
On December 28 1987, Madonna appeared on the cover of the special year-end double issue of US Weekly magazine: The Sexiest, The Sassiest, The Boldest, The Best.

On December 28 1987, Madonna appeared on the cover of the special year-end double issue of US Weekly magazine: The Sexiest, The Sassiest, The Boldest, The Best.

On December 27 1986, Billboard’s year-end issue hit newsstands with Madonna appearing on the following 1986 chart rankings:

On December 26 1998, the fourth single from Madonna’s Ray of Light album, The Power of Good-Bye, peaked at #2 on the United World Chart.
Billboard’s Larry Flick had this to say about the single release of The Power of Good-Bye in the September 12, 1998 issue of the magazine:
Next to the title track to Madonna’s glorious Ray of Light opus, this is the tune that radio programmers and diehard fans have long been clamoring to be released as a single. With a little help from co-producers William Orbit and Patrick Leonard, the diva brilliantly nestles a dewy love ballad within a cutting-edge electronic pop framework. You can listen to this track a dozen times and still pluck something new from the richly layered arrangement, which is anchored by a crisp shuffle beat and sweetened by occasional orchestral string flourishes and contrasting acoustic guitar strumming. All the while, Madonna performs with a confidence that allows her to flawlessly merge a widened vocal range with a considerable dose of raw emotion and soul. Although this gem would find instant success on its own, look for The Power of Good-Bye to be bolstered by its prominent play during the hotly anticipated new WB TV series Felicity.
On December 24 1995, Oh Father was released as the second UK single from Madonna’s ballads retrospective, Something To Remember.
Warner had initially declined the option to release Oh Father in most European markets when it became the fourth North American single from Like A Prayer in late 1989, instead opting for a more by-the-numbers portrait of childhood innocence with the release of Dear Jessie. Why it was determined to be a better idea in 1995, following its poor showing on the U.S. charts, is anyone’s guess. One possibility is that Oh Father‘s brilliant preexisting music video provided an easy, cost-free means of promoting the song while Madonna remained unavailable due to her recording commitments for the Evita soundtrack.
While I would personally rank Oh Father among Madonna’s very best musical and lyrical efforts, and its music video an underrated classic – it never had the makings of a commercial hit. And history repeated itself when the song’s dark subject matter once again stunted its ability to gain momentum on radio for its British release. It became only her third UK single at the time to peak outside the top-ten when it stalled at #16 in its first charting week. It fared better in Finland and Italy, however, reaching #6 in both countries.
On December 16 2010, Madonna released a special statement to her fans:
“It’s official! I need to move. I need to sweat. I need to make new music! Music I can dance to. I’m on the lookout for the maddest, sickest, most bad ass people to collaborate with. I’m just saying……”
Madonna’s search would result in the creation of her twelfth studio album, MDNA.
On December 15 1990, the LA Times printed a feature article by Robert Hilburn, about Madonna’s forth-coming laser-disc release of the Blond Ambition tour.
Can Madonna sell laser-disc players as well as she sells herself? Pioneer Artists, the nation’s leading distributor of music-related laser discs, hopes so. In a move virtually unprecedented in the video industry, Pioneer has just released Madonna’s Blond Ambition World Tour Live exclusively on laser disc. Normally, video packages of this nature are released on videocassette two to six weeks before they are released on laser-disc. In this case, however, Blond Ambition won’t be released on videocassette for at least a year. Steven Galloway, president of Pioneer Artists, said he hopes the fact that an artist of Madonna’s stature would release a video only on laser disc will send a signal to millions of potential laser customers that the new format has finally come of age.
Galloway said that the laser exclusive with Madonna grew out of an agreement last spring for Pioneer, the electronics hardware and software giant, to sponsor her tour.
“I contacted her manager, Freddy DeMann, long before the tour started in hopes of getting the laser-disc rights to any video that was going to be shot in association with the tour,” Galloway said. DeMann was meeting with potential corporate sponsors at the time, Galloway said, and he asked if Pioneer would be interested in sponsoring the tour. The company apparently jumped at the opportunity.
“Madonna is the ideal artist to reach the new demographics that we are hoping to attract with the new, low-priced combination CD and laser players . . . the young, hip 18-35 audience,” Galloway said.
“Until these low-priced players arrived, laser discs were considered something just for the high-end market . . . a rich man’s toy. But that has changed and Madonna seemed the ideal artist to drive that point home.”
And what about the Blond Ambition package itself?
The video is based on the same concert in Nice that HBO broadcast live last summer, but the new, edited laser version offers much more of the vitality and charm of the show itself than the HBO special.