
On October 16 2005, Madonna was photographed leaving a private party held at a club in Midtown New York.


On October 16 2005, Madonna was photographed leaving a private party held at a club in Midtown New York.

On October 15 1992, Madonna threw a Sex book pre-release party at New York City’s Industria Super Studio, and signed all the invitations under her alter ego “Dita”.
During the party, Madonna showed up dressed as Little Bo Peep and carried with her a stuffed toy lamb.
Madonna’s publicist Liz Rosenberg showed concern at first worrying “what the parents of America’s impressionable teens will soon be thinking” but later said that it “all depends on your idea of lovemaking, which in Madonna’s case, should give new meaning to the word erotic.”
Both Walden Books and Barnes & Noble prepared corporate statements that their store managers could share with customers who were offended by Sex. Both statements defended the right of bookstores to provide “diversity and choice” to customers and say censorship is not the role of bookstores.
Bookstore owner David Epstein stated that “The feeling of most people who have ordered the book is that Madonna is something special, that this is cutting-edge art, they’re not the kind of people who are buying it because it’s smut and dirty pictures. People are interested in it as art.”

On October 13 1983, Madonna performed Burning Up, Everybody and Holiday at Camden Palace’s Thursday Party Night in London, England.
The following article about Madonna’s performance was originally published on October 15 1983 by The Guardian:
This could be the way pop promotion is going – new artists launched not with a full concert, but with the live equivalent of a video clip.
The scene at the Camden Palace in the early hours was like something from a British version of Flashdance. The place was packed with the usual exotically dressed clientele – there to see and be seen rather than just listen to the music – when the dancing was interrupted by what’s known on the American disco scene as a “track date.”
Pioneered by the likes of Grace Jones, this is a cut-price promotion device in which a disco artist suddenly appears for half an hour, singing live to backing tapes.
This demonstration was by a white girl in her early twenties, known simply as Madonna, a dancer who moved to New York from the Mid-West as an ambitious teenager and is currently the most important new figure in the American dance scene.
She succeeded partly because she makes great records and partly because she has turned the boring idea of a track date into an exotic event.
Dressed in holocaust chic – black top, black skirt and leggings, lots of bare midriff, and hair in ringlets – she sang well, with a husky, black-sounding voice, and danced even better. She hurtled around the stage, mostly swivelling her hips like a belly-dancer while performing her songs like Lucky Star and the stirring Holiday.
Given a full set and a live band behind her, Madonna would seem to have the makings of a major star, so it’s no wonder she is now being managed by the man who guided Michael Jackson’s recent career.


On October 12 1991, Madonna and Freddy DeMann attended the wedding of entertainment attorney Allen Grubman and real estate broker Deborah Haimoff.
The wedding was held at the New York Public Library. Other guests included Robert De Niro, David Geffen and Mariah Carey.

On October 11 1993, Madonna opened the North American leg of The Girlie Show at the SkyDome in Toronto, Canada.
The original Toronto date was October 12 (Thanksgiving Day in Canada), but due to overwhelming demand, a second show was added on October 11.
Madonna performed for 50,880 fans during the two Toronto shows.
The above two ads are the original Toronto Star ads from my (Jay’s) personal collection. Because the newsprint is so old I had to pump up the contrast on my scans to make them more visible.
Here is the full itinerary for The Girlie Show:
September 25 – Wembley Stadium, London England
September 26 – Wembley Stadium, London England
September 28 – Bercy, Paris France
September 29 – Bercy, Paris France
October 01 – Bercy, Paris France
October 02 – Festhalle, Frankfurt Germany (cancelled)
October 05 – Park, Tel Aviv Israel
October 07 – Inonu Stadium, Istanbul Turkey
October 11 – Toronto Skydome, Toronto Canada
October 12 – Toronto Skydome, Toronto Canada
October 14 – Madison Square Garden, New York United States
October 15 – Madison Square Garden, New York United States
October 17 – Madison Square Garden, New York United States
October 19 – The Spectrum, Philadelphia United States
October 21 – The Palace, Michigan United States
October 23 – Olympic Stadium, Montreal Canada
October 26 – Juan Ramon Stadium, Bayamon Puerto Rico
October 30 – River Plate Stadium, Buenos Aires Argentina
October 31 – River Plate Stadium, Buenos Aires Argentina
November 03 – Estadio Do Morumbi, Sao Paulo Brazil
November 06 – Estadio Do Maracana, Rio De Janeiro Brazil
November 10 – Foro Sol (Sun Forum), Mexico City Mexico
November 12 – Foro Sol (Sun Forum), Mexico City Mexico
November 13 – Foro Sol (Sun Forum), Mexico City Mexico
November 19 – Cricket Ground, Sydney Australia
November 24 – Anz Stadium, Brisbane Australia
November 26 – Cricket Ground, Melbourne Australia
November 27 – Cricket Ground, Melbourne Australia
November 29 – Cricket Ground, Melbourne Australia
December 01 – Oval, Adelaide Australia
December 03 – Cricket Ground, Sydney Australia
December 04 – Cricket Ground, Sydney Australia
December 07 – Fukuoka Dome, Fukuoka Japan
December 08 – Fukuoka Dome, Fukuoka Japan
December 09 – Fukuoka Dome, Fukuoka Japan
December 13 – Tokyo Dome, Tokyo Japan
December 14 – Tokyo Dome, Tokyo Japan
December 16 – Tokyo Dome, Tokyo Japan
December 17 – Tokyo Dome, Tokyo Japan
December 19 – Tokyo Dome, Tokyo Japan

On October 10, 2025, the second pressing of Madonna’s Veronica Electronica companion EP for the Ray of Light album was released — expanded beyond its original vinyl-only run to include a CD edition for the first time ever.
Originally released July 25, 2025, Veronica Electronica first appeared on silver nugget metallic vinyl, exclusive to the original 2025 pressing. Conceived by Madonna in 1998 as a companion remix project under her “Veronica Electronica” alter ego, the long-rumoured collection finally emerged nearly three decades later, featuring newly edited versions of remixes by Peter Rauhofer, William Orbit, Sasha, BT, and Victor Calderone.
Following overwhelming fan demand, the EP returned on October 10 — re-pressed on ultra-clear vinyl in a silver-printed mylar jacket, and newly issued in Deluxe CD format for the first time.
Track List: