On March 17 1999, CBS-TV’s news magazine, 60 Minutes II, aired a Madonna interview conducted by Charlie Rose. The segment was titled “Madonna at 40”.
“I refused to wear makeup – and that’s when girls are, sort of, going out of their way to be attractive and please boys at school. I said, ‘Well I’ll be damned! They’re going to have to like me with hairy armpits or they’re not worthy of me!'”
On March 16 2004, Love Profusion was commercially released in North America on CD maxi-single. In the U.S., a double 12″ vinyl edition of the maxi-single was also released one week later, on March 23rd. Written & produced by Madonna & Mirwais Ahmadzaï, Love Profusion was the fourth and final North American single release from the American Life album. In the UK, Warner chose to issue the song instead of Nothing Fails as the album’s third and final single in December, 2003.
Though lack of radio support kept Love Profusion from charting on the Hot 100 in the U.S., it nevertheless managed to top the Hot Dance/Club Play chart. North of the border, the track peaked at #3 on the Canadian singles chart.
North American pressings of the CD maxi-single included a fold-out tester square of the Estée Lauder fragrance Beyond Paradise. The television commercial for the fragrance featured the song Love Profusion – and although Madonna was replaced by supermodel Carolyn Murphy, it used the same computer-generated imagery as the music video’s “daylight” scenes. Both the video and the commercial were created simultaneously by director Luc Besson.
On March 15 1994, Madonna attended the 8th annual Soul Train Awards with Rosie Perez at the Shrine Auditorium, in Los Angeles, California.
On March 14, 2001, Madonna held open auditions for dancers for her Drowned World Tour at Musical Theatre Works in New York, NY.
On March 13 1999, Nothing Really Matters spent the first of two weeks at #1 on Billboard’s Hot Dance/Club Play chart in the U.S.
Despite being a successful club hit, many have cited Warner’s unusual marketing choices for the single as the primary reason for its poor placement on the Hot 100, where its peak of #93 remains the lowest of her charting singles.
The delayed release of the commercial single – which came long after the song had peaked at radio – was clearly a blunder, while other aspects of the song’s promotion seemingly started too early. After declining to release the experimental remixes for The Power Of Good-Bye in the U.S. (the remixes were issued commercially in Canada & abroad), Warner jumped the gun by beginning to service remixes of Nothing Really Matters promotionally to clubs as early as September of 1998 – over six months ahead of the maxi-single release.
An alternative might have been to service the Sky Fits Heaven remixes promotionally in the U.S. during the interim, considering that it managed to enter the Dance/Club Play chart based solely on spins from the imported Drowned World/Substitute For Love single, with no push from the label domestically.
Chart positions and marketing decisions aside, the maxi-single for Nothing Really Matters, with its wonderfully varied set of remixes by Peter Rauhofer, Kruder & Dorfmeister and Talvin Singh, remains one of Madonna’s best, in our opinion. Together with its visually stunning music video, the single marked an artistically pleasing closing chapter to the epic Ray Of Light era.
On March 12 2003, Warner Bros. issued a press release for Madonna’s American Life album:
A new Madonna album, American Life, has been set for a worldwide release on April 22nd.
The enduring icon’s first new collection of original material since 2000’s multi-platinum smash Music, American Life is being hailed as Madonna’s most accomplished, original and intensely personal album to date; a resonant and revealing emotional journey that marks a new highpoint in a career that has for all time redefined the expressive potential of contemporary music.
Recorded over a full year in London and Los Angeles, American Life, the artist’s tenth studio album, features eleven new Madonna compositions, including the title track and debut single, which ships to radio March 25th.
“All of these songs reflect my current state of mind. I feel like I have just woken up out of a dream. They range from dismay and anger to joy and certainty. Hopefully, I have taken the personal and made it universal,” stated Madonna regarding her new album which she wrote and produced with Mirwais Ahmadzai with whom she also collaborated on her previous release Music.
The American Life CD includes the title track, as well as the following songs: Hollywood, I’m So Stupid, Love Profusion, Nobody Knows Me, Nothing Fails, Intervention, X-Static Process, Mother & Father, Easy Ride, and Die Another Day, the hit theme song from the James Bond film of the same name.
The American Life single is also the subject of a brilliant new video from the pioneering multi-media visionary, an artist who single handedly invented the short music film medium. In a stunning collaboration with director Jonas Akerlund, American Life expresses a panoramic view of our culture and looming war through the view of a female superhero portrayed by Madonna set against a backdrop of current cultural obsessions. It’s a penetrating examination of our national psyche. The video is scheduled to air the first week in April.
Remixes of the American Life single by, among others, mega-hot hip hop diva Missy Elliott, Peter Rauhofer, Felix da Housecat and Maverick Records artist Paul Oakenfold will be available in various configurations over the next several months.
An extensive schedule of appearances, performances and special events has been set in conjunction with the release of American Life including an appearance on an episode of the hit NBC-TV comedy Will And Grace.
One of the most original and innovative artists of the modern era, Madonna has sold hundreds of millions of albums, topped charts across two decades, created an enormously influential body of work in video and film and stood at the forefront of socially conscious artists worldwide. With American Life, Madonna has once again reached deeply into her own life as the source and substance of her extraordinary artistry.
On March 11 1985, Madonna was featured on the cover of People magazine. Photos by Ken Reagan.
Today In Madonna History 