On February 9 2002, the GHV2 Megamixes peaked at #5 on Billboard’s Hot Dance/Club Play chart in the U.S.
While the Thunderpuss GHV2 Megamix was promoted to mainstream channels, alternate megamixes produced by Tracy Young and Johnny Rocks & Mac Quayle targeted club DJ’s.
On February 7 1987, Open Your Heart hit #1 on the Billboard Hot 100 in the U.S. It was the 4th international single release from the True Blue album.
The single’s b-side, White Heat, was inspired by the 1949 Warner Bros. film of the same name starring James Cagney, to whom Madonna dedicated the song. Interspersed with dialogue taken directly from the film, Madonna’s lyrics put her love of double entendre to clever use as she compares the film’s themes of trust and betrayal among gang members to affairs of the heart.
White Heat was written and produced by Madonna & Patrick Leonard and was one of the earlier songs developed for the True Blue album, along with Open Your Heart. The initial copyright registration, submitted to the Library Of Congress in 1985, lists the song under its original title, Get Up Stand Tall.
Both songs were performed during 1987’s Who’s That Girl Tour. White Heat was also featured as the b-side for the single, Who’s That Girl, released in the summer of 1987.
On February 3 2015, Billboard announced The 50 Greatest Grammy Moments. Madonna’s 2006 performance of Hung Up made the list at #13:
Holograms Get Down (2006) – Gorillaz are joined onstage first by De La Soul and then by Madonna, as the holograms segue into her song Hung Up.
On January 26 1983, Madonna performed a track date at the Red Parrot at 617 West 57th St in New York City. Also featured on the bill were Planet Rock and Man Parrish.
While unconfirmed, the setlist likely would have previewed the soon-to-be-released Physical Attraction & Burning Up (which were recorded in November, 1982) along with her then-current club hit, Everybody.
A review of the night’s performances was featured in the February 12 1983 issue of Billboard Magazine (pictured with the show’s flyer above).
It may have been the first but it would be far from the last review in which Madonna’s musical talent would be minimized in retribution for her strong visual presence, among other things. Unlike Elvis or Michael Jackson, female artists are often criticized for flaunting the same qualities that make heros out of their male counterparts; for daring to be more than one-dimensional artists. While Madonna is not the first or the last female artist to break through these barriers – and her mission is indeed still a work in progress – one only needs to flip through the pages of Billboard magazine on both sides of the 1983 cultural divide to witness the scope of her impact on music and popular culture.
On January 23 1994, Bye Bye Baby re-entered the New Zealand singles chart, ultimately peaking at #43. The track had initially charted in the country for a single week in late November of 1993.
On January 21 1984, Madonna earned her very first Canadian chart entry as Holiday entered RPM’s Canadian Top 50 Singles chart at #48.
Madonna would go on to collect a total of 25 #1 singles to date in Canada – the most for any solo artist in Canadian chart history. She has also racked up a staggering 68 Top 40 singles in Canada – 51 of which ascended into the Top 10.
On January 16 1988, Spotlight entered Billboard’s Airplay chart at #37. The track would reach a peak of #32 three weeks later before falling to #40 in its final week.
Although Spotlight was not actively promoted to radio by Warner Bros. in the North America, radio’s eagerness to spin the cut regardless serves as a good indication that it likely would have continued Madonna’s hit streak at the time if it had been granted a proper single release.
Today In Madonna History 