Today in Madonna History: August 24, 1998

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On August 24 1998, Drowned World/Substitute For Love was released as the third single from Ray Of Light in most major markets outside North America. The song was written by Madonna, William Orbit and David Collins (Rod McKuen and Anita Kerr were also credited for sampled use of their composition “Why I Follow The Tigers” performed by The San Sebastian Strings) and was produced by Madonna and Orbit.

With the album’s title track being issued as the second single in North America a month after its release in other markets, it was decided to release Drowned World/Substitute For Love to fill the gap until her next international single release, The Power Of Good-bye. The single peaked at number-ten in the UK, at number-five in Italy and at number-one in Spain. Despite not being released in Canada, the song managed to reach number eighteen on the Canadian singles chart based solely on sales of the European import single, and without any promotion from radio or music video stations. Club play of the imported single, which featured remixes of both Drowned World/Substitute For Love and its b-side, Sky Fits Heaven, prompted a brief appearance by the latter on the U.S. Hot Dance/Club Play Chart, peaking at number forty-one.

The music video, filmed in London by director Walter Stern, caused a minor controversy due to scenes of Madonna’s car being chased by paparazzi on motorcycles, an image still fresh in the public’s mind at the time due the circumstances surrounding the death of Princess Diana. Liz Rosenberg denied that the scene had anything to do with the late Princess, adding that the video was about Madonna’s own experience and relationship with fame.

The song is often ranked as a fan favorite and seems to be highly-regarded by Madonna as well, considering her 2001 concert tour was named after the song and it was used as the show’s opening number. It was also performed during 2006’s Confessions Tour and appeared on her second greatest hits collection, GHV2. An early demo version of the song believed to be produced with Patrick Leonard titled No Substitute For Love leaked online in the early 2000’s. The demo contains similar lyrics but a completely different musical backing track and melody. The music that was used on the final version of the song was a previously composed instrumental track by William Orbit.

Famous faces, far off places
Trinkets I can buy
No handsome stranger, heady danger
Drug that I can try
No ferris wheel, no heart to steal
No laughter in the dark
No one-night stand, no far-off land
No fire that I can spark

Today in Madonna History: August 18, 2012

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On August 18 2012, during an MDNA World Tour concert in Zurich, Madonna made this statement for the release of Pussy Riot:

“I protest the conviction and sentencing of Pussy Riot to a penal colony for two years for a 40 second performance extolling their political opinions. Even if one disagrees with the location or how they chose to express themselves, the sentence is too harsh and in fact is inhumane. I call on all those who love freedom to condemn this unjust punishment. I urge artists around the world to speak up in protest against this travesty. They’ve spent enough time in jail. I call on ALL of Russia to let Pussy Riot go free.”

Today in Madonna History: August 17, 2016

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On August 17 2016, Madonna appeared on the cover of F magazine (Italian).

Today in Madonna History: August 16, 2020

Happy 62nd Birthday Madonna! Your fans wish you a beautiful day, Cheers!

Today in Madonna History: August 16, 2020

On August 16 2020, The Gay Times applauded Dua Lipa’s music video for Levitating (featuring Madonna & Missy Elliot, remixed by DJ The Blessed Madonna):

Dua Lipa’s new video with Madonna and Missy Elliot has a massive pro-LGBTQ+ message.

Shot in London, the visual shows the British songstress as she performs the club-ready, MDNA-esque track in a bedroom solo, before sharing an intimate moment with her boyfriend, Anwar Hadid, in a car. Several queer couples can be seen throughout the video, including a girl who spies on her love interest from afar.

Tayce, a London-based drag performer who’s rumoured to appear on RuPaul’s Drag Race UK season two, also makes an appearance, as well as guest artist Missy Elliott. Sadly, Madonna is nowhere to be seen.

The song, which was remixed by DJ The Blessed Madonna, is the first single taken from Dua’s upcoming remix album, Club Future Nostalgia, which will also include a new version of her acclaimed power-pop anthem Physical with Gwen Stefani and Mark Ronson.

In an interview with Zane Lowe for Apple Music, Dua said she collaborated with the queen of pop because she’s is an artist that she’s “listened to” her whole life, adding: “Her career trajectory as well has been something so inspirational and the momentum that she’s kept and the way that she’s grown with her music.”

Speaking about Missy’s participation, Dua continued: “I jumped on the phone with her and we had a little talk and she really just does stuff that she really believes in, so that I felt it was such a massive compliment for me, for her to be so inspired by the remix and the track, and to want to be a part of it and be a part of this mixtape.”

Today in Madonna History: August 15, 2004

On August 15 2004, Madonna performed the second sold-out Re-Invention Tour show at the Manchester Evening News Arena in Manchester, England.

Today in Madonna History: August 14, 2012

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On August 14 2012, Madonna’s first make-up artist, and close friend, Debi Mazar spoke to Allure.com’s beauty editor, Sophia Panych about what Madonna’s hair and make-up was like for The Virgin Tour in 1985:

Her hair was long and wild, and she had just had her bangs cut. She had this thick, curly, gorgeous hair—thicker than anyone else I knew—and it didn’t really need much. I just tried to make sure her bangs nicely framed her face and make sure it moved well, rather than creating a polished look. Really, it was more about the music and the show. We just wanted her to look good, get on stage, and do the damn tour. Plus, she was in her twenties: Her skin was good, and as long as you had bright lipstick and good hair, the crowd didn’t care—they just wanted to dance.