Today in Madonna History: August 15, 1992

On August 15 1992, This Used To Be My Playground spent the first of three weeks at #1 on the RPM Canadian Top 100 Singles chart. In RPM’s year-end tally of the biggest hits of 1992 in Canada, the hit placed at #8.

This Used To Be My Playground was written by Madonna, Shep Pettibone & Tony Shimkin (although he was not originally credited) and produced by Madonna & Pettibone.

In an interview with the fan site MadonnaTribe, Shimkin recalled a last-minute dash to complete the recording of the song’s orchestral parts:

“When we recorded it with Al Schmidt at Ocean Way studio in L.A., we had a 30-piece orchestra and Jeremy Lubbock did the string arrangements, (but) we never included the demo that had the solo string part in it when we had him chart everything out for the orchestra,” revealed Shimkin. “On the day we were recording, we thought we were done and realized we forgot the solo. I quickly sang the part to the copyist, who then charted it out for the violin players, and they got it recorded with one minute to spare on the clock. When you have a thirty piece orchestra, it can be super expensive to roll into a second hour of their time!”

Today in Madonna History: July 15, 1992

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On July 15 1992, Truth Or Dare was re-released on VHS in the U.S. and Canada, priced for retail purchase. The new edition featured bonus performances of Hanky Panky and Like A Prayer filmed in Paris, following the film’s credit roll.

While bonus features were a relatively uncommon addition to VHS releases, even more unusual was the omission of these same special extras from all other releases of the film, including the subsequent DVD and Blu-ray editions – formats that would normally include any bonus content available. The most likely explanation is that the extra footage has been lost. A recent interview by Queerty.com with the film’s director Alek Keshishian appears to support this when he noted that neither he nor Madonna’s management have been able to locate the whereabouts of any of the film’s outtakes.

The original 1991 VHS release of the film, which had been priced for the rental market at nearly $100 per copy, featured alternate packaging and no bonus content.

Today in Madonna History: July 4, 1992

On July 4 1992, Madonna’s This Used To Be My Playground single from the film A League Of Their Own was reviewed by Larry Flick in Billboard magazine.

Today in Madonna History: June 8, 1992

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On June 8 1992, Madonna began recording sessions for the Erotica album at Soundworks, in New York.

While the writing and recording of Madonna’s previous albums had typically unfolded rather quickly, Erotica marked a change of pace in the creation of a Madonna record. Songwriting sessions for the set had occurred sporadically throughout the previous year with Shep Pettibone, Tony Shimkin and Andre Betts, in between movie projects and photo shoots for her upcoming coffee table book, Sex.

In contrast to the slick production qualities of the albums that preceded it, Madonna wanted Erotica to feature a darker, more gritty and less polished sound. This led to the decision to carry over many of the original demo vocals recorded during the songwriting process at Shep’s home studio to the final versions, with mainly lyrical additions/changes, musical overdubs, background vocals and final mixing taking place during the sessions at Soundworks.

One notable change that did occur in these final recording sessions was Madonna’s decision to swap her original lyrics for the song Goodbye To Innocence (which had gone through various incarnations in an attempt to keep the track off the cutting room floor) with the lyrics of the torch classic, Fever.  An earlier arrangement of Goodbye To Innocence with lyrics intact was later featured on the pro-choice compilation album, Just Say Roe, while a dub version of the same arrangement was retitled Up Down Suite when it appeared as a b-side on the Rain maxi-single. Another rough demo of the same track (streaming above), which is referred to as the “Straight Pass” mix on its original submission for copyright registration (which indicates that mixing of the track had not been finalized and that it is not mastered), leaked to file sharing services in February, 2008.

The “Straight Pass” mix bears some similarity to another unreleased track that was discarded early in the recording sessions, You Are The One. Aside from the lyrical paradox (with “You are the one” flipped to “I am the one”), both feature samples from Arabic singer Fairuz that would be reworked into the released version of the Erotica album’s title track and lead single.

Today in Madonna History: April 20, 1992

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On April 20 1992, Madonna signed a $60 million, seven-year contract with Time Warner Inc. as a joint venture to form a new multi-media entertainment company: Maverick.

Madonna was made CEO of Maverick (her own record and music publishing company), which included TV, film, merchandising and book publishing divisions.

The contract re-negotiated and extended Madonna’s contract with Sire Records: a $5 million advance per album & a 20% royalty rate for her next seven albums. The future recordings would all be released by Maverick/Sire Records.

Today in Madonna History: March 5, 1992

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On March 5 1992, Madonna won the title of Best-Dressed Female Artist in Rolling Stone magazine’s 16th annual Readers Poll.

Today in Madonna History: December 28, 1992

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On December 28 1992, Madonna was named one of the 25 Most Intriguing People In The World For 1992 by People magazine.

Here’s what People had to say about Madonna in 1992:

The Movies! The Album! The Naughty Pictures! Once Again Madonna Was Everywhere, Shouting, “Look at Me—Every Inch of Me!”

Intriguing: suggests an air of mystery. Madonna: does everything in public but floss her teeth.

Intriguing: wrapped in enigma. Madonna: not wrapped in anything.

Intriguing: means doesn’t appear on-camera in romantic encounters with Evian water bottles. Madonna: does.

OK—so what’s so intriguing about somebody who lets you know that her lovers require a five-cent deposit?

For one thing, she made ya look. Consider Sex, the photo book in which she had her picture taken doing everything but blushing. Besides proving that a naked Madonna could arch backward over a pinball machine without mussing her hair, it also pushed the envelope out to the size of a circus tent. And when the crowds came pouring in, there she was at center ring, cracking her whip.

It only served her purposes that Sex earned sniffy reviews like “The Empress Has No Clothes” and that it was banned in places such as Japan and Ireland. Coming on the heels of her summer film hit, A League of Their Own, the fuss over her book helped to launch her new album, Erotica, and primed the movie audience for her next assault on their sensibilities, Body of Evidence. Her success at getting the world to subsidize her sexual preoccupations—to say nothing of her mammoth self-absorption—is what makes her worth the $60 million deal she cut this year with Time Warner (the parent company of PEOPLE). Madonna is not the first star to find the bucks in buck nakedness. But no one before her has capitalized so well on human willingness to have our fears and desires repackaged and sold back to us.

Yet this most public of women still strains to be a mystery. This year she went through more faces than Lon Chaney—one minute in Baby Jane pigtails, a cupcake from hell; the next in sour milkmaid gear, Heidi with a mean streak. Her changing gallery of faces is one reason that she’s a sex symbol who inspires a lot of heavy breathing from intellectuals. One landmark of the 1992 publishing list—The Madonna Connection: Representational Politics, Sub-cultural Identities and Cultural Theory. You didn’t get this sort of thing for Petula Clark.

But does she really throw such a mysterious light on our culture? More likely it’s just the glinting gears of a giant publicity machine. Yet the sheer magnitude of her achievement in that regard is, well, intriguing. And the grinding of those gears is surely too loud to be ignored. “I’m a revolutionary,” she once sighed. “And yes. it’s a burden.”

Sometimes it’s a burden for her, we sigh in return, and sometimes for us.

Madonna was a busy woman in 1992! What did you enjoy most? A League Of Their Own? This Used To Be My Playground? Erotica? Sex? Body Of Evidence?