Today in Madonna History: October 2, 1992

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On October 2 1992, Madonna’s Erotica video premiered on MTV.

The Erotica video was directed by fashion photographer Fabien Baron, and featured a masked Madonna in a dominatrix costume. It also featured celebrities such as Naomi Campbell, Isabella Rossellini and Big Daddy Kane. The video was highly controversial, being aired by MTV a total of three times, before becoming Madonna’s second video to be banned, after Justify My Love in 1990.  

MTV spokeswoman Linda Alexander said, “The themes of the video are clearly aimed at a more adult audience. It is not appropriate for a general viewing audience”.

The footage of Madonna lip-synching the song in her S&M dominatrix costume was filmed on August 22, 1992 at The Kitchen in New York City, while the rest of the footage for the video was shot during the photo sessions for Madonna’s Sex book.  

In order to imitate the look of old home-made movies, the entire video was shot with Super 8 film.

Today in Madonna History: June 8, 1992

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On June 8 1992, Madonna began recording sessions for the Erotica album at Soundworks, in New York.

While the writing and recording of Madonna’s previous albums had typically unfolded rather quickly, Erotica marked a change of pace in the creation of a Madonna record. Songwriting sessions for the set had occurred sporadically throughout the previous year with Shep Pettibone, Tony Shimkin and Andre Betts, in between movie projects and photo shoots for her upcoming coffee table book, Sex.

In contrast to the slick production qualities of the albums that preceded it, Madonna wanted Erotica to feature a darker, more gritty and less polished sound. This led to the decision to carry over many of the original demo vocals recorded during the songwriting process at Shep’s home studio to the final versions, with mainly lyrical additions/changes, musical overdubs, background vocals and final mixing taking place during the sessions at Soundworks.

One notable change that did occur in these final recording sessions was Madonna’s decision to swap her original lyrics for the song Goodbye To Innocence (which had gone through various incarnations in an attempt to keep the track off the cutting room floor) with the lyrics of the torch classic, Fever.  An earlier arrangement of Goodbye To Innocence with lyrics intact was later featured on the pro-choice compilation album, Just Say Roe, while a dub version of the same arrangement was retitled Up Down Suite when it appeared as a b-side on the Rain maxi-single. Another rough demo of the same track (streaming above), which is referred to as the “Straight Pass” mix on its original submission for copyright registration (which indicates that mixing of the track had not been finalized and that it is not mastered), leaked to file sharing services in February, 2008.

The “Straight Pass” mix bears some similarity to another unreleased track that was discarded early in the recording sessions, You Are The One. Aside from the lyrical paradox (with “You are the one” flipped to “I am the one”), both feature samples from Arabic singer Fairuz that would be reworked into the released version of the Erotica album’s title track and lead single.

Today in Madonna History: March 22, 2001

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On March 22 2001, Madonna’s What It Feels Like For A Girl music video premiered.

The video was directed by Madonna’s then-husband, Guy Ritchie, and was deemed to be “Too Hot for TV” by MTV and VH1 because the video depicted gunplay, assault and suicide.

MTV released this statement about the video and their decision to ban it:

It’s been some time since Madonna ruffled the feathers of MTV or VH1 execs with a controversial video — perhaps not since 1992’s Erotica clip — so just under a decade later, the first lady of shock pop is out to prove she can still make ’em sweat.

Unlike the steamy segments of Erotica, 1990’s Justify My Love, and the one that started it all, Like a Prayer, it’s not the sexual content of What It Feels Like for a Girl that raises the red flag, it’s the violence — a concerted no-no in the post-Columbine, and more recently post-Santana, decision-making process.

The music in the video, it should be noted, is a dance remix of the version found on Madonna’s latest album, Music. The album cut will serve as the LP’s third single.

 Directed by her husband, British filmmaker Guy Ritchie (Snatch, Lock, Stock and Two Smoking Barrels), the clip depicts gunplay, violent assault and suicide — elements MTV and VH1 prohibit in any videos they air. In it, the pop diva portrays a self-described “nihilistic pissed-off chick” who cruises around town inflicting damage on any man that crosses her path.
After picking up Grandma at the “Ol Kuntz Guest Home,” Madonna crashes into a car full of men who wink at her, threatens male police officers with a squirt gun before sideswiping their vehicle, and mugs a man at an ATM with a stun gun before wrapping her stolen car around a lamppost in what appears to be an intentional act.

The video “shows my character acting out a fantasy and doing things girls are not allowed to do,” Madonna said in a written statement distributed by her record label, Warner Bros. “This is an angry song and I wanted a matching visual with an edgy dance mix.”
Although What It Feels Like for a Girl won’t be added to the music channel’s regular rotation, MTV and VH1 will air the clip just once.

Today in Madonna History: January 12, 1993

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On January 12 1993, filming began for Madonna’s Bad Girl music video.  The video was directed by David Fincher and shot on location in New York City between January 12 and 18.

Besides Christopher Walken, the video also featured appearances by actors Mark Margolis, Tomas Arana, Rob Campbell, James Rebhorn, and an uncredited cameo appearance from Matt Dillon, who plays a crime scene detective.

I don’t want to cause you any pain
But I love you just the same
And you’ll always be my baby
In my heart I know we’ve come apart
And I don’t know where to start
What can I do, I don’t wanna feel blue

Bad girl drunk by six
Kissing someone else’s lips
Smoked too many cigarettes today
I’m not happy when I act this way

Bad girl drunk by six
Kissing some kind stranger’s lips
Smoked too many cigarettes today
I’m not happy, I’m not happy

Today in Madonna History: December 28, 1992

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On December 28 1992, Madonna was named one of the 25 Most Intriguing People In The World For 1992 by People magazine.

Here’s what People had to say about Madonna in 1992:

The Movies! The Album! The Naughty Pictures! Once Again Madonna Was Everywhere, Shouting, “Look at Me—Every Inch of Me!”

Intriguing: suggests an air of mystery. Madonna: does everything in public but floss her teeth.

Intriguing: wrapped in enigma. Madonna: not wrapped in anything.

Intriguing: means doesn’t appear on-camera in romantic encounters with Evian water bottles. Madonna: does.

OK—so what’s so intriguing about somebody who lets you know that her lovers require a five-cent deposit?

For one thing, she made ya look. Consider Sex, the photo book in which she had her picture taken doing everything but blushing. Besides proving that a naked Madonna could arch backward over a pinball machine without mussing her hair, it also pushed the envelope out to the size of a circus tent. And when the crowds came pouring in, there she was at center ring, cracking her whip.

It only served her purposes that Sex earned sniffy reviews like “The Empress Has No Clothes” and that it was banned in places such as Japan and Ireland. Coming on the heels of her summer film hit, A League of Their Own, the fuss over her book helped to launch her new album, Erotica, and primed the movie audience for her next assault on their sensibilities, Body of Evidence. Her success at getting the world to subsidize her sexual preoccupations—to say nothing of her mammoth self-absorption—is what makes her worth the $60 million deal she cut this year with Time Warner (the parent company of PEOPLE). Madonna is not the first star to find the bucks in buck nakedness. But no one before her has capitalized so well on human willingness to have our fears and desires repackaged and sold back to us.

Yet this most public of women still strains to be a mystery. This year she went through more faces than Lon Chaney—one minute in Baby Jane pigtails, a cupcake from hell; the next in sour milkmaid gear, Heidi with a mean streak. Her changing gallery of faces is one reason that she’s a sex symbol who inspires a lot of heavy breathing from intellectuals. One landmark of the 1992 publishing list—The Madonna Connection: Representational Politics, Sub-cultural Identities and Cultural Theory. You didn’t get this sort of thing for Petula Clark.

But does she really throw such a mysterious light on our culture? More likely it’s just the glinting gears of a giant publicity machine. Yet the sheer magnitude of her achievement in that regard is, well, intriguing. And the grinding of those gears is surely too loud to be ignored. “I’m a revolutionary,” she once sighed. “And yes. it’s a burden.”

Sometimes it’s a burden for her, we sigh in return, and sometimes for us.

Madonna was a busy woman in 1992! What did you enjoy most? A League Of Their Own? This Used To Be My Playground? Erotica? Sex? Body Of Evidence? 

Today in Madonna History: October 24, 1992

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On October 24 1992, Madonna’s Erotica single hit #3 on the Hot 100 in the USA.

Only the one that hurts you can make you feel better
Only the one that inflicts pain can take it away

Today in Madonna History: August 22, 1992


On August 22 1992, Madonna filmed scenes for the Erotica music video at The Kitchen in New York City with fashion photographer/director/designer Fabien Baron. These scenes consisted of Madonna in the character of her Sex book alter-ego, Dita, miming the lyrics to the song, and would be intercut with a selection of 8mm footage previously shot by Baron during the making of the Sex book.

Baron also served as art director for the Sex book, the Erotica album and single, and later for the Bedtime Stories album and its singles Secret and Take A Bow. He also directed the commercial for her fragrance, Truth Or Dare by Madonna, in 2012.

“She put that book out at the best moment. She timed it very well. She knows what she’s doing. And such drive. Some people want to lift stones and see what’s under it. She’ll be on a beach with millions of stones and want to lift every one of them.”            – Fabien Baron