On May 9 1985, Madonna and Rosanna Arquette appeared on the cover of Rolling Stone magazine, promoting their film, Desperately Seeking Susan, with photos by Herb Ritts.
Here’s a snippet from the interview featured in the magazine:
Rosanna has expressed resentment over the insertion into the movie of a Madonna song backing a quickly rewritten scene in which the Susan character gyrates around a New York club. A video clip using the unreleased tune, “Into the Groove,” spotlights Madonna. “It does take things out of context a bit,” says Madonna, “kinda calls attention to another facet, but…” What that “but” means is, it sells tickets, chumps. Still, it’s become an issue…
“Yeah, really?” says Madonna. “Who’s it become an issue with – besides Rosanna?” Her laugh is quick and not unkind. Insiders say the song found its way into the film on its own virtues. “Susan Seidelman was not out to make a pandering rock & roll movie,” says executive producer Michael Peyser, 31, who worked on Susan after serving as associate producer on Woody Allen’s film The Purple Rose of Cairo. One of the music coordinators, Danny Goldberg, had no time to compile a soundtrack LP when the film’s release date was pushed up, but in talks with MTV execs, he paved the way for “Into the Groove” to air, even though the song might never show up on vinyl.
Madonna is not naive about the studio’s gambit: “I have a big audience of kids for my music, and you know how they use soundtracks to push movies – I think they’re using me in the same way, and it’s really a drag, because I’m trying to establish myself as an actress, not as a singer making movies. But I’ll be happy if it becomes a commercial success, simply because it’s a different kind of movie than most of what’s out now. There are a few formulas people have been using the past five years, with Flashdance and Breakin’ and all that stuff; this movie is like a return to those simple, straightforward caper comedies Claudette Colbert and Carole Lombard made in the Thirties. They give you a taste of real life, some poignance, and leave you feeling up at the end – none of that adolescent-fantasy bullshit.”
Worth it for Into the Groove, still my fave Madonna Dance track!
Mine too. DSS was a fun movie. I think I have this issue of Rolling Stone. I’ll have to read the article again
It’s hard for me to say that “Into The Groove” is my fave Madonna track, because she has so many phenomenal hits in her catalog to choose from, but I would definitely rank it in the top 3. And I can distinctly remember that seeing “Desperately Seeking Susan” on its opening weekend, and hearing “Into The Groove,” was the pivotal point at which I went from a casual Madonna fan to becoming OBSESSED with her!
I must also add that the raw, unpolished demo version of “Into The Groove” used in DSS, still unreleased to this day either commercially or as a demo leak, is my favorite version of the song. The only way to get an mp3 of it is to rip it from the DSS DVD or Blu-Ray with audio engineering software.