Tag Archives: Charts
Today in Madonna History: April 3, 1993
On April 3 1993, Fever entered the UK Singles Chart at its peak position of number-six. Without the support of a proper music video at the time of its release (Warner UK instead issued a rarely seen compilation video of previous clips), the single spent only six weeks on the UK charts, dropping to number-seven the following week.
Strangely, Madonna did eventually decide to film a video for the song in late April – nearly a month after its release in Europe. By the time the video premiered during the second week of May, Fever was spending its final week on the UK Singles Chart.
In North America the remixes for Fever had been issued commercially on Madonna’s previous international single, Bad Girl. Fever was also serviced to clubs as a promotional single in its own right, but it was not promoted to radio despite the video being added to into rotation on MTV and MuchMusic. While the release of the music video managed to coincide with Fever’s single week atop the Hot Dance/Club Play chart, its number-one status had already been confirmed several days prior to the clip’s debut, making the video’s intended purpose and the timing of its release all the more puzzling.
Today in Madonna History: March 19, 1989
On March 19 1989, Madonna’s Like A Prayer stormed on to Australia’s ARIA Singles Chart, entering at #3. It would hit ARIA’s top spot the following week, nudging out The Fine Young Cannibal’s She Drives Me Crazy.
The two songs entered into an extended dance for the pole position, with Crazy reclaiming its spot for two weeks before handing it back again to Prayer. Then back to Crazy. Then Prayer.
Dizzy yet?
Our Aussie mates may be a tad indecisive with their hits – but they sure know how to pick ’em!
Today in Madonna History: March 13, 1999
On March 13 1999, Nothing Really Matters spent the first of two weeks at #1 on Billboard’s Hot Dance/Club Play chart in the U.S.
Despite being a successful club hit, many have cited Warner’s unusual marketing choices for the single as the primary reason for its poor placement on the Hot 100, where its peak of #93 remains the lowest of her charting singles.
The delayed release of the commercial single – which came long after the song had peaked at radio – was clearly a blunder, while other aspects of the song’s promotion seemingly started too early. After declining to release the experimental remixes for The Power Of Good-Bye in the U.S. (the remixes were issued commercially in Canada & abroad), Warner jumped the gun by beginning to service remixes of Nothing Really Matters promotionally to clubs as early as September of 1998 – over six months ahead of the maxi-single release.
An alternative might have been to service the Sky Fits Heaven remixes promotionally in the U.S. during the interim, considering that it managed to enter the Dance/Club Play chart based solely on spins from the imported Drowned World/Substitute For Love single, with no push from the label domestically.
Chart positions and marketing decisions aside, the maxi-single for Nothing Really Matters, with its wonderfully varied set of remixes by Peter Rauhofer, Kruder & Dorfmeister and Talvin Singh, remains one of Madonna’s best, in our opinion. Together with its visually stunning music video, the single marked an artistically pleasing closing chapter to the epic Ray Of Light era.
Today in Madonna History: February 9, 2002
Today in Madonna History: February 7, 2007
On February 7 2007, Madonna’s live CD/DVD set The Confessions Tour bowed in the Billboard 200 album chart at #15 in the U.S. with sales of 40,000 copies. Its first week sales were nearly double the opening numbers of her previous live release, 2006’s I’m Going To Tell You A Secret, which had peaked at #33. It was Madonna’s 18th Top 20 album in the U.S.
Meanwhile, on the Canadian album charts The Confessions Tour entered at #2, also besting Secret which had peaked at #4.
Today in Madonna History: January 16, 1988
On January 16 1988, Spotlight entered Billboard’s Airplay chart at #37. The track would reach a peak of #32 three weeks later before falling to #40 in its final week.
Although Spotlight was not actively promoted to radio by Warner Bros. in the North America, radio’s eagerness to spin the cut regardless serves as a good indication that it likely would have continued Madonna’s hit streak at the time if it had been granted a proper single release.














