompanied it, along with the interest generated by the soundtrack’s second single, Don’t Cry For Me Argentina.

Today in Madonna History: January 25, 1997

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On January 25 1997, Madonna’s You Must Love Me peaked at #14 on the Billboard Hot 100 Single Sales chart.

Today in Madonna History: September 20, 1997

On September 20 1997, the single-disc version of the Evita soundtrack, Music From The Motion Picture Evita, re-entered the Billboard 200 albums chart in the U.S., spending its final charting week at #190.

In the same issue of Billboard, the promo-only remixes of Buenos Aires earned “Hot Shot Debut” status on the Hot Dance/Club Play chart, entering at #35.