
On August 7 2001, Madonna appeared on the cover of the Globe with the headline, “Marriage on the Rocks.”

On August 7 2001, Madonna appeared on the cover of the Globe with the headline, “Marriage on the Rocks.”

On July 29 2001, Madonna appeared on the cover of Tele 7 Jours (France) magazine.
On May 24 2001, U.S. cable network HBO confirmed that it would broadcast Madonna’s Drowned World Tour on August 26th:
Madonna is taking her Music to the masses — HBO masses, that is. The cable network will air a live concert from the pop icon’s latest tour, the first in eight years, called the Drowned World Tour. Airing Aug. 26, the concert will be broadcast from The Palace of Auburn Hills in Detroit, Madonna’s hometown. It’s a thrill for us to have Madonna back because we know it is going to be a spectacular show, with that combination of her amazing talent and extravagant style which only Madonna can bring, says Nancy Gellar, HBO’s senior vice president of original programming. HBO and Madonna last teamed for 1993’s Madonna — Live Down Under: The Girlie Show, which aired live from Sydney, Australia. The program was HBO’s most-watched original program of the year. Madonna’s first special on HBO, 1990’s Madonna — Live! Blond Ambition World Tour, premiered to record numbers and remains one of the highest-rated original programs in HBO history.
Unlike HBO’s previous Madonna tour broadcasts, however, the live airing of the Drowned World Tour was simulcast to Canadian viewers via premium channel, The Movie Network.
A re-edited version of the concert special was later released on VHS & DVD on November 13th, 2001.

On May 22 2001, VH1 published their list of 100 Most Shocking Moments in Rock ‘N Roll. Madonna appeared on the list twice:
#87 – Madonna scandalizes with her Like A Prayer video (1989)


On April 28 2001, Madonna’s What It Feels Like For A Girl was the Hot Shot Debut (highest new entry) at #38 on Billboard’s Dance/Club Play chart. What It Feels Like For A Girl eventually became Madonna’s 25th #1 Dance hit in the U.S.
Despite the club success of the remixes, some fans and critics were displeased with the use of the Above & Beyond remix in the music video, and with the dark nature of the Guy Ritchie-directed clip, preferring the more subtle and restrained attack of the album version. Others felt that the more aggressive and confrontational feel of the remix and video were natural extensions of the emotions and experiences that Madonna was exploring within the song; feelings that were left bubbling beneath surface of the deceptively gentle and subdued album mix.
Regardless of which side of the fence you’re on, in retrospect one thing is clear: when revisited through the lens of the current “Me Too” movement, the overarching themes that Madonna explored with the release of What It Feels Like For A Girl were ahead of the curve in terms of social discourse. Although the same could be said for so much of Madonna’s work.