On February 15 1986, the re-release of Madonna’s Borderline reached #2 on the UK singles chart (up from #3 the week before). And while Borderline climbed up the chart, Dress You Up enjoyed its 11th and final week on the chart, dropping to #68 from #61 the week before.
On February 12 1984, Madonna was featured on The Dance Show, a syndicated American television variety show.
She appeared in a segment from New York performing Holiday and Borderline, followed by a brief interview in which she introduced her brother and backup dancer, Christopher. Borderline was also included in a second episode that aired a few months later on April 25th, as the single was climbing the charts.
Despite an extensive list of promotional appearances for her first album, this was Madonna’s only known television studio performance of Borderline until she revisited the song during a 2016 appearance on The Tonight Show with Jimmy Fallon.
On June 16 1984, Borderline became Madonna’s first Top 10 hit when the single peaked at #10 on the Billboard Hot 100 in the U.S.
Thanks to Rex!
On June 2 1984, Madonna’s Borderline was released as a single in the UK. The single only reached a peak of #56, but upon re-releasing the song on January 1 1986, it reached a new peak of #2.
Borderline was certified gold by the British Phonographic Industry (BPI) in February 1986, for shipment of 500,000 copies.
On May 12 1984, Madonna’s Borderline peaked at #4 on Billboard’s Hot Dance/Club Play chart (then known as the Dance/Disco chart).
The hit song was written and produced by Reggie Lucas.
On March 20 1991, Madonna’s Madonna VHS video collection was certified multi-platinum (100,000 units) in the USA.
The home video included Madonna’s music videos for: Burning Up, Borderline, Lucky Star and Like A Virgin.
On February 27 1995, Madonna’s chart topping single, Take A Bow, was certified Gold by the RIAA for shipments of 500,000 copies.
Matthew Jacobs (The Huffington Post) had this to say about Take A Bow:
Take A Bow is Madonna’s most poetic ballad. Much in the way that such hits as Borderline and Into The Groove act as the fuselage of ’80s pop … a lost-love elegy that squares nicely with the burgeoning female singer-songwriter movement of the ’90s. Don’t mistake its sleepy quality for stuffiness. This song is Madonna at her loveliest.
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