On October 20 1992, Madonna’s fifth studio album, Erotica was released by Maverick Records.
Music critic Sal Cinquemani commented on the album’s impact:
By 1992, Madonna was an icon—untouchable, literally and figuratively—and Erotica was the first time the artist’s music took on a decidedly combative, even threatening tone, and most people didn’t want to hear it. Erotica’s irrefutable un-sexiness probably says more about the sex=death mentality of the early ’90s than any other musical document of its time. This is not Madonna at her creative zenith. This is Madonna at her most important, at her most relevant. No one else in the mainstream at that time dared to talk about sex, love, and death with such frankness and fearlessness.
On October 15 1992, Madonna threw a Sex book pre-release party at New York City’s Industria Super Studio, and signed all the invitations under her alter ego “Dita”.
During the party, Madonna showed up dressed as Little Bo Peep and carried with her a stuffed toy lamb.
Madonna’s publicist Liz Rosenberg showed concern at first worrying “what the parents of America’s impressionable teens will soon be thinking” but later said that it “all depends on your idea of lovemaking, which in Madonna’s case, should give new meaning to the word erotic.”
Both Walden Books and Barnes & Noble prepared corporate statements that their store managers could share with customers who were offended bySex. Both statements defended the right of bookstores to provide “diversity and choice” to customers and say censorship is not the role of bookstores.
Bookstore owner David Epstein stated that “The feeling of most people who have ordered the book is that Madonna is something special, that this is cutting-edge art, they’re not the kind of people who are buying it because it’s smut and dirty pictures. People are interested in it as art.”
On September 18 1993, Madonna’s Rain peaked at #2 on the Canadian Top 100 Singles Chart, matching Deeper & Deeper as the highest charting single in Canada from the Erotica album.
On September 12 1992, Shep Pettibone left the Soundworks Studio in New York with the completed master of Madonna’s forthcoming Erotica album in his hands.
What is your favourite Madonna / Shep Pettibone collaboration from Erotica?
On August 22 1992, Madonna filmed scenes for the Erotica music video at The Kitchen in New York City with fashion photographer/director/designer Fabien Baron. The scenes filmed consisted of Madonna in the character of her Sex book alter-ego, Dita, miming the lyrics to the song. The remainder of the video consisted of a selection of 8mm footage previously shot by Baron during the making of the Sex book.
Baron also served as art director for the Sex book, the Erotica album and single, and later for the Bedtime Stories album and its singles Secret and Take A Bow. He also directed the commercial for her fragrance, Truth Or Dare by Madonna, in 2012.
“She put that book out at the best moment. She timed it very well. She knows what she’s doing. And such drive. Some people want to lift stones and see what’s under it. She’ll be on a beach with millions of stones and want to lift every one of them.” – Fabien Baron
On July 19 1994, Madonna contributed Goodbye to Innocence to the Just Say Roe benefit CD.
When Madonna went to record her vocals for Goodbye to Innocence during the recording of the Erotica album , she started singing Little Willie John’s song Fever instead of singing the original words. Shep Pettibone and Madonna decided to record it, as they felt it sounded good. As they did not know the words, Madonna called Seymour Stein from Sire Records, and within an hour, they had the Peggy Lee version, and the original version of the song. Fever was the last song to be recorded for the album, in August 1992, and it was finished within a month later.
Lyrics:
I don’t wanna say goodbye
There are some who believe that I owe them something
But they’re wrong, I owe nothing to no one but myself
And there are some who say they created me
But only my parents will have that acclaim
I took it from there, I am to blame
Say goodbye to anonymity
I have to (have to, have to) say goodbye
To privacy, but most of all
To innocence
To innocence
To innocence
My life is not a game that I play to entertain you
And if you can do it better, then you’re welcome to my fame
I’m not gonna waste my time correcting myths and rumors
You believe what you wanna believe
Say goodbye to anonymity
I have to (have to, have to) say goodbye
To privacy, but most of all
To innocence
To innocence
To innocence
I don’t wanna say goodbye
I don’t need a reason to cry
Kinda makes me wanna
Kinda makes me hafta
Stop and think about it
Stop and think about it
Stop and think about it
Do I want to?
I don’t (getting up and down)
I don’t (getting up and down)
I don’t (getting up and down)
Up-up, d-d-down, up-up-up
I don’t (getting up and down)
I don’t (getting up and down)
I don’t (getting up and down)
Up-up, d-d-down, up-up-up
Listen up
It always comes down to this
It always comes down to this
Some people have a snake at the base of their spine
That would suck out your life, that would take all your time
They’re called feeders
They’re not believers but you must not fear it
They’re takers
You know you better stop, stop and think about it
Your innocence
Your innocence
Your innocence
I don’t wanna say goodbye to innocence
I don’t need a reason to cry, innocence
Hold on to your innocence
Hold on (hold on, hold on), hold on to innocence
Hold on
Stop and think about it, say goodbye, think about it
Today In Madonna History 