On September 15 2014, Vice magazine’s blog THUMP published an article in which Stuart Price recalled his time spent collaborating with Madonna on her 2005 album, Confessions On A Dance Floor:
“Right before we made Confessions on a Dance Floor, I had made a record with a girl named Juliet [2005’s Random Order]; we had made that album over Thanksgiving in New York, when the city was completely dead, and it was just the two of us concentrating on working on it. [I went] straight from that to Madonna, and I assumed that would be a much different experience, but she completely surprised me.
The real eye-opener was about how focused she was on avoiding the kind of over-the-top, excessive, entourage-in-the-studio environment that I had expected. It was the total opposite, really. She helped to create an environment where we were like two kids working together in a studio. It was exactly the same feeling as it was when I was working with Juliet. She was really… I don’t want to say ‘smart,’ but she was really honest about music. She’s really instinctive in understanding that dance music comes from a very minimal way of working. It doesn’t come from throwing lots of money on a lavish production.
We spent five or six weeks in my apartment; the studio used to be upstairs in the loft. I would work on a track overnight, then she would come in and we’d start messing around. She would do vocal melodies and I would come up with a few ideas, and then she’d go, ‘Okay, I’m gonna go home and think about it.’ Then she’d come back the next day and have the hook for Hung Up or the chorus for Sorry. Then I would carry on working on more tracks to keep us going. It was more of a really fluid and almost childlike environment than anything that seemed too serious.
They always say that an album sounds like the time that you had making it. I know that with that album, it was a super-productive time, but it was also really fun and natural. And I think that comes across in the way it sounds.
It’s surprising that Madonna has such a simple work mode. I would have expected her to come in with her full entourage and play the diva, at least to some extent.
Well, don’t get me wrong—I think in a lot of parts of her life, she is the big-entourage person. But when it comes to being creative, she’s unexpectedly low-key. She’s great to work with, and I really mean that.”
On September 14 1984, Madonna performed Like A Virgin and was nominated for Best New Artist Video (Borderline) at the 1st annual MTV Video Music Awards at Radio City Music Hall, New York, NY.
Madonna recalled the infamous performance in a 2012 interview on The Tonight Show with Jay Leno: “I was standing at the top of a wedding cake, as one does, and I walked down these steps, which were the tiers of a wedding cake. And I lost my shoe. I lost my white stiletto. And I thought, ‘Oh god, how am I going to get that? It’s over there and I’m on TV.’ So I thought well, I’ll just pretend I meant to do this and I dove on to the floor and I rolled around and I reached for the shoe. And, as I reached for the shoe, the dress went up. And the underpants were showing and uhm, I didn’t mean to…” To which Leno chided: “And it became the greatest night in television history.”
We’re not too sure about Madonna’s recollection of the performance. Looks like the shoes came off quite intentionally to us. Check out the video and let us know what you think!
On September 12 2011, Madonna released a video in response to the controversy surrounding her dislike for hydrangeas.
On September 1, Madonna attended a press conference for her directorial debut W.E. at the 2011 Venice Film Festival. Just prior to the beginning of the conference, Madonna was handed a hydrangea by a fan. Although she accepted the flowers with a smile and told the fan “thank you,” she immediately turned to her costar, and with a hot mic, said, “I absolutely loathe hydrangeas. He obviously doesn’t know that.” Madonna’s remark quickly became a subject of controversy in celebrity news, leading to much online gossips and commentaries criticizing her fuss over flowers.
On September 11 2001, Madonna postponed a scheduled Drowned World Tour concert at the Staples Center in Los Angeles, California due to terrorist attacks on the World Trade Center in New York, and the Pentagon in Washington, DC. The concert was re-scheduled for September 15.
“Violence begets violence,” Madonna told the Staples Center crowd of nearly 20,000 fans on September 14th, “and I don’t know about you, but I want to live a long and happy life. I want my kids to live a long and happy life.”
“What happened was horrible, but I’d like to think of it as a wake-up call. There’s terrorism every day all over the world.”
“Last night, we had a minute of prayer for everybody who died on Tuesday. Tonight I’d like to say a prayer for peace.”
“I said it last night and I’ll say it again: If you want to change the world, change yourself.”
Madonna pledged that proceeds from the final shows on the tour would go to relief funds for victims of the attacks and their families.
On September 9 2000, Madonna’s Music single debuted at #3 on the Billboard Hot 100 Single Sales Chart in the USA.
Billboard’s review of Music:
“Music is a stunning enterprise, a ballsy testament to Madonna’s insistence on being a style-setter and one of the industry’s most savvy-and now critically accountable-tunesmiths. Call this one dance, pop, even alternative…listeners will be shocked then mesmerized by this composition, showcasing yet another side of an artist, who after 20 years, continues to be a true industry artisan and the by-the-book definition of evolutionary.”