Today in Madonna History: May 25, 1985

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On May 25 1985, Madonna performed The Virgin Tour at Cobo Arena in Detroit, Michigan. The show was filmed by Daniel Kleinman, and released by Warner Music Video and Sire Records on November 13 1985.

Here is the dialog from Madonna’s famous Virgin Tour introduction (filmed by James Foley for the video release, it was not present during the concerts):

“I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.”

Madonna Live: The Virgin Tour was an enormous success.  The home video release was the top selling music video cassette of 1986 in the USA, and the video was certified double platinum by the Recording Industry Association of America (RIAA) for shipment of 100,000 copies.

Today in Madonna History: May 23, 1985

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On May 23 1985, Madonna performed her Virgin Tour concert in front of a sold-out crowd of 16,000 fans at Toronto’s Maple Leaf Gardens. The show generated $238,264 in ticket sales.

Here’s a great photo of the Beastie Boys hanging outside Maple Leaf Gardens before the show (on Church Street just north of Carlton):

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Maple Leaf Gardens was primarily a hockey and concert venue from 1931 until 2001. The building sat dormant until November 2011, when it reopened as a Loblaws grocery store.  To celebrate the history of the building, Loblaws kept centre ice, created art out of some of the seats and commemorated important dates on some of the supporting columns.  Here is one of those columns:

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Jay’s note: I’d like to say that I made a special trip to Loblaws just to take this photo, but it’s the long-weekend here in Canada — and I really wanted one of their amazing chocolate dip donuts!

Today in Madonna History: March 11, 1985

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On March 11 1985, Madonna was featured on the cover of People magazine.  Photos by Ken Reagan.

Today in Madonna History: February 15, 1985

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On February 15 1985, the Vision Quest original motion picture soundtrack was released on Geffen Records. To promote the release, music videos for Crazy For You and Gambler were both serviced to MTV together in late January.

Despite Gambler only being released as a single in markets outside North America, its video received moderate rotation from MTV nonetheless – possibly due to the fact that there were no competing videos produced for the final two singles from Like A Virgin.

Gambler was Madonna’s last entirely self-written single until the 2007 release of the charity single, Hey You. Other singles for which she received sole writing credit include Everybody (which was in fact a Stephen Bray co-write–however a publishing arrangement granted him sole credit for another of their collaborations, Ain’t No Big Deal, in trade), Burning Up, Lucky Star and Sidewalk Talk. Album tracks Think Of Me, I Know It and Shoo-Bee-Doo were also entirely self-written.

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A third Madonna song that was recorded for the Vision Quest soundtrack, Warning Signs, was eventually dropped from the project. A cassette copy of the song, which is also credited to Madonna alone, was submitted to the Library of Congress for copyright registration in February of 1984, at the same time as Gambler.

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With Stephen Bray having confirmed his involvement in the song’s production (which he described as “a cool synth track”), it appears that its production credits would mirror those of Gambler, which was produced by Jellybean Benitez and arranged by Bray. Given that early press for Vision Quest (including an on-set interview with Madonna herself) mentioned the inclusion of three new songs, footage of Madonna performing Warning Signs was likely filmed but ended up on the cutting room floor. Surprisingly, this additional footage has never resurfaced and the song has never leaked.

Today in Madonna History: February 5, 1985

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On February 5 1985, Madonna’s Like A Virgin was certified 3x platinum (for sales of 3 million units) in the USA.

Today in Madonna History: February 2, 1985

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On February 2 1985, Sidewalk Talk peaked at #1 on the Billboard Hot Dance/Club Play chart. The song was written by Madonna, who also contributed vocals on the chorus and bridge while the verses were performed by Catherine Buchanan. Madonna gifted the song to producer/remixer/DJ/boyfriend Jellybean Benitez for use on his debut EP, Wotupskii!!?! and it was promoted to clubs by EMI Records in October, 1984. It was eventually issued as a commercial single, climbing to #18 on the Billboard Hot 100.

Sidewalk Talk was arranged by Stephen Bray & Benitez with vocal arrangement by Madonna, according to the album’s liner notes. Madonna’s lyrics to the song recall her early years in New York and some of the challenges she encountered adjusting to big city life.

Today in Madonna History: January 17, 1985

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On January 17 1985, Debbie Miller reviewed Madonna’s Like A Virgin album for Rolling Stone magazine. Here’s what she had to say (3 1/2 stars out of 5):

In the early Sixties, when girls were first carving their niche in rock & roll, the Crystals were singing about how it didn’t matter that the boy they loved didn’t drive a Cadillac car, wasn’t some big movie star: he wasn’t the boy they’d been dreaming of, but so what? Madonna is a more, well, practical girl. In her new song, Material Girl, she claims, “the boy with the cold hard cash is always Mr. Right/’Cause we’re living in a material world/And I am a material girl.” When she finds a boy she likes, it’s for his “satin sheets/And luxuries so fine” (Dress You Up). Despite her little-girl voice, there’s an undercurrent of ambition that makes her more than the latest Betty Boop. When she chirps, “You made me feel/Shiny and new/Like a virgin,” in her terrific new single, you know she’s after something. Nile Rodgers produced Like A Virgin, Madonna’s second LP; he also played guitar on much of it and brought in ex-Chic partners Bernard Edwards on bass and Tony Thompson on drums. Rodgers wisely supplies the kind of muscle Madonna’s sassy lyrics demand. Her light voice bobs over the heavy rhythm and synth tracks like a kid on a carnival ride. On the hit title song, Madonna is all squeals, bubbling over the bass line from the Four Tops’ “I Can’t Help Myself.” She doesn’t have the power or range of, say, Cyndi Lauper, but she knows what works on the dance floor. Still, some of the new tracks don’t add up. Her torchy ballad Love Don’t Live Here Anymore is awful. The role of the rejected lover just doesn’t suit her. Madonna’s a lot more interesting as a conniving cookie, flirting her way to the top, than as a bummed-out adult.