
On June 5 1986, Madonna appeared on the cover of Rolling Stone magazine, with photos by Matthew Rolston.
Here are some outtakes from the clown session:


On June 5 1986, Madonna appeared on the cover of Rolling Stone magazine, with photos by Matthew Rolston.
Here are some outtakes from the clown session:

On April 10 1985, Madonna’s Virgin Tour opened with 3 sold-out concerts at the Paramount Theatre in Seattle, Washington.
During a 2009 interview with Rolling Stone, interviewer Austin Scaggs asked Madonna regarding her feelings and emotions during the tour, since it was the first time she was playing in arenas. Madonna replied saying, “That whole tour was crazy, because I went from playing CBGB and the Mudd Club to playing sporting arenas,” she told the magazine. “I played a small theater in Seattle, and the girls had flap skirts on and the tights cut off below their knees and lace gloves and rosaries and bows in their hair and big hoop earrings. I was like, ‘This is insane!’ After Seattle, all of the shows were moved to arenas.”
Madonna had three shows in Seattle – April 10, 12 and 13 – and all three were sellouts by the time she took the stage that first night. The Beastie Boys opened for Madonna and they weren’t well received by the pro-Madonna crowd. The show was a year before “Licensed to Ill” was released.
Their 30-minute set got off to a bad start when one of the Beastie Boys declared himself King of the Paramount, and generally made the pro-Madonna audience feel like a swarm of hillbillies, P-I pop music critic Gene Stout wrote in his review.
“Dressed in what looked like a Boy George outfit, she looked reluctant, almost scared, and kept her eyes on the ground as she and her small entourage swept past a modest gathering of fans,” Stout wrote.
Madonna started the show with Dress You Up, followed with Holiday, and performed Borderline for the first time live as her seventh song. Madonna ended by debuting Material Girl as her encore.

On March 11 2015, Madonna was interviewed by Howard Stern on SiriusXM.
Here are some tidbits we learned about Madonna during the interview, according to Rolling Stone magazine:

On January 7 2004, Rolling Stone magazine reviewed Madonna’s Remixed & Revisited EP:
Instead of the twenty-year retrospective originally planned for the holiday season, Madonna fans get a measly half-hour of mishmash marginalia. Of the four remixes from American Life, only one clicks: Headcleanr’s rock mix of Love Profusion, which replaces Mirwais’ electrofolk with Strokes-like guitars and drums that flatter an overlooked but fantastic song. The live medley of Like a Virgin and Hollywood, with Britney Spears and Christina Aguilera, falls flat without the infamous kisses, and the Gap commercial with Missy Elliott just sounds cheap and nasty. Your Honesty, an outtake from 1994’s Bedtime Stories, recalls the post-disco funkiness of Madonna’s 1983 debut. Bet it would’ve worked better in a box set. – Barry Walters
On September 8 1986, Madonna’s third album, True Blue, was certified double platinum (for shipment of 2 million units) in the USA.
Here’s a snippet of Davitt Sigerson’s review of True Blue from Rolling Stone (July 17, 1986):
Madonna’s sturdy, dependable, lovable new album remains faithful to her past while shamelessly rising above it. True Blue may generate fewer sales and less attention than Like a Virgin, but it sets her up as an artist for the long run. And like every other brainy move from this best of all possible pop madonnas, it sounds as if it comes from the heart.