On October 23 1998, Madonna performed “The Power Of Good-Bye” at the 4th annual VH1 Fashion Awards at the Theatre in Madison Square Garden, New York, NY. She was honored with the Gianni Versace Tribute Award and also took home the trophy for Most Fashionable Artist.
On October 22 1990, Madonna was featured in a public service announcement on MTV’s “Rock The Vote” in which she was wrapped in the US flag and urged young people to register and vote; the ad caused a controversy with US Veterans of Foreign Wars who were enraged by Madonna’s provocative use of the American flag and said that it bordered on desecration.
On October 21 1992, Madonna’s “Sex” book was released by Warner Books, Maverick and Callaway Books.
The 128-page coffee table book of erotica and sexual fantasies was written by Madonna, with photographs taken by Steven Meisel and film frames shot by Fabien Baron. The book was edited by Glenn O’Brien.
The spiral-bound, metal-covered book was wrapped in a silver mylar bag and included a copy of the “Erotic” CD single (an exclusive version of the “Erotica” song). The package also included an 8-page comic book and it was priced at $49.95 US.
How old were you when you first bought or read through Madonna’s “Sex” book?
On October 20 1992, Madonna’s fifth studio album, “Erotica” was released by Maverick Records.
Music critic Sal Cinquemani commented on the album’s impact:
By 1992, Madonna was an icon—untouchable, literally and figuratively—and Erotica was the first time the artist’s music took on a decidedly combative, even threatening tone, and most people didn’t want to hear it. Erotica’s irrefutable unsexiness probably says more about the sex=death mentality of the early ’90s than any other musical document of its time. This is not Madonna at her creative zenith. This is Madonna at her most important, at her most relevant. No one else in the mainstream at that time dared to talk about sex, love, and death with such frankness and fearlessness.
On October 17 1995, the Marvin Gaye tribute album Inner City Blues: The Music Of Marvin Gaye was released. Compiled and released on Motown Records, the album featured a beautifully poignant remake of the 1976 classic “I Want You” by Madonna with Massive Attack.
Motown Records had initially brought Massive Attack on board to produce the track before a lead singer had been confirmed. Early plans sought to have Chaka Khan perform vocal duties, but after failing to turn up for the recording session she was swiftly nixed from the project. Aaron Neville was then lined up as a replacement but plans again fell through when contract issues prevented his participation. Producer Nellee Hooper, who had recently produced cuts for Madonna’s Bedtime Stories album, suggested her as a potential choice. Surprisingly, getting Madonna’s vocal contribution involved less red tape and less prima donna behaviour than either previous option.
Massive Attack’s 3D and Hooper flew to New York and spent two days in the studio with Madonna. 3D commented on the recording session in interviews with The Face (Nov/95) and ChannelV TV (Jun/98) respectively:
“She sang it really well, she had it sorted out, you could tell she knew the song, she’d really worked fucking hard on it. Fucking good.”
“It was quite freaky for me because I’m just a Bristol boy. She was singing in my ear as we were playing the music down, giving me her version of it. I wasn’t taking any notice at all really. I was just thinking about how mad it is. She is such an icon it takes you a while to adjust. When she was in the vocal room, it was amazing. We did a few takes just to cover it, but she sang it so well we could have done it in one take. It was that beautiful.”
Madonna was equally impressed with the results of the session, opting to include the song as the opening track on her forthcoming ballads compilation, Something To Remember – and book-ending the set with an orchestral version. Initially planned as a jointly-promoted lead single for both albums, a video was filmed for the song by director Earle Sebastien. While the video was put into rotation on music video channels in early October, plans to release the track as a single were scrapped due to label disagreements between Motown – who insisted on releasing the tribute album several weeks ahead of Something To Remember – and Warner. Perhaps fearing that Warner would withdraw their permission to include Madonna’s vocals on the tribute, Motown wisely ceded to its inclusion on Madonna’s own retrospective. The song was later featured on Massive Attack’s 2006 best-of, Collected.