Today in Madonna History: June 1, 1990

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On June 1 1990, Madonna was controversially featured grabbing her crotch and breast on the cover of Interview magazine.

Madonna was interviewed by Glenn O’Brien at the Disney Studios, where she was rehearsing the Blond Ambition Tour. Here’s a snippet from the interview:

Glenn: Let’s talk about your show.

Madonna: Let’s not. Today was a horrible day. That was the worst rehearsal.

Glenn: Well, I liked it, but I haven’t seen it when you thought it was good. I loved the number where you’re lying on the piano singing a torch song.

Madonna: You saw only one segment of the show. I’ve created five different worlds, and the set is all based on hydraulics. One is going down and another is coming up. The world changes completely. I think of it more as a musical than as a rock concert. There is a straightforward Metropolis section, like my Express Yourself video – that set with all the gears and machinery; it’s very hard and metallic. That’s the heavy-duty dance music. Then the set changes and it’s like a church. We call it the temple ruins. It’s all these columns, trays of votive candles, a cross. I do Like a Virgin on a bed, but we changed the arrangement, so it sounds Indian. Then I’m being punished for masturbation on this bed, which is, as you know, what happens. Then we do the more serious, religious-type material – Like a Prayer, Papa Don’t Preach… Then it changes to what you saw, this Art Deco ’50s-musical set. That’s when we do three songs from Dick Tracy, and then after that we do what I call the camp section. Then it gets really serious again and we go into our Clockwork Orange cabaret set.

Today in Madonna History: July 5, 2010

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On July 5 2010, Madonna began filming W.E. The film locations included London, New York and France.

Madonna on her decision to direct W.E.

“I directed Filth & Wisdom to teach myself about filmmaking… And now, with this self-punishing process of being a producer and a writer and a director, I’m taking the next step.”

Today in Madonna History: June 30, 1997

On June 30 1997, Madonna began recording sessions for what would become her Ray Of Light album at Larrabee North Recording Studios, Universal City, Los Angeles.

Madonna had already spent several months writing songs and producing demos with Patrick Leonard, Rick Nowels and Babyface (although none of the Babyface material would make the final cut) by the time she entered the studio with co-producers William Orbit and Marius De Vries. Leonard would return to the project to assist with arrangements, earning him a co-producer’s credit on four of the album’s tracks. Madonna would add lyrics and melody to at least a half-dozen previously composed Orbit demos during these sessions as well, with six of their songs making the final cut.

One song that came very close to being included on the album, Has To Be, was dropped due to Madonna’s desire to limit the number of songs on the album to lucky number thirteen. In a final toss-up between Has To Be and To Have And Not To Hold, the former was nixed in favor of the latter. Has To Be would fortunately make it to the ears of fans, however, due to its inclusion as a bonus track on the Japanese edition of the Ray Of Light album, and as the international b-side to the Ray Of Light single.

Has To Be was born as a collaboration between Madonna and Patrick Leonard. Recently surfaced demos from their writing session include two early versions of the song – the first is a piano-based arrangement in a similar style to the previous Madonna/Leonard collaboration, Something To Remember, while the second demo is an experimental synth-based reworking.

After entering the studio with William Orbit, Madonna adapted Has To Be to one of Orbit’s previously composed electronic soundscapes. Although the original Orbit instrumental piece with celestial voices has never been commercially released, it had previously aired on Orbit’s weekly radio series, Stereo Odyssey, on California’s KCRW prior to his involvement with Madonna. A sound file of the original instrumental that has circulated among fans is a recording from one of these broadcasts.

Although the released version of Has To Be is substantially different from the early Leonard demos, enough elements from its original melody lines (which were based on Leonard’s piano phrases) were carried over to warrant a three-way publishing split between Madonna/Orbit/Leonard for its official release.

Despite its relative obscurity, in fan circles Has To Be often ranks among her most beloved ballads.

Today in Madonna History: June 29, 1998

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On June 29 1998, Madonna’s Ray of Light single peaked at #3 on RPM’s Top 100 Canadian Singles chart.

As with all the Canadian singles from the Ray of Light album, the title track was issued by Warner Music Canada as a 2-track CD single and as a CD maxi-single. In the U.S., the album’s CD singles were issued in cardboard sleeves with “draw pack” trays and the CD maxi-singles in “FLP digipak” cases, while in Canada the two configurations for each of the album’s four domestic singles were packaged in standard CD jewel cases with printed inserts.

Today in Madonna History: June 28, 1986

On June 28 1986, Madonna’s Papa Don’t Preach single was briefly reviewed in Billboard magazine.

Today in Madonna History: June 27, 2015

On June 27 2015, Bitch I’m Madonna earned Top Breakout and Most Added track on Billboard’s Hot Dance Club Play chart in the U.S.

Today in Madonna History: June 26, 2013

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On June 26 2013, upon hearing the Supreme Court’s rulings on DOMA and Prop 8, Madonna made this statement:

“What a way to start my day!!  I’m wearing a smile from ear to ear. There is a G-D! Justice is served. Hallelujah!!”