Today in Madonna History: October 30, 1995

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On October 30 1995, You’ll See  was released as the first single from the ballads compilation, Something To Remember. It was one of three tracks written and produced by Madonna with Canadian songwriter David Foster during a marathon writing/recording session in late September 1995, with One More Chance also making the album’s final cut. A shelved collaboration entitled I Can’t Forget was recorded by British electronic group Tilt (retitled Come Closer) in 2006 and later by Canadian vocalist Angelica Di Castro. Madonna’s original unreleased demo leaked to the internet in 2010.

A Spanish version of You’ll See entitled Verás (featuring lyrics by Paz Martinez) was recorded during a brief promotional push for the album and was included on the North American maxi-single alongside an instrumental version and a live recording of Live To Tell (taken from 1987’s Ciao Italia! concert release). An alternate version of the You’ll See video was serviced to Latin markets to promote Verás featuring in-studio footage of Madonna recording its vocals.

Today in Madonna History: October 29, 1983

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On October 29 1983, Madonna’s Holiday entered the Billboard Hot 100 US singles chart at #88.

Holiday was released on September 7, 1983, and became Madonna’s first hit single, reaching a peak of #16 on January 18, 1984.

Since arriving on the Hot 100 with Holiday, Madonna has earned a total of 56 chart hits (so far), including a record 38 top 10 singles. Madonna has more top 10 hits than any other artist in the 55-year history of the chart. The Beatles are in second place, with 34 top 10 hits.

Lyrics:

Holiday
Celebrate
Holiday
Celebrate

If we took a holiday
Took some time to celebrate
Just one day out of life
It would be, it would be so nice

Everybody spread the word
We’re gonna have a celebration
All across the world
In every nation

It’s time for the good times
Forget about the bad times, oh yeah
One day to come together to release the pressure
We need a holiday

If we took a holiday
Took some time to celebrate
(Come on, let’s celebrate)
Just one day out of life
(Holiday)
It would be, it would be so nice

If we took a holiday
(Oo yeah, oo yeah)
Took some time to celebrate
(Come on, let’s celebrate)
Just one day out of life
(Just one day out of life)
It would be, it would be so nice

You can turn this world around
And bring back all of those happy days
Put your troubles down
It’s time to celebrate

Let love shine
And we will find
A way to come together
Can make things better
We need a holiday

If we took a holiday
(Holiday)
Took some time to celebrate
(Come on let’s celebrate)
Just one day out of life
(Just one day out of life)
It would be, it would be so nice

Oo yeah, oo yeah
Come on, lets celebrate
We have got to get together

Holiday
Celebrate
Holiday
Celebrate

If we took a holiday
(Oh yeah, oh yeah)
Took some time to celebrate
(Come on, let’s celebrate)
Just one day out of life
(Holiday)
It would be, it would be so nice

Holiday
(Oo yeah, oo yeah)
Celebrate
(Come on, let’s celebrate)
Holiday
(Just one day out of life)
Celebrate
(It would be so nice)

Holiday
(Holiday, celebration)
Celebrate
(Come together in every nation)
Celebrate
(Holiday, celebration)
Holiday
(Come together in every nation)

Holiday
Celebrate
Holiday
Celebrate

Holiday
(We got to get together)
Celebrate
(Take some time to celebrate)
Holiday
(Just one day out of life)
Celebrate
(It would be so nice)
Holiday
(Holiday, celebration)
Celebrate
(Come together in every nation)
Holiday
(Holiday, celebration)

Today in Madonna History: October 28, 2012

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On October 28, newswires reported that Madonna was boo’d  for praising President Barack Obama during her (October 27) MDNA Tour stop in New Orleans.

Madonna asked the crowd, “Who’s registered to vote?” and then followed with, “I don’t care who you vote for as long as you vote for Obama.”

After the boo’s, Madonna went on to say, “Seriously, I don’t care who you vote for. Do not take this privilege for granted. Go vote.”

Today in Madonna History: October 28, 2000

On October 28 2000, Madonna’s Music album spent its fourth and final consecutive week at #1 on Eurochart Top 100 Albums.

The album would slide two positions to #3 on the chart dated November 4th.

Today in Madonna History: October 27, 1991

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On October 27 1991, Madonna won Best Female Solo Singer and Most Fanciable Female at the 4th annual Smash Hits Awards in London, England.

Vanilla Ice was with Madonna (at her home) when she accepted the award via satellite.

Today in Madonna History: October 26, 1985

On October 26 1985, Madonna’s sassily self-written soundtrack slice, Gambler, peaked at #4 in the UK.

You could be taking your chances on this hidden gem once again, Madonna.

We know you want to.

Come on.

Today In Madonna History: October 25, 1994

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On October 25 1994, Madonna’s sixth studio album, Bedtime Stories was released by Maverick Records. The album was produced by Madonna with co-producers Nellee Hooper, Dave Hall, Dallas Austin and Babyface.

When the self-orchestrated media onslaught that accompanied the release of her previous album Erotica largely overshadowed the brilliant work it contained, Madonna took a decidedly subdued approach when it came to promoting Bedtime Stories. Interviews conducted for its release were mostly in print with a greater emphasis being placed on music – it seemed as though Madonna had little patience at the time for interviewers who insisted on turning her private life into headlines. 

Both a sense of defiance and a hint of impatience with society’s intolerance to her boundary-pushing provocations carried over into the work itself, most notably with album opener, Survival and the sardonically biting Human Nature. But such sentiments were balanced with songs that were perhaps more personal and more poetic than she had offered on previous albums, with the possible exception of Like A Prayer. Feelings of longing, loneliness and loss – along with early glimpses into spiritual rediscovery – are at the emotional heart of the record, with songs like Love Tried To Welcome Me and Sanctuary containing some of her most ambitiously inspired lyrics, expanding on written works by George Herbert, Carson McCullers and Walt Whitman. 

Perhaps the album’s most notable triumph is for Madonna as record producer, as she successfully manages to design an overarching flow that seamlessly bridges the styles of her various collaborators and co-producers. Indeed, Bedtime Stories is a body of work that is much more successful as a whole than it is broken down into individual tracks, which may explain why it is frequently overlooked in comparison to her more singles-driven albums of the previous decade. Even the record’s mega-hit, Take A Bow hasn’t maintained the traction in the realm of public consciousness that some of her earlier and later hits have managed to do. But when played from start to finish, Bedtime Stories remains surprisingly relevant through its subtleties and nuances – aptly demonstrating that even for Madonna, sometimes less is more.

“So here’s my question –
Does your criticism have you caught up
In what you cannot see?”