On December 9 1989, Madonna was featured in a two-page spread in Billboard magazine, paid for by her record company and management, congratulating her on being named Artist of the Decade by Musician magazine.
Madonna’s September 1989 performance of Express Yourself at the MTV VMA’s perfectly encapsulates the sentiments expressed in the tribute. As her only live performance that year, it only hinted at Madonna’s next mission: to revolutionize the concert touring industry.
On November 29 1986, Billboard’s dance music editor Brian Chin reported on the postponed Madonna remix project, You Can Dance.
While a release the following spring would also come to pass, the accuracy of details regarding the album’s content would suggest it was already in the can a year ahead of its eventual release.
An early preview would be granted for one of the remixes, albeit in live form, when Madonna’s Who’s That Girl World Tour performance of Into The Groove the following summer would borrow heavily from Shep Pettibone’s remix for You Can Dance.
On November 25 2000, Madonna’s mimed performance of Music recorded for the BBC music series Top Of The Pops aired on RTL in Germany. It would later air on the BBC’s year-end retrospective edition of Top Of The Pops on December 25th.
Madonna was accompanied by long-time back-up singers/dancers Donna De Lory and Niki Harris during the performance.
On November 17 1984, Madonna’s Like A Virgin single was reviewed in Billboard magazine.
Also in the same issue, dance music columnist Brian Chin highlighted Jellybean Benitez’ remix of the track.
On November 3 2000, Madonna guested on CBS-TV’s Late Show With David Letterman to promote the Music album. She performed an acoustic version of the album’s second single, Don’t Tell Me.
The performance featured several firsts for Madonna: her first live performance to promote the Music album; her first TV appearance following the birth of her son Rocco; her first performance on guitar since her pre-fame days in NYC band Emmy; her first unplugged/acoustic live performance; her first live performance with longtime guitarist Monte Pittman; and her first (and only) musical performance on the Late Show.
Despite being promoted as such, it was not, however, Madonna’s first time back to the Late Show after her infamously censored 1994 appearance. She had made a brief, unscheduled visit to the set to drop off a valentine for Letterman during a 1995 taping of the show.
On October 29 1983, Holiday made its debut on Billboard Hot R&B Singles & Tracks chart in the U.S. It peaked at #25 on the R&B chart on January 14, 1984.
On October 27 1990, Madonna’s first dance teacher and mentor from Michigan, Christopher Flynn, passed away from an AIDS-related illness. On the news of his death, Madonna issued the statement: “Christopher Flynn was my mentor, is my higher power, and will remain an eternal inspiration.”
Indeed, Flynn would later serve as the inspiration for one of the characters from Madonna’s directorial debut, Filth And Wisdom, as she explained to Gus Van Sant in the October 2010 issue of Interview magazine:
The character that Richard E. Grant plays in the film I directed, Filth and Wisdom, is this blind professor who was based on my ballet teacher, Christopher Flynn. Growing up in Michigan, I didn’t really know what a gay man was. He was the first man-the first human being-who made me feel good about myself and special. He was the first person who told me that I was beautiful or that I had something to offer the world, and he encouraged me to believe in my dreams, to go to New York. He was such an important person in my life. He died of AIDS, but he went blind toward the end of his life. He was such a lover of art, classical music, literature, opera. You know, I grew up in the Midwest, and it was really because of him that I was exposed to so many of those things. He brought me to my first gay club-it was this club in Detroit. I always felt like I was a freak when I was growing up and that there was something wrong with me because I couldn’t fit in anywhere. But when he took me to that club, he brought me to a place where I finally felt at home. So that character in Filth and Wisdom was dedicated to him and inspired by him.”
Madonna would also recall Christopher’s influence in the second verse of the lyrics of the song, In This Life.
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