
On March 3 1991, Madonna’s Vogue won International Single Of The Year at the 20th annual Juno Awards held at the Queen Elizabeth Theatre, in Vancouver, British Columbia.


On March 3 1991, Madonna’s Vogue won International Single Of The Year at the 20th annual Juno Awards held at the Queen Elizabeth Theatre, in Vancouver, British Columbia.


On March 2 2017, Madonna announced that starting March 7 she would appear on three different covers of Vogue Germany, with new photos taken by Luigi and Iango.
On March 1 1998, the lead single from Madonna’s Ray of Light album, Frozen, debuted on the ARIA (Australian Recording Industry Association) Singles Chart at its peak of number five. The next week Frozen fell to number nine, but it returned to its peak of number five on March 15 1998 where it held steady for another three weeks.
Australia released Frozen with a unique picture CD (5-track).
On February 28 2006, the maxi-single for Sorry, the second single from Confessions on a Dance Floor, was released.
Sorry was one of the first tracks developed for Confessions on a Dance Floor. The songs were developed with a remixed perspective in mind. Madonna commented:
“Whenever I make records, I often like the remixes better than the original ones. So I thought, screw that. I’m going to start from that perspective”.

On February 27 1995, Madonna’s chart topping single, Take A Bow, was certified Gold by the RIAA for shipments of 500,000 copies.
Matthew Jacobs (The Huffington Post) had this to say about Take A Bow:
Take A Bow is Madonna’s most poetic ballad. Much in the way that such hits as Borderline and Into The Groove act as the fuselage of ’80s pop … a lost-love elegy that squares nicely with the burgeoning female singer-songwriter movement of the ’90s. Don’t mistake its sleepy quality for stuffiness. This song is Madonna at her loveliest.

On February 26 1991, Madonna’s Rescue Me was released as the second single (in North America) from her 1990 greatest hits set, The Immaculate Collection.
Rescue Me was written by Madonna, Shep Pettibone and Anthony Shimkin.
With you I’m not a little girl, with you I’m not a man
When all the hurt inside of me comes out, you understand
You see that I’m ferocious, you see that I am weak
You see that I am silly, and pretentious and a freak
But I don’t feel too strange for you, don’t know exactly what you do
I think when love is pure, you try to understand the reasons why
And I prefer this mystery, it cancels out my misery
And gives me hope that there could be a person that loves me
Rescue me, it’s hard to believe
Your love has given me hope
Rescue me, it’s hard to believe
I’m drowning, baby, throw out your rope
The CD maxi-single included:
Rescue Me – (Single Mix) – (4:53)
Rescue Me – (Titanic Vocal) – (8:15)
Rescue Me – (Houseboat Vocal) – (6:56)
Rescue Me – (Lifeboat Vocal) – (5:20)
Rescue Me – (S.O.S. Mix) – (6:23)
On February 13 1999, Madonna’s Nothing Really Matters single was reviewed by Billboard magazine.
The North American two-track single for Nothing Really Matters included the album version of To Have And Not To Hold as its b-side.
Prior to the release of the Ray Of Light album, it was reported that Madonna had fourteen tracks mastered but wanted to cut one, as she felt that thirteen was a lucky number. According to the article, Madonna’s final selection was between two songs: To Have And Not To Hold or Has To Be.
As we all know, Has To Be ended up being cut from the final track list (except in Japan, where it was included as a bonus track).
If you had to choose between including To Have And Not To Hold or Has To Be on Ray Of Light, which song would you include? Keep in mind, your selection should not simply be which individual track you prefer – Madonna would also have had to consider how her choice would affect the overall flow and emotional arc of the album, both musically and lyrically.