On April 27 1993, Madonna was honoured for Best Songwriting for This Used To Be My Playground at the 8th annual ASCAP Film & Television Music Awards at the Beverly Hilton Hotel in Beverly Hills, California.
On April 26 1994, The Girlie Show – Live Down Under was released by Warner-Reprise Video on VHS and laserdisc.
The concert – recorded on November 19, 1993 at the Sydney Cricket Ground in Australia – was a re-edited version of the concert special that had aired live on HBO. It was directed by Mark “Aldo” Miceli, who directed the live screens on Madonna’s 1990 and 1993 tours, as well as the Blond Ambition Japan Tour 90 VHS/laserdisc release. The Girlie Show – Live Down Under was nominated for a Grammy in 1995 for Best Long Form Music Video and was also one of the first concerts to be commercially issued on DVD in 1998.
On April 25 1988, Spotlight was released as a single by Warner-Pioneer. Issued exclusively in Japan, it was the only commercial single release from the remix album You Can Dance. The song was written by Curtis Hudson, Madonna and Stephen Bray and was produced by Stephen Bray. Madonna wasn’t given a co-producer’s credit on the track – odd considering it was a leftover from the True Blue album sessions, for which she co-produced every song. The track was remixed by John “Jellybean” Benitez for its inclusion on You Can Dance.
In a 2012 interview with blogcritics.com writer Justin Kantor, Curtis Hudson recalled the circumstances surrounding the creation and release of Spotlight:
“During the time right after Holiday, when we’d go to her place and write, I presented Spotlight. I gave her a complete song, Spotlight. I had actually written it in case Warner Bros. asked her for another Holiday. She said she loved it and felt spiritual about it. But she didn’t use it or contact me again about it. It sort of popped up out of nowhere when she was getting ready to do You Can Dance. Her lawyer contacted our manager and said we needed to talk. We went over and met with him. She and Stephen Bray had already done the song; but I hadn’t even heard the version they had done.They took the demo I had given her and worked it into a different song. They gave me credit since I had the original song copyrighted. I would’ve collaborated and made changes. But I was told, ‘Well, she’s too busy. She’s overseas doing a movie.’ I was okay with it, though, because they gave me credit. But the original song had a certain magic, and the changes took that essence away. The original Spotlight was another Holiday—the rhythm, the basic groove. I think they were trying to get away from that sound. Sometimes artists don’t want their sound to be identified with specific writers.”
On April 24 2007, Liz Rosenberg posted an article on Madonna.com remembering Madonna’s very first single that started it all:
It may seem like only yesterday but 25 years ago on April 24, 1982, Sire Records honcho Seymour Stein released a single called Everybody on Warner Bros. Records by an unknown singer from Rochester, Michigan by the name of Madonna Louise Veronica Ciccone. To say the world would never be the same is an understatement. The song went on to become a huge dancefloor hit and was heard all over the radio in the Summer of 1982. That little girl from Michigan would go on to become one of the most famous entertainers and cultural icons in history – selling close to 200 million records and remaining a star of enormous magnitude and influence for the next 25 years. She’s just getting started. Long Live the Queen and Happy Anniversary to Madonna.
The announcement came as a surprise to many fans who had always understood the release date of Everybody to be October 6, 1982. While the erroneous April date was likely just a simple mistake on Liz’s part, the lack of any official retraction/correction to the post has led to much confusion about the single’s release date in the years since, with the press often assuming the April date to be factual given its reputable source. However, the sequencing of the catalogue numbers for both the promotional and commercial releases of Everybody, as well as its charting chronology, offer clear evidence that its originally reported release date of October 6, 1982 is in fact the accurate one.