Today in Madonna History: October 10, 2025

On October 10, 2025, the second pressing of Madonna’s Veronica Electronica companion EP for the Ray of Light album was released — expanded beyond its original vinyl-only run to include a CD edition for the first time ever.

Originally released July 25, 2025, Veronica Electronica first appeared on silver nugget metallic vinyl, exclusive to the original 2025 pressing. Conceived by Madonna in 1998 as a companion remix project under her “Veronica Electronica” alter ego, the long-rumoured collection finally emerged nearly three decades later, featuring newly edited versions of remixes by Peter Rauhofer, William Orbit, Sasha, BT, and Victor Calderone.

Following overwhelming fan demand, the EP returned on October 10 — re-pressed on ultra-clear vinyl in a silver-printed mylar jacket, and newly issued in Deluxe CD format for the first time.

Track List:

  • Drowned World / Substitute for Love (BT & Sasha Bucklodge Ashram New Edit)
  • Ray of Light (Sasha Twilo Mix Edit)
  • Skin (Peter & Victor’s Collaboration Remix Edit)
  • Nothing Really Matters (Club 69 Speed Mix Meets the Dub)
  • Sky Fits Heaven (Victor Calderone New Edit)
  • Frozen (Widescreen Mix and Drums)
  • The Power of Good-Bye (Fabien’s Good God Mix Edit)
  • Gone, Gone, Gone (Original Demo Version)

Today in Madonna History: May 27, 2017

On May 27 2017, the long-running and highly respected authority on record collecting, Goldmine Magazine, inducted Patrick Leonard into the Goldmine Hall Of Fame for his contributions to the music industry as a songwriter, producer and musician. His work with Madonna in particular was highlighted in his induction bio.

Madonna was one of the earliest inductees into the Goldmine Hall Of Fame, having secured her place in the second round of inductions. Leonard was inducted in the 95th round, which is impressive nonetheless for an artist who has always kept a relatively low profile despite working with some of the biggest names in the music business, including Michael Jackson and Leonard Cohen, and is certainly well-deserved.

As Madonna fans, we respect that she is a forward-thinking artist and our hope is that she will always continue to follow any creative path that inspires her. While we do not discount the many other brilliant songwriters Madonna has collaborated with, nor do we deny Madonna’s own gifts of writing brilliant melodic hooks and conveying universal truths through her words, the proof that Madonna and Leonard bring out the very best in each other’s craft is right there in their songs. Whether destiny holds future collaborations between Madonna & Leonard is entirely their decision to make, but should the pair find themselves inspired to work together again, it would certainly be to the delight of most Madonna fans, and potentially to fans of great music in general.

Our view is that when strong chemistry exists in a songwriting partnership, especially one that has produced such varied output as Madonna & Leonard’s, there is always an opportunity to reconnect and create something fresh and relevant. This was proven when the pair reunited for 1998’s Ray of Light, an album which, promotional tactics aside, owes as much in substance to Madonna/Leonard as it does in style to Madonna/Orbit.

The bottom line is – great songs are great songs. You can restyle a great song to make it fit with the production trends of the day, but if a song is all style with little substance it won’t stay fresh for long. The songwriting partnership of Madonna & Leonard has yielded a body of work that has consistently proven itself to be timeless. And is this not the ultimate goal of any forward-thinking artist – to produce work that is substantial and transcendent enough to remain relevant well into the future?

Today in Madonna History: May 27, 2017

On May 27 2017, the long-running and highly respected authority on record collecting, Goldmine Magazine, inducted Patrick Leonard into the Goldmine Hall Of Fame for his contributions to the music industry as a songwriter, producer and musician. His work with Madonna in particular was highlighted in his induction bio.

Madonna was one of the earliest inductees into the Goldmine Hall Of Fame, having secured her place in the second round of inductions. Leonard was inducted in the 95th round, which is impressive nonetheless for an artist who has always kept a relatively low profile despite working with some of the biggest names in the music business, including Michael Jackson and Leonard Cohen, and is certainly well-deserved.

As Madonna fans, we respect that she is a forward-thinking artist and our hope is that she will always continue to follow any creative path that inspires her. While we do not discount the many other brilliant songwriters Madonna has collaborated with, nor do we deny Madonna’s own gifts of writing brilliant melodic hooks and conveying universal truths through her words, the proof that Madonna and Leonard bring out the very best in each other’s craft is right there in their songs. Whether destiny holds future collaborations between Madonna & Leonard is entirely their decision to make, but should the pair find themselves inspired to work together again, it would certainly be to the delight of most Madonna fans, and potentially to fans of great music in general.

Our view is that when strong chemistry exists in a songwriting partnership, especially one that has produced such varied output as Madonna & Leonard’s, there is always an opportunity to reconnect and create something fresh and relevant. This was proven when the pair reunited for 1998’s Ray of Light, an album which, promotional tactics aside, owes as much in substance to Madonna/Leonard as it does in style to Madonna/Orbit.

The bottom line is – great songs are great songs. You can restyle a great song to make it fit with the production trends of the day, but if a song is all style with little substance it won’t stay fresh for long. The songwriting partnership of Madonna & Leonard has yielded a body of work that has consistently proven itself to be timeless. And is this not the ultimate goal of any forward-thinking artist – to produce work that is substantial and transcendent enough to remain relevant well into the future?